Here we goooo!
(the screenshots here aren't new and don't necessarily link with what was shown, they just help to illustrate)
Famitsu got a big scoop on The Last Guardian in this week's issue, with a world's first play sampling and a developer interview. I won't have access to the magazine this week, so here's a second hand report based off
our usual source for super detailed Famitsu summaries.
DEMO PLAY
The magazine was able to get an early glimpse at the game in action. The demo the magazine saw was made specifically for demo play and offered situations different from the main game. Director and game designer Fumito Ueda walked the magazine through the demo.
When you first start off the demo, Trico will quickly fall asleep because of the inability to communicate with the boy main character. You can place something Trico likes in front of him, and his nose will move as he sniffs it. One example of a thing Trico like is barrels. You'll be able to use these as a means of starting communication with the creature.
This has been said in the past, but Trico moves of his own free will. He'll approach things that interest him -- things like barrels, small animals, grass and so-forth.
To advance in the demo, you'll need to make use of Trico. You can toss jars that release smoke. This will interest Trico, and he'll approach. If you get Trico in the correct position, you can climb on his back in order to get to the second floor of the demo area. This type of climbing mechanic makes use of the colossus collision detection schemes from Shadow of the Colossus.
Once you're up to the second floor, you'll find those armored guards that have appeared in past trailers. You'll need to move while taking care to avoid being seen. As the boy can't fight, this means hiding as you advance. You can also move to higher ground, as the guards can't follow because their armor is too heavy. The boy is also faster, so he can outrun the guards. While you can't use weapons against them, you can run into them to make them lose their balance, then flee during that instant.
The game doesn't immediately end if you're captured by the guards. They'll carry you off, but even in this state you'll be able to escape. However, if you're carried off to a certain spot, the game will end.
The guards will in general try to capture the boy. However, if Trico is in the way, they'll also attack him. They won't actually attack the boy, however -- they'll just attempt to capture him.
Trico does appear to have a life meter of some form. It's not something that you can see, but it may be internal. It looks like Ueda did not say what happens if Trico incurs too much damage from the guards and that "life meter" runs out.
Back on the demo's second floor, you'll find a switch which you can press. After doing this, you return to the area where Trico has been waiting. You'll need to make use of Trico to open a door and advance further. This is apparently where the demo came to an end.
Famitsu seemed to be impressed by the demo session, describing it as "exceeding expectations," and "reality that exceeds real."
The timing of this demo reveal article would suggest that the rest of the gaming press will get a look at the Game Developers Conference this week, so it's possible that we'll get some first hand English impressions and maybe even gameplay videos shortly.
COMMENTARY FROM UEDA
Ueda told the magazine that the thing he wants people to note from the demo are Trico's detailed actions. He has a number of reactions even when he's sleeping. Even the motions of his ears will change depending on the surrounding sounds.
As with past interviews, Ueda spoke quite a bit about the game's physics engine. As an example of the engine's robustness, he mentioned the movement of Trico's ears when they collide with a wall. The movement is not based off an animator's work, but off physical collision detection. Animators do have control over muscle movements, though, so they can make it so that Trico's ears will stand or fall.
Ueda also highlighted some of the boy's actions. When you approach a wall, the boy will put his hands against it. Similarly, the boy will touch Trico when you approach it. The reason for these details is to give the game world a feeling of existence by having the character itself identify and touch objects naturally.
Other points mentioned by Ueda:
- The game uses a fake language for narration.
- They're looking into the possibility of showing support info. This is an area that Ueda is worrying about.
- Trico won't eat just anything. If he eats something he doesn't like, he'll spit it back out.
- One of the concepts of the game is "height." There'll be situations where we'll see Trico jump.
- As you repeatedly communicate with Trico, it will become easier to advance in the game.
SCREENSHOTS
Joining the interview text, Famitsu delivered a bunch of new screens. It's hard enough to describe screenshots textually, and even harder to summarize a Japanese description of those screenshots, but here goes:
- A shot of the boy main character walking through a ruins area. This is apparently an area that Trico cannot enter.
- A shot of the boy slowly approaching a sleeping Trico.
- A shot of the boy climbing up chains. You'll be able to perform a variety of actions, including calling out to Trico, petting Trico, grabbing things, climbing and so forth.
- A few screens showing off the effect of light falling in on dark areas -- for example, light falling in from above into a dark, enclosed area where you see chains, a stone floor, and dirt.
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