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#3381 | |
Site Manager
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About the letters not being readable, well you weren't supposed to read them on the screen, they were a giant huge "ämbient" SFX, a moving background thing to make the movie more art-like. Now, if you can barely see them on the transfer that's another matter. I still haven't goten my BD copy yet. |
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#3382 |
Blu-ray Ninja
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Maybe we need a Dracula: Coppola Digital Color Grading Discussion thread.
![]() I got two questions specific to paidgeek: This is the director-approved digital color graded transfer, right? How hard would it be to create a font set for BD for all subtitle languages that looks like the original theatrical fonts? (puts in $20) fuad |
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#3383 | |
Active Member
Jan 2007
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That's all I'm saying. many people who now have the BD have said the EXACT same thing. If you were alluding that the old SB dvd and Laserdisc transfer were WRONG and this is right, I would disagree. Now Coppolla has VERY right to tweak his film. I'm just pointing out the difference between the BD and the SBdvd. Now unless the dvd and the Criterion laserdisc were WAY off in these scenes, (something nobody has ever suggested...) then this release has had these scenes changed. That's all I'm saying. Last edited by Dave Mack; 09-22-2007 at 05:46 PM. |
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#3384 | |
Site Manager
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Heh this is almost getting to John Badham's Dracula video transfer proportions ![]() *is a Dracula "fan" |
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#3385 |
Active Member
Jan 2007
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Ok, let's NOT go there!
IMHO, that was a BIG mistake. I loved the way that originally looked! I still have my old VHS! Saw it opening day in NYC at the Ziegfeld. Scared the CRAP out of me when Mina came up to Van Helsing in the mine tunnel. And, yes, I still reccomend the new BD of BS Dracula. In some ways the newer color scheme does work well. The scene with Vamp Lucy in the crypt is much better as before I thought it was too bright and WAY too blue looking. Wasn't creepy. Now, creepy. ![]() Last edited by Dave Mack; 09-22-2007 at 06:11 PM. |
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#3386 | ||
Retired Hollywood Insider
Apr 2007
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Somebody here e-mailed me this link and I really have to publicly respond to this because it again involves the “insider”
![]() It regards my post below that was copied onto the Insider’s Thread of AVS (they truly must be bored over there with no blu-ray insiders left to bash ![]() https://forum.blu-ray.com/showthread...ive#post195045 Now below is the delayed micro-analysis of the above post on AVM$........................ Quote:
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http://www.avsforum.com/avs-vb/showt...7#post11697847 ^ Dang, don’t those people have anything else to talk about on that forum? My response, for the record………………. No pepar, what is appalling is despite the request for anonymity by paidgeek to the moderators of AVM$ (as documented on page 1 of their Insider’s Thread), Amir intentionally tried to reveal paidgeek’s full name on that forum (by referring to paid by what he thinks is paid’s actual first name) in the same coy fashion that he did with talkst8t in the past. It was the same unprofessional antagonistic behavior repeated by the A-man but, this time it was directed at paidgeek. The history of the above (with links) is documented either on this Insider’s thread or the thread on this forum only open to actual blu-ray.com members. I presume the “outing information” was gained by Amir thru contacts at WB or Dolby, certainly not SPE. Nevertheless, I felt that if Amir is sooo comfortable in disregarding the basic requests of other Insiders on AVM$ by attempting to reveal their identity all over the internet, Amir or anyone else should have no trouble dealing with the knowledge that Amir is at least one executive level below the geek. And the actual point of my reply to you was to enlighten you as to not expect paidgeek to respond to questions as quickly as you might hope for given his real-world responsibilities. If I were to have simply said that the geek is “busy” it would not nearly have had the same effect. Hell we’re all “busy”. Anyway the above is all old news, I can’t believe those people are dredging it up all over again nearly one month after the fact. |
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#3387 | |
Retired Hollywood Insider
Apr 2007
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![]() I think more important factors to consider regarding the capture and final effect seen in your home theater are things like the type ($$) of lens used, lighting, electronic shutter setting etc. (The devil’s in the details). The biggest problem I’ve seen with concerts is that sometimes they are partly shot on film and partly on video and when you try to edit them seamlessly together, the results are often less than satisfying and actually annoying to many people. That shouldn’t be problem with this footage as captured at Royal Albert Hall. |
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#3388 | |
Special Member
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#3389 |
Active Member
Sep 2007
Vikingland
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So this is where the party is
![]() Any chanse we get to see The bridge on the river Kwai this year? How about any other classics? |
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#3390 | |
Retired Hollywood Insider
Apr 2007
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![]() Re. The Bridge on the River Kwai This year…………no way. Plan on being able to purchase it next year. ![]() B.T.W., people tell me that they've actually re-built the bridge over that river since WW II. I think it may even be a tourist destination these days. |
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#3391 | |
Blu-ray Ninja
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#3392 | |
Special Member
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#3393 | |
Blu-ray Insider
Jan 2007
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#3394 | |
Expert Member
Jul 2007
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that's great to hear. |
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#3395 | |
Member
Aug 2007
York, PA
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#3396 | |
Blu-ray Ninja
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I can well understand the motives of Toshiba, Universal, and even Paramount.... Or is it perhaps the cost of production that's making a separate master prohibitive, as has been implied before? Is the cost of mastering for Blu-ray / HDDVD significant? My general understanding has been that the costs was that it was something being done for DVD anyway... |
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#3397 |
Special Member
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I think the biggest thing with WB and the encodes, is that it would cost money to re-encoded the film just for BD to take advantage of its bandwith and capacity. That is the only thing that i think would keep them from just making one encode and sending that to the replicators.
That's what it comes down to it, money. And not because it is more expensive to do a BD encode than a HDDVD encode, maybe a bit more. But since they make the encode to fit to HDDVD standards and is already HD they believe that that is all that is required. Something else to ask to the insiders, if they have the VC-1 encoded to fit on an HDDVD, and they re-encoded to take advantage of BD capacity and bandwith does it affect the encode picture(Quality)in a way that time has to be spent tweeking it again? If so how about offering to do some re-encodes for them for free for BD only to see the difference, maybe that will change their mind? Hint hint. ![]() |
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#3398 | |
Junior Member
Sep 2007
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#3400 | |
Blu-ray Prince
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WB still has a lot of titles exclusively on HD DVD so their not keeping parity with HD DVD too well in this respect. ![]() Edit: I really do think WB is one of the studios in the forefront, but I can see the IME excuse coming from Warner again in regards to my statement above. If WB wanted parity then maybe they should release all titles w/o IME so this way both HD DVD and Blu-ray can truely be equal ... it's just a thought. ![]() Last edited by rdodolak; 09-23-2007 at 02:19 AM. |
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thread | Forum | Thread Starter | Replies | Last Post |
Official Custom Cover Art Thread(Archived Posts) | Blu-ray Movies - North America | Trean | 2598 | 05-21-2009 07:22 AM |
Archived: Ask the Insiders: Judgment Day Edition | Insider Discussion | Chris Beveridge | 3039 | 01-15-2008 11:34 AM |
Should the old insider's thread be archived? | Feedback Forum | DJeffries | 4 | 12-16-2007 07:54 PM |
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