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#12262 | ||
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Been away for a few days but had to respond to a couple things.
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CD sales are half what they were a decade ago because the music industry as a whole is suffering. A mere handful of multi-national media corporations have a strangle-hold in controlling what musical trends and styles get distributed to the general public. They have not been allowing popular music to change naturally. Up until 1990 major house-cleanings in style would occur at least every 3-5 years. That's great for music lovers. It's volatile, unpredictable and just plain risky to investors and business people. The companies controlling popular music production, distribution and airplay have been trying to spit out the same old thing for more than a decade. Not much has changed in popular music over the last 20 years. This is the fundamental reason why sales are in the toilet. The music is hardly interesting anymore. Quote:
Apple is working very hard to keep its products fashionable. The company does more than any other computer manufacturer to stick its products into movies, TV shows and music videos. So much Apple product placement is happening that if someone tried to gauge what types of computers people used based on what types of computers are seen in movies and TV shows that person would think 90% of Americans used Macs. If Apple were really charging a price closer to the market average for computing hardware the company's profit margins would be far more slim just like so many other computing companies. Fashion bails them out on that. Without the fashion factor Apple probably would have to do like so many PC companies: load the machines with crapware to subsidize an attractive low price. Avoidance of crapware is one of the few compelling sales points in favor of buying a Mac. You can get crapware-free PCs by either building your own or paying a premium for something like a Dell Precision Workstation. Mac vs. PC OS talk is pretty meaningless. Applications are the real deal. That's what really determines whether a platform is successful or not. I like Adobe quite a bit. Their apps like Photoshop and Illustrator have all the same tools and functions regardless of whether they're running on a Mac or PC. |
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#12263 |
Blu-ray Ninja
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Jeff,
After this site's review of Kenneth Branagh's Hamlet, a few questions have been raised. Did WB source the transfer from a 65mm print or a 35mm print? Is this the same transfer that was supposed to have been released in 2007 on Blu-ray and HD-DVD? TIA |
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#12264 | |
Special Member
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#12265 |
Power Member
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I try pretty hard not to have a "new music sucks" attitude. It's just that so many of the bands being allowed major label contracts and music releases have such derivative material. The studios are either signing derivative, predictable bands or forcing the bands to create predictable, derivative music. I really feel sorry for teens and 20-somethings these days. The music of their coming-of-age years has little identity to it. The music of the 1950's, 1960's, 1970's and 1980's all had very clear identities. Even some of the 1990's music had an identity. Since then it's been a big question mark.
In trying to control a creative type of product as if one were selling widgets, the music industry has ended up in a long term decline. They have been trying to control the type of product being sold in order to protect profit margins and keep things dependable. But by avoiding risk and taking chances on revolutionary new ideas the music industry has done even greater, more broad-based harm to itself. There is a lot of music industry executives who really know their stuff and would probably agree with what I'm saying. You really have to keep content fresh. Unfortunately, the boss of a recording label is not his own boss anymore. He's getting orders from up on high dictated from people who don't know squat about the music business or anything creative at all. Bean counters who spend all day looking through reports and spread sheets are the ones calling the shots. Last edited by Bobby Henderson; 08-13-2010 at 04:01 PM. |
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#12266 | |
Active Member
Jun 2008
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#12267 | |
Power Member
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#12268 |
Power Member
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Sure, music downloads have had some effect on CD sales. But it is not the sole cause of why CD sales have plummeted. The music industry on the whole, regardless of how the music is being purchased, is not doing nearly as well as it did in previous decades. The main reason why CDs aren't selling so well is there's not very many worth buying.
I still buy most of the music for my collection on CD. But my purchases have dropped off seriously over the last 10 years. Not only is content stale on the broad average, but the standards of practices in how music for CD or download is mastered has been a serious turn-off as well. If you have access to a sound editing application try this experiment: import audio from a classic CD created 20 years ago and then import audio from a new release. The old music has the waveform pretty much all in view, nothing clipped. The new music is clipped all to hell. The peaks and valleys are badly clipped in the effort to make the music louder, but a great deal of audio detail is lost in the process. This effectively ruins the purpose of buying a CD for higher fidelity than a badly compressed music download. 5 billion iTunes sales (if that figure is accurate) is still hardly a replacement for physical album sales. Instead of paying $12-$20 for a physical CD, most people are just buying 1 or 2 tracks al a carte at 99¢ a pop. Apple, Amazon or whoever will take their cut of that sale leaving the record label with a lot less than it would have earned with a CD purchase. |
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#12269 | |
Special Member
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In my opinion, the pirates and the high cost of CD's drove the digital download paradigm, not the aversion to physical media. That was purveyed by the RIAA itself. |
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#12270 |
Active Member
Jun 2008
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This is where we will have to agree to disagree on ^. I will definitely try the experiment, I have read a few articles speaking directly on point on how new music is being clipped. Thanks for the suggestion.
