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#521 | |
Retired Hollywood Insider
Apr 2007
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Anyway, that raises the question…in terms of solid content-related announcements enticing to home theater enthusiasts, will the first month of January (CES followed by Sundance Film Festival) start the New Year off with a 4K bang or a whimper? Place your bets. |
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#523 |
Power Member
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I finally saw the Sony VPL-VW1000 in action. Wow. Amazing projector.
I'll say this though, if there is a deficiency in one new delivery medium versus another then you will probably be able see it on that thing. The rep said he thought 4K Blu-ray would most likely be 8 bit color. That would be bummer, especially if we never see Rec 2020 colorimetry on any format as well. I'm still curious how the compression on RedRay will look on large screens, especially if they are going to use the system in medium sized format venues! I say this because I watched a few minutes of