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#241 |
Blu-ray Grand Duke
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Hodder & Slaughton are releasing a 50th anniversary edition of Carrie later this month. They're also releasing similar editions of King's following four books (Salem's Lot, The Shining, The Stand, and Night Shift) over the next four years.
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Thanks given by: | Cardboard_killer (03-07-2024), Rich1983 (07-17-2024) |
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#242 |
Special Member
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Dolores Claiborne (1992)
A completely engrossing, dark story that I raced through. I had seen the film a couple of years ago and remembered it fairly well, so I was surprised to find that the book is very different. The story spans decades as Dolores Claiborne is accused of a murder years after being suspected of another one in her youth. It's a powerful tale with very strong characters, especially Dolores herself. It doesn't shy away from disturbing elements, and while this isn't the typical horror novel that King writes it definitely leans into some really nasty territory. It also has a little crossover with Gerald's Game, which was published the same year. This is presented in first-person as one continuous, unbroken dialogue from the titular character as she gives a statement to the police. No chapter breaks, no blank spaces between paragraphs for time jumps. When I discovered this I was a bit worried that it would make for a tiring read, but instead the opposite seems to have happened. The format encouraged me to keep reading for longer sessions than I normally would, and the narrative flows and rolls along completely naturally. While I wouldn't want to read lots of books written like this, as a one off it made for something kind of special. What really shines through here is King's ability to find a character's voice and craft a tale around it, bending things to their perspective and allowing you understand their point of view. I loved it, and at only 300-ish pages it doesn't waste any time. UP NEXT: Needful Things (By the way, I also ready Gerald's Game a few months ago but completely forgot to write a review. I liked it, but didn't love it!) Last edited by LeftHandedGuitarist; 05-26-2024 at 02:45 PM. |
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Thanks given by: | Rich1983 (07-17-2024) |
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#243 | |
Special Member
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#244 | |
Special Member
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Thanks given by: | Fellini912 (07-18-2024) |
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#245 | |
Special Member
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![]() Another link is that the Storm of the Century TV miniseries was also set on Little Tall Island. |
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Thanks given by: | Rich1983 (07-20-2024) |
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#246 |
Special Member
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Needful Things (1991)
Needful Things is classic Stephen King through and through. A small town community are invaded by a sinister evil, the locals minds are twisted and the monsters that hide within people are revealed. It shows us how easy it is to play on people's fears and how necessary it is to just talk honestly to each other. The only thing that's missing here is the protagonist being a writer - instead we get Sheriff Alan Pangborn returning from The Dark Half. The story is set in Castle Rock. I always love coming back here and seeing how the town has changed and hearing about familiar characters (and after this story, I'm very interested in what's next for the town, although I don't think King will return to it properly for a long time). This book is a standalone tale, but it references, and completely spoils, the events of The Body (Stand By Me), The Dead Zone, Cujo, The Dark Half and The Sun Dog. This is also a classic Stephen King book in regards to its length. It's another 1000 page behemoth, and once again it does feel bloated. Chunks of the story could certainly have been cut out without losing the core, but at the same time that would be something of a disservice. The length feels right here. The time is taken to bring the town and the people to life, and while I do feel some fatigue I also find it to be an essential part of what makes me enjoy a King story of this style. Overall I really enjoyed this. Sheriff Pangborn is a great character (and it probably helped that I had Ed Harris from the movie adaptation in my head) who has to deal with some difficult events, and the delightfully evil Leland Gaunt is a fantastic antagonist. We even get the return of Ace Merrill (from The Body) as a deliriously nasty slice of human scum. After taking a good while to set the scene, the whole thing builds with a relentless pace from around 2/3rds in. Unfortunately, King does fumble the ending as he is somewhat prone to do, but it's by no means one of his worst finishes. This is a very complete story and a wonderfully engrossing supernatural horror tale, plus it has a fun off-kilter weirdness to it. I actually got a bit of a Twin Peaks vibe. Last edited by LeftHandedGuitarist; 08-13-2024 at 02:11 PM. |
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#247 |
Special Member
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Finally finished IT. I was underwhelmed. It needed editing with a heavier hand. Also, it felt a little like a repackage of The Shining.
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Thanks given by: | Fellini912 (07-13-2025), LeftHandedGuitarist (08-17-2024) |
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#249 | |
Blu-ray Samurai
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this looks interesting, coming Aug 2025, 800 pages!
