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#27581 | |
Blu-ray Ninja
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![]() I tried to put it into words, but it's really hard to get across why I like it so much. It's something to do with the writing. I tend to admire good screenplays it seems. 2001 is certainly a test for anyone who thinks The Descendants is boring. I know you like There Will Be Blood. That's one that people often say is boring. I love it of course. |
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#27585 |
Blu-ray Archduke
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#27589 |
Blu-ray Knight
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#27590 | |
Blu-ray Archduke
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#27591 | |
Blu-ray Knight
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#27592 |
Blu-ray Ninja
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I made it to the end!
100. Broadcast News (1987) Comedy, Drama, Romance, 133 minutes Directed by James L. Brooks Starring William Hurt, Holly Hunter, Albert Brooks and Jack Nicholson ![]() If you watch television at all, you have almost certainly seen something that James L. Brooks was involved in. He was a writer on Taxi, Lou Grant, Rhoda and the Mary Tyler Moore show and continues to contribute to The Simpsons. His first film, Terms of Endearment, took home five Oscars, with Brooks being credited for three of them. Broadcast News is a blend of comedy, drama and romance. When I first watched it over 20 years ago, I was disappointed. I didn't think it was interesting, funny or moving in any way. It's strange how our tastes can change over the years. I think I appreciate the film now because I know more about life and can relate to some of the events. Two brief scenes at the start of the film introduce us to the characters of Tom and Jane. We learn that Tom doesn't mind being beaten up at school because he knows he will have a better career than any of the bullies he has to deal with. Jane shows us a glimpse of her character as she chastises her father for his imprecise use of words. The story continues with the adult Jane (Hunter) giving a speech about news coverage. She's dismayed at how the networks dumb-down information to appease the audience. When she demonstrates her point with a mindless news article, her audience is more responsive than at any other point in her speech.The only person who admires her presentation is Tom (Hurt) and she asks him to dinner. He presents the news, but reveals that he knows very little about the stories he talks about. Despite that, his employers love what he does and pay him large sums of money. Jane is obsessed with her job as a producer and can't respect people who are bad at their job. Any chance of romance is ended when she speaks her mind to Tom. She repels men. Hunter got the part which was intended for Debra Winger, but it's hard to imagine anyone else in the role. Her accent and the determination with which her character pursues her career reminds me of Jodie Foster's performance in The Silence of the Lambs. How often do people succeed on charm or because the right look? The film explores that theme throughout as we see Tom take every opportunity that presents itself. In contrast, we see a gifted reporter, Aaron (Brooks), receive no recognition from anyone with the exception of Jane. The two have a deep friendship and confide in each other regularly. James L. Brooks has a background in news and portrays the high-paced environment to good effect. There's an hilarious scene early in the film in which Jane edits a story just a few seconds before it is due to air, and her assistant (Joan Cusack) has to dodge all manner of unlikely obstacles to deliver the tape on time. Although it's a funny scene, it shows how much pressure is involved in the news business. ![]() Another exceptional scene shows Tom anchoring the news for the first time. Jane knows that he is likely to stumble if he has to think up questions for himself, so she takes care of all the content. Aaron, who is at home getting drunk after being overlooked again, calls in with information which Jane feeds to Tom while he is on the air. The result is a professional broadcast in which Tom is made to look highly competent. ![]() There are a lot of similar scenes which give us a real understanding of how the news business might work. We feel part of that world. However, the film shines because of the acting and the dark comedy. Brooks is the source of much of the humor, but Hurt and Hunter play their parts well. Jack Nicholson has a small role and pulls it off perfectly as you would expect. There is a love triangle of sorts. Tom is successful, but superficial, and he is interested in Jane. Part of his interest appears to be driven by what she might do for his career. Aaron can see Tom's shortcomings and thinks that he's a more suitable partner for Jane. He clearly loves her as well as being her best friend. Jane is torn between Tom's looks and success, and Aaron's friendship and competence. I'll let you find out the resolution for yourself. ![]() Criterion's Blu-ray presentation is excellent and the film looks better than it ever has. The special features include recent interviews with James L. Brooks and the cast. One of the most interesting features is an alternate ending with comments from Brooks. Broadcast News is unusual in that it manages to make a technical job appear exciting. I wanted to see what would happen to the three main characters. It's funny throughout in an intelligent way and the romantic element will please some viewers. I can't believe that I failed to see its brilliance when I first watched it over 20 years ago. If you like Broadcast News: Director James L. Brooks received much acclaim for his debut, Terms of Endearment, but I must admit that I haven't got around to seeing it yet. I aim to remedy that at the earliest opportunity. One Brooks film that I can heartily recommend is As Good as It Gets, starring Jack Nicholson, Helen Hunt and Greg Kinnear. Like Broadcast News, it expertly blends drama, comedy and romance. |
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#27593 |
Blu-ray Ninja
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With my 100 movies series now complete, any comments?