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#12271 | |
Power Member
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I agree CD prices have been ridiculous. I often like to point out an example involving The Eurythmics. I bought a copy of their greatest hits CD back in the early 1990s for around $17 or $18. I paid under $15 for The Eurythmics greatest hits DVD, which featured more songs (music videos no less) and the audio in PCM CD quality stereo.
The sales model with pre-recorded music is a bit different than movies. Some albums just keep selling well for years on end and can even command the same price as a new music release. This is certainly true for certain titles from AC/DC, Led Zepellin, Eagles, etc. Overall, the music product must have value in order to attract purchases. The music has to be great as a fundamental rule. And then the product needs some bonus content. Some of that has been on a long slide since the 1970s. 12" Vinyl LPs often had posters, stickers, lyrics on the disc jacket, etc. -not to mention better cover art. Cassette tapes and compact discs couldn't duplicate that. You'll certainly get none of that swag with a 99¢ download. Ultimately, if the music is good enough it will sell well. Right now that isn't happening often at all. The chart topping acts of today just aren't as big as those of previous decades. "Dinosaur" acts like U2 and AC/DC are raking in huge amounts of money on their tours. Lots of teens and people in their 20's are into music from 1970s and 1980s bands like AC/DC. That's not how it's supposed to be. When I was growing up my parents had their music and I had my own music. That's not really the case these days. And when the music acts are young, they're often playing music that sounds like their parents' music. That should be a big clue to the record industry folks. Quote:
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#12272 |
Blu-ray Samurai
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The dilution of popular music quality goes hand in hand with the rise in digital download. Plenty of people are content to spend 99¢ on the popular track, but won't spend $12.99 on an album that has 11 other songs as filler. The state of music and radio today is absymal. When NPR runs a pledge drive I switch over to pop radio, I hear what's popular that month, and within 3 days I'm sick of every single song. Pop top 40 has become pop "the 11 songs we're paid to make you hear every day".
The one saving grace for music right now is how accessible self publishing is. Some of my favorite artists are publishing their own music without help from the record companies. More of the CDs I buy today than not do not have a major label association. |
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#12273 | |
Active Member
Jun 2008
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That is an excellent question and one that certainly can be debated. There was a very good article where author claims "If music executives sold bottled water they'd be calling for a ban on tapwater downloads." If the music industry executives spent more time in the beginning developing payment schemes for downloads instead of suing some 13 year old perhaps the illegal downloading could have be mitigated sooner. |
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#12274 | |
Special Member
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#12275 |
Power Member
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Radio is another big part of the problem with the music industry. Disc jockeys often have strict play lists due to payola between record labels and companies who control lots of radio stations. Payola is illegal, but not if you use a third party calling himself a consultant or some other nonsense.
The poor quality in radio broadcasting gave rise to satellite services like Sirius/XM. And now that those two are merged other Internet-based radio services like Slacker and Pandora have become more popular. I think some of those services are doing more to discourage purchases rather than encourage people to buy music. Why bother if the quality difference in audio between the radio version and iTunes version is barely noticeable? Self-publishing could be a key to cleaning up the music business and getting it on a more honest and fresh footing. Technology has improved so much that one can produce and edit high quality music without having to spend countless thousands of dollars on equipment. Distribution and promotion can still be tricky. Professional skill and experience are required to do those jobs right. However, a band that grows popular enough may be able to afford hiring the right people for those duties without having to involve a record label food chain. |
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#12276 | |
Active Member
Jun 2008
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"The main reason why CDs aren't selling so well is there's not very many worth buying." |
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#12277 | |
Special Member
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That's why I only listen to radio stations like WXPN (U of Penn public radio), which play an eclectic selection of music (World Cafe, etc.) that you'd never hear on the Top 40 stations. I can't count how many new (to me) artists I've heard on WXPN, and promptly added their CD's to my collection. |
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#12278 |
Active Member
Jun 2008
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#12279 | |
Blu-ray Samurai
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#12280 |
Blu-ray Knight
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Jeff or Bill,
Sorry if I missed it somewhere, but can you confirm if the DVD and "digital copy" (and packaging design, of course) is the only difference between the Toy Story 3 sets? Am I going to miss any extras if I go with the slimmer package? Is the 3D copy that was rumored to be in the combo set being held for later or maybe a CE promotional exclusive? |
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