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#250 |
Special Member
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Insomnia (1994)
A mesmerising book about aging, death, love and a battle between ancient beings of unimaginable power. This begins as one thing and slowly evolves into something else. It's heavily linked to The Dark Tower series and the connections are extremely satisfying and often fun. One of my favourite things here is that King's protagonists are older people (in their 70s, I believe). It makes for a refreshing and different point of view, allowing a very different mindset in the characters. Ralph Roberts is someone I enjoyed spending time with from the start. The initial set up is that Ralph has been suffering from a peculiar form of insomnia ever since his wife's death. He begins seeing strange things, and meanwhile one of his close friends has suddenly turned into a violent psychopath. By the halfway point of the novel, most of this has no longer become relevant. I'm not sure if the shift in direction into a far more supernatural, mystical story is for the better but I was wrapped up in it. At least, I was once I accepted how silly it was all getting and I think that's largely because King's writing takes it all seriously. It's so easy to be pulled along, and he consistently maintains tension and thrills. But honestly, that first half of the book with its mystery was the stronger part, and the complete side-stepping of the titular 'insomnia' feels a bit of a let down. The writing itself is King very much in his element. Lovely prose regularly interrupted by musings, side stories and very cheesy, unnatural dialogue that still works beautifully. Anybody saying this stuff out loud would sound ridiculous, yet it just works in your head. It got to the point where everything the character Lois was saying just made me laugh: "Ralph, what's wrong? What's happening, Ralph? Ralph, what should we do? Ralph, don't do that! What do you mean, Ralph? Ralph, tell them we won't do it! Ralph, we need to go! Let's go, Ralph! My God, Ralph! Do you see it, Ralph?! Ralph, I'm hungry, Ralph." There is bloat here, but it's manageable bloat if that makes sense. This book certainly has one of King's stronger endings with a particularly good epilogue. I'd also say it's probably the most political book of his I've read, with a significant chunk of the story dedicated to pro-choice/pro-life debates. I felt that the writing here was strong, and he allowed his characters to each have their own opinions. I enjoy coming across King books that haven't been adapted for film or TV, it's nice to go into one knowing nothing about it. Honestly, this one would be tough to translate to the screen. It relies on some visual concepts which are bizarre to say the least, and I can't say the sight of [Show spoiler] would work very well.
Last edited by LeftHandedGuitarist; 02-07-2025 at 10:42 AM. |
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Thanks given by: | Dr. Seymour Love (02-07-2025) |
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#252 |
Special Member
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Rose Madder (1995)
In the first half of the '90s, King wrote a run of books which all told stories about strong women trapped in bad situations. I've thoroughly enjoyed all of them so far, with Dolores Claiborne and Gerald's Game being stellar examples of his ability to find a different voice and write from that perspective. Rose Madder might be weaker than both of those when taken as a whole, but the book is full of incredibly powerful moments and masterful tension. The opening chapter starts the book with one of the hardest hitting things King has written. Rose is married to Norman, a police detective and an abusive husband who has beaten her badly enough to cause a miscarriage. He doesn't care. He has complete control of Rose, and is one of the most terrifying antagonists I've found in any book so far. King doesn't do things by halves, so when we are introduced to how cruel and psychotic this guy is, we're actually only scratching the surface. [Show spoiler] Rose, meanwhile, is an absolutely beacon of light. She gathers the courage to escape, and her journey is nail biting as we come to learn what Norman is capable of. Reading any moment of relief or happiness for Rosie feels genuinely joyful; I was completely invested in her. She continues through her fear. All the parts of the book dealing with Rosie or Norman are gripping. It's some of the outside stuff which I kind of had to push through. Most of the other characters feel weak and underdeveloped. A fantastical element enters the story (with some loose ties to The Dark Tower) and while I adore fantasy, here it stood out as perhaps not quite fitting. Fortunately the magical stuff is vivid and often involving, but these sections tend to flow slowly. They're also a little confusing, using symbolism to reflect Rosie's journey but not being quite clever enough to have impact. The book's ending is also less than I had hoped for, becoming extremely cartoonish and very drawn out. Still, it never failed to have impact, and there's a particular image of [Show spoiler] Plus, it's always fun to come across a King book that has never been adapted for film or TV, making the whole thing a delightful unknown. A strong book, at times excellent, but with just enough about it to prevent me from completely loving it.
Last edited by LeftHandedGuitarist; 04-05-2025 at 02:12 PM. |
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#254 |
Special Member
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Desperation (1996)
King's run of 1990s novels has been largely stellar so far, but it was bound to be interrupted. Desperation is a mess that I found an uphill battle to get through. It all starts well. We are introduced to a variety of travellers on a stretch of Nevada desert highway who all encounter a deranged sheriff. This policeman is an intimidating presence, clearly insane and unsettlingly casual with his violence as he lures in unsuspecting victims. Those who survive their meeting with him find themselves thrown in jail cells in the eerie town of Desperation. The book continued to draw me in as the survivors band together to work out what the hell is going on, but after the first third it all grinds to a halt. There's a lot of talking, a lot of rambling descriptions and not much actually happening. The characters are such a mixed bag of uninteresting. Where's the depth King is so good at? The best characters here are probably Steve - who is essentially a roadie for a famous writer - and Cynthia, a character introduced in King's previous book Rose Madder. On the opposite end we have David, a 10-year-old child who has found God and is both insufferable and poorly written. I couldn't imagine most of the sentences he spoke coming out of a kid's mouth. Meanwhile there are also Ellen and Mary who are almost interchangeable. The rest of the novel is a slow burn of characters talking about what they should do before finally acting (clumsily and very slowly) in the last hundred pages. This is interspersed with some creepy sequences involving large spiders, snakes and scorpions which managed to land as very visceral; this is an area in which King shines. There's also the revelation of what has happened to the town and it's surprisingly incoherent. It's been quite a while since I was this disappointed with a King novel, so hopefully the next (The Regulators) will be more enjoyable. |
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#255 |
Blu-ray Guru
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11/22/63
Finished this great novel a month ago. I wanted to post my opinion about it. Being a big fan of Back to the Future part 1, I really enjoyed the novel which covers similar ground. Portals and time travel are some of my favorite story/fable tropes. There are similarities to The Great Gatsby which I was surprised to notice. For Stephen King fans and readers, some characters from a previous popular novel make their appearance which was an added bonus. There are some things I wished King would have gone into greater detail. [Show spoiler] I truly believe this is one of his best novels. |
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#256 | |
Blu-ray Samurai
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Thanks given by: | Fellini912 (07-16-2025) |
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#257 |
Blu-ray Guru
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The Gunslinger
I started my Dark Tower reading journey. Reviewing Dark Tower reading order guides, it seems I have read enough Stephen King novels to not miss important tie ins with other non-Dark Tower novels. The best way I can describe this novel, in my opinion, is a bit of Cormac McCarthy western mixed with some hallucinogenic drug from Jodorowsky´s El Topo. It felt very unique and different than his other novels. It also felt allegorical (maybe with the later novels it will feel less so). I liked the mysterious open ending, compelling me to read the next novel. I am glad I do not have to wait five years to read the next part. According to the guide I am following, it suggested the 1982 version to begin not the revised version. Last edited by Fellini912; 07-18-2025 at 03:22 AM. |
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#258 |
Blu-ray Samurai
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This one is another solid Holly book. Not top tier King, but worth a read. There's a lot going on in it plot-wise and he says in the afterword that he struggled with it, as well as getting hip surgery in 2023.
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#259 | |
Blu-ray Guru
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There are some points I would like to make. The Tarot plays a heavy hand in this novel and I strongly believe it was King’s main inspiration for this part of the series. In the Gunslinger, the man in black draws 7 cards to define Roland’s future 1) The Hanged Man (card 12 from the tarot) 2) The Sailor 3) The Prisoner 4) The Lady of Shadows 5) Death (card 13 from the tarot) 6) Tower (card 16 from the tarot) 7) Life Three are from the actual tarot. The other 4 are the man of black’s variations. As much as King tries to be original with the other non tarot cards, they are shadows of the original cards. For example the Prisoner is a variation of the Fool (the card that has no number). ![]() Instead of a baboon on the man’s shoulder, it is a dog like creature at the man’s thigh. For Odetta/Detta’s card it is a version of the chariot (card 7 of the tarot) ![]() Besides the cards that Walter drew in the Gunslinger, there are other tarot cards that show up in the novel. I do not need to explain how the moon card (card 18) is used in the novel. See for yourself (I love the beginning of the novel). ![]() The reading order guide that I am using recommends reading Talisman first. Are Eddie and Odetta dimensional twins of the gunslinger? I believe King implies it by their use of The Gunslinger’s guns, but he does not explain how or why he can enter their mind/body. Highly recommended! Last edited by Fellini912; 08-15-2025 at 02:42 AM. |
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Thanks given by: | Dr. Seymour Love (08-15-2025) |
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