What did you like? Any unworthy inclusions or glaring omissions? Here's the full list with my rationale: Below is an ongoing alphabetical list of movies covered in my 100 movies to see before you die. Each title links to the review. For an explanation of how these titles were picked, please scroll down. 1. 12 Angry Men 2. 127 Hours 3. 2001: A Space Odyssey 4. The 400 Blows 5. Alien 6. Amelie 7. American Beauty 8. As Good as It Gets 9. Avatar 10. Babel 11. Bambi 12. Baraka 13. Being There 14. Black Swan 15. Blow Out 16. The Bourne Trilogy 17. Butch Cassidy and the Sundance Kid 18. The Bicycle Thief / Bicycle Thieves 19. Cache (Hidden) 20. Cast Away 21. Chungking Express 22. Close Encounters of the Third Kind 23. Closer 24. Control 25. The Dark Knight 26. Dead Poets Society 27. The Departed 28. Die Hard 29. The Diving Bell and the Butterfly 30. Dog Day Afternoon 31. The Double Life of Veronique 32. Doubt 33. The Elephant Man 34. El Norte 35. Falling Down 36. Fantastic Mr. Fox 37. Fargo 38. Field of Dreams 39. Fight Club 40. Freedom Writers 41. Frost/Nixon 42. Gran Torino 43. Grave of the Fireflies 44. The Great Escape 45. I Am Legend 46. Jaws 47. Juno 48. Kes 49. Kill Bill Vol. 1 50. The King's Speech 51. Leon: The Professional 52. The Lives of Others 53. Lolita 54. The Lord of the Rings: The Fellowship of the Ring 55. Love Actually 56. The Matrix 57. Memento 58. Midnight in Paris 59. Million Dollar Baby 60. The Mist 61. Moneyball 62. Monty Python and the Holy Grail 63. Moon 64. Mulholland Dr. 65. My Neighbor Totoro 66. Once 67. One Flew Over the Cuckoo's Nest 68. Paris, Texas 69. Pay It Forward 70. Play Time 71. The Prestige 72. Psycho 73. Pulp Fiction 74. The Pursuit of Happyness 75. Rabbit Hole 76. Ratatouille 77. The Reader 78. Revanche 79. Seabiscuit 80. The Shawshank Redemption 81. The Shining 82. The Silence of the Lambs 83. Spirited Away 84. Stop Making Sense 85. Sunshine Cleaning 86. Taken 87. Taxi Driver 88. There Will Be Blood 89. Three Colors Red 90. Up in the Air 91. Vertigo 92. Wall Street 93. The Warriors 94. Wings of Desire 95. The World's Fastest Indian As I was working through my initial list of 100 movies, I found that five titles were no longer as good as I remembered them. For that reason, the final five entries were added after the initial list was exhausted and will not appear in alphabetical order. 96. Bottle Rocket 97. Apollo 13 98. The Descendants 99. No Country for Old Men 100. Broadcast News Have you ever read a list like this before? Doesn't it seem a little arrogant to believe that if you like something it should be seen by everyone? Think about it logically for a moment. Movies appeal to different people for different reasons. If you detest musicals, do you really want to watch The Sound of Music or The Wizard of Oz? If you don't like violence, will you enjoy Casino or Goodfellas? If you can't bear to watch a subtitled film, will you subject yourself to Das Boot or The Bicycle Thief? Some people will never watch a black and white film. Others will avoid movies in which an animal dies or gets hurt. Do you avoid movies with nudity, swearing, or extreme sadness? Can you sit down and watch something that runs for three or four hours, or will you only watch shorter movies? Do you avoid certain genres or find yourself only watching comedy or action movies? There is so much to consider when recommending a movie to other people. I regularly try to suggest titles to three or four different groups of friends. I want them to enjoy my selections, but I also want to wow them or broaden their horizons. It's enjoyable seeing friends react when they are watching a movie you have seen several times. Well, it's enjoyable if they end up liking it. It's not much fun knowing that you wasted two hours of someone's life. It doesn't matter how well you think you know a person, one tiny little scene can ruin the movie for them. With all that in mind, it's clearly impossible to make a sweeping statement such as, "Here are 100 movies you must see before you die." That list differs depending on your audience. How do you even judge which 100 should be on your list? Should you include movies that introduced ideas or techniques which changed the way movies were made? What about just listing your 100 favorites? Could you even determine your 100 favorites, or would your list have changed by the time you finished compiling it? What is the purpose of such a list anyway? Are you trying to show people that you have a vast amount of film knowledge? Or are you brave enough to list personal favorites that you know will be ridiculed by some of your audience? Is the list for you, or is it for your audience? In my case, I have decided to include 100 movies which are important to me in some way. I admire everything on the list, but the reasons for choosing each title vary. I have also decided not to just list 100 movies I love. I'm a fan of certain directors and actors, but including everything they have produced serves very little purpose. One of the aims of this exercise is to introduce you to new movies. The best way I can think of to do that is to suggest other titles you may like if you like one of the 100 on my list. So, for each movie, I will include suggestions for similar films. You have probably noticed that if I do that I'll have considerably more films than 100. Not only that, you'll realize that if you don't like 50 of the films on my list, there's very little point in investigating suggestions related to those particular titles. That's the idea. I hope that my ramblings so far make some kind of sense and that you see what I am trying for here. I'm not an authority on film like Roger Ebert. He's been around a long time and has been reviewing films for a living for over 40 years. I'm passionate about film and have been around a while too, but I wasn't always the person I am now. The importance of film is still quite a new realization to me and exploring the medium has only been a big part of my life for the past five years. If I omit one of your favorites, it may mean that I simply haven't seen it. Or it could mean that it's just not my kind of film. Many on the following list will be loved by some of you and despised by others. There probably aren't two people on earth who would list exactly the same 100 films on a list like this. Now that you know my reasoning, intent and (lack of) qualifications, I'll start the list. It will be in alphabetical order and I'll add to it when I have the time and inspiration. |
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#27594 |
Blu-ray Duke
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#27596 |
Blu-ray Duke
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#27598 | |
Blu-ray Duke
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#27600 |
Blu-ray Archduke
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Real Steel
Robots fighting robots while Wolverine controls one and Kate Austen is, well she's there, and that's enough ![]() I got what I wanted out of this one: fun. The kid is really annoying at times, but tolerable the rest of the film. Jackman has the obvious arc that you would expect a deadbeat dad to go through in this sort of film. And did I mention it's all based around ROBOTS BOXING? ![]() You want a great underdog story that is really heartfelt? Well go watch Rocky. You want a lesser quality, more fun version of that with robots? Watch this. Rating - 4/5 |
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