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#2461 |
Blu-ray Samurai
Apr 2011
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#2462 | |
Member
Jul 2011
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#2465 | |
Expert Member
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Same as if you saw Alien on day one in theaters. It would have looked pretty darn perfect. Ridley Scott gave us that version on blu-ray (granted with a color timing change, but most are fine with that). If you saw the original theatrical release of Blade Runner, Scott included that same version in the 5 Disc Ultimate Collector's Edition. A pristine, theater-quality image and uncompressed surround sound. Realistically, that's all UOT fans want. Me personally, i wouldn't care less if the image was less than pristine, as long as it's in the same resolution as the SE OT, and with the same treatment to the audio quality as the SE OT. Us "whiners" just want something better than a non-anamorphic dvd copy of a laser disc master that was meant for SD tv's. |
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#2467 | |
Senior Member
May 2011
USA
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Good post. As someone who disagrees with George's stance and hopes for an eventual restoration and Blu-ray release, which I definitely believe will come, I still agree with you. This quote from him last fall regarding next month's set sounds more encouraging than "they don't exist anymore". It seems to leave the door open somewhat. Only time will tell: "We’ve been working on them(this BD set) for quite a while,” Mr. Lucas said, “but still, there are pipelines. Unfortunately, the recent releases get priority over what we call the classic versions of things." |
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#2468 |
Special Member
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![]() At the very worst it would look like the Blade Runner workprint BD as that was scanned from an actual theatrical projection print. Which, if I was not given a choice, is fine with me. But there's no real reason it wouldn't look much better than that. |
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#2469 | |
Blu-ray Samurai
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#2471 |
Expert Member
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#2472 | |
Active Member
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#2473 | |
Active Member
May 2009
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Truth is, for a lot of us, those first two prequels are unbearable, just as many of us find Spongebob to be annoying as hell, while some people manage to find him charming. Not because of comparisons made to the original films. Not for me, at least. But because of all all the half-witted humor; early draft-like writing and staging and development; emotionless-wooden and many times, simply unnecessary dialogue in place of something a simple gesture of the eyes could have said better; and Twilight-esque unemotional, unengaging, unnatural romance obviously written by someone who knows very little about romance (for example, Ani comes across as whiny, childishly I might add, in a few scenes with Padme, something women would naturally find very unappealing). They had some great effects, and each film has some fun sequences, such as the pod race (which would be solid without the stupid announcers) and the assembly line scene (which could have done without 3POs dumb moments). And we keep hearing the excuse that these films aren't for our age group. Well neither is Toy Story 3! But that film manages to bring together youthful humor with "grown up" themes, offering up a compelling sequence where a situation looks dim, and the characters brace themselves for an inevitable death. We know isn't going to happen. But the moment feels almost real anyway, despite its cartoon settings. And its because of that tone, that when they are saved, you are on the edge of your seat, even though you've seen the last minute rescue a million times and know for a fact that Disney would not kill off all the main characters in a kids film. I grew up with Star Wars on VHS. I was about 8 when I saw its sequels, but for the longest time, I was familiar with just the original Star Wars. Kind of like how an entire generation experienced it in 1977. Say all you want about effects back then. They were of their time, just like CGI in films today is of its time (and becomes outdated just as fast, as CGI is something that is constantly outdoing itself and evolving). Anyways, without the context of its next two films, or that of the eventual prequels, Star Wars was just a fun film, about good and evil. A fantasy adventure in space. One where the main character is like many people out there, living a boring life day by day and constantly dreaming of more, and constantly being held back by something. It was a charming sense of relatability. If that is indeed a word. When you're not worrying about who Vader really is or what happened to the Jedi, Star Wars is just a really fun film that is a call back to the serials Lucas grew up with. When I watch that film, that is what I see. I love Empire equally, for different reasons. Its compelling in a different way. There are moments in Jedi that I don't like, but it is a good combination of the fun adventure of Star Wars and the pathos of Empire. Also, the conflict between Luke and Vader is great. If I were to compare the lightsaber battles of the prequels to any of the original trilogy, clearly this is the one that should be made an example. The choreography of the prequel lightsaber battles were incredible, but often overstated. Perhaps not enough emotional conflict. Having characters that can seemingly do anything and everything and be mindful at the same time.. well, sometimes that is not as compelling. The Ani/Obi Wan fight came close, but it was often about stunts or set pieces. But return to that Vader/Luke battle in ROTJ. The set was just darkly lit platforms. Obviously, they are not hopping around on little floating droids. Yet somehow, that 1983 battle was more compelling. I wonder how a sequence involving two friends fighting each other is not emotionally aggressive and suspenseful? It's just lightsaber dazzles made for us to go "Eww" and "Awww." Also, another is issue is that if during a fight sequence, you never really get the sense of the main antagonist becoming overwhelmed both physically and mentally, it just feels like an exorcise of the eyes, not of the mind, which if stimulated during a movie, is all the more satisfying. That is the true definition of being on the edge of your seat. Anything less is just purely superficial. |
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#2474 |
Special Member
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![]() Your post sums up my feelings very well. Funny thing... For years I wanted to hear NPR's dramatization of SW, excited to hear all the stuff that wasn't in the film. It's a good listen. Most of the added dialogue is in the first few episodes. By the time I finally heard it, ROTS had already come and gone. That's the only prequel I've seen multiple times, and listening to the NPR version's expositional, political scenes it's clear that as far back as ANH, in those early scenes, Lucas's scripting could feel just as arguably plodding. I've already ordered the Complete Saga and look forward to giving TPM and AOTC a fair shake, but it's that first draft, married-to-your-material, dialogue you mention and the high drama followed by alternately intense action/low comedy sequences I wonder if I'll find more successful now. Especially after having seen films like THE HOST, which plays in the same tonal schizophrenia, and which is beloved by many. I know that's apples and oranges. Sorry to go off-topic. I think this damned summer flu is making my brain fuzzier than a tribblesque Wookie hairball. Last edited by IronWaffle; 08-26-2011 at 11:16 AM. |
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#2475 | |
Expert Member
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#2476 | |
Active Member
Sep 2009
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There are no doubts about the dynamic range of film. But the fact of the matter is that the degradation which is inherent in the process of converting film negative to release print is why Lucas chose to shoot digitally. If you consider that the original release prints of Star Wars in 1977 were most likely no better than 720p----far less than the clarity that current 2K digital projection offers today. In the current environment, a 2K digital projector will exhibit higher resolution than is currently delivered on release prints to the theatre, and will exhibit substantial image sharpness and clarity due to the better system MTF that preserves higher contrast in the mid frequencies. The images produced should be more striking than the competing (release) film images. Scenes will still exist where the digital structure of the system will be apparent in the image, and a comparative film clip will be smoother. http://www.etconsult.com/papers/Tech...Resolution.pdf Frankly---a 4k or 1080 scan of the original unaltered negative would yield a product on Blu Ray that far surpasses what audiences saw in 77'. |
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#2477 | |
Member
Aug 2011
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Yancy |
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#2478 |
Blu-ray Guru
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The composited shots perhaps... but any of the shots with little to no effects would exceed 1080p
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#2479 | |
Active Member
Sep 2009
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You are confusing the resolving power of the original negative with the release print. Nothing on the release print(what the audience sees on the screen) goes above 700 - 800 lpph(i.e 720p)...far less than the resolution afforded by 1080p/24p Blu Ray or digital 2K(let alone 4K) This international study confirmed it: ![]() http://www.etconsult.com/papers/Tech...Resolution.pdf |
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#2480 | |
Expert Member
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I'm really excited to read the review of the PT films on this site. It'll be interesting to hear some fresh takes on it from a blu-ray.com reviewer some 10 - 15 years later. |
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