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#41 | ||
Blu-ray Knight
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#47 | |
Active Member
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a) If UL were interested in checking worst case heating of an amplifier, they surely wouldn't be testing it at some rated distortion that required pushing into clipping. It would be at 1/3d the max rating--as that generates the most heat, and is actually much closer to actual use conditions, since no unclipped audio signal can heat an amplifier like a sine wave. b) Below clip, the sound quality, fidelity, dynamics are totally unaffected. Only the max output is reduced. The switch is there because folks like to put AVRs inside cabinets with less than ideal air circulation, and this is an easy way to avoid them shutting down unnecessarily, or worse. Based on the above, their advice to avoid using those switches is misguided. |
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#48 |
Active Member
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That's not how bi-amping works. By driving two amps @ 140w into your speakers, you still have only 140w available. The voltage at the speaker terminals is not increased by biamping.
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#49 | |
Blu-ray Samurai
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#50 |
Blu-ray Samurai
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Yeah, but each driver could theoretically draw 140 W, so the speaker as a whole could (in that case) draw up to 280 W.
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#51 |
Active Member
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#52 | |
Active Member
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The maximum power into the load would be a square wave going from +rail to -rail. All current, no voltage across the output transistors (or high voltage when there's no current). No heat in the amp, all the heat in the speaker. It has been standard practice to use 1/3 power as the heat stress point. Here's a quote I found in my first search: >>If a manufacturer chooses to quote a power rating at 4 ohms in their advertising, the amp must be capable of delivering this much power after a 'warmup' period of operation at 1/3 power (which level actually dissipates more heat in the output stage than full-power operation).<< Here's an even better article. See Fig. 4 which shows dissipation in a class AB amplifier--which I am assuming is the type we are discussing in typical AVRs. Last edited by srrndhound; 03-31-2010 at 04:09 AM. |
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#53 | ||
Blu-ray Champion
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![]() When you use two 100 Watt sources to bi-amp a speaker, there will be some MAGIC involved. You will not get 200 Watts. You will get 400 Watts. This is Big Daddy's new math: ![]() ![]() 100 Watts + 100 Watts = 400 Watts First of all, you cannot add power or Watts. Power and work do not exist until some action takes place. In the case of speakers/amplifiers, you will need to add voltages. Assume we are bi-amping a speaker by sending 28.3 volts to the mid-rage/tweeter and 28.3 volts to the woofer. Furthermore, we assume the impedances of all the components are equal to 8 Ohms. The relationship between power and voltage is as follows: Power = Voltage^2 / Resistance Therefore, 28.3 volts is equal to 100 Watts for an 8 Ohm speaker.. Power = (28.3^2) / 8 = 100 Watts When we bi-amp a speaker by sending 28.3 volts to the woofer and 28.3 volts to the mi-range/tweeter, the total voltage will be 56.6 volts. Total volts = 28.3 + 28.3 = 56.6 Volts Total Power = (56.6^2) / 8 = 400 Watts It is all magic. ![]() ![]() Last edited by Big Daddy; 04-07-2010 at 01:59 AM. |
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#54 | |
Blu-ray Grand Duke
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![]() Maybe you could help me with a little math problem. I realize impedance ratings for a system (speakers) is just an average because the ohm's fluctuate with a given frequency . How does this in turn effect the load on an amplifier when bi-amping or does it ? |
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#55 | |
Blu-ray Champion
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If you are using the rear channel amplifiers of a receiver to bi-amp the front speakers, it really doesn't make any difference as the receiver still assumes that they are connected to two different speakers. However, if the individual drivers have impedances that go below the capability of the receiver, you may have a problem. Most people use passive bi-amping and rely on the internal crossover of the speaker. The benefit of passive bi-amping is limited. The most beneficial type of bi-amping is to use an external active crossover network as demonstrated in the following diagram. As you mentioned in your post, it is true that a speaker or driver’s impedance is not constant and varies with frequency. For example, a speaker with a nominal 8 Ohm rating can fall below 4 Ohms at certain frequencies. If the current reserves of the amplifier are not sufficient to sustain its output wattage into low impedances, the amplifier will run out of juice, at the time when the extra power is needed most. This can explain why some very high quality 50 watt per channel amplifier may sound less strained than another unit rated at 200 watts per channel. When you are connecting two speakers to the same amplifier, then impedance becomes a major concern. For example, if the two 8 ohm speakers are connected in parallel, the impedance will drop to 4 ohms. If they are connected in series, the impedance will rise to 16 ohms. When the impedance drops, more current will flow into the speakers. When the impedance rises, the current going to the speakers will drop You can add two amplifiers to the same speaker in two different ways:
Sorry about the long post. Most probably, I got off the subject. It is your fault for asking tough questions. I am tired now and need to rest. ![]() Last edited by Big Daddy; 04-10-2010 at 05:22 AM. |
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#56 | |
Blu-ray Grand Duke
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![]() ![]() My system is connected like the diagram shown (without the electronic crossovers) for the 5 different channels . Is this considered serial or parallel ? ![]() Last edited by Big Daddy; 04-10-2010 at 05:21 AM. |
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#57 | |
Blu-ray Champion
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Your connections are neither series nor parallel. Series and parallel apply to connecting two or more speakers to the same power source like one of the following diagrams. Series Loudspeakers: ![]() This connection would give a final impedance of 8 ohms. ![]() Parallel Loudspeakers: ![]() This connection would give a final impedance of 2 ohms. ![]() |
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#60 | |
Active Member
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One can only play the different power rating game when the crossovers precede the amplifiers. |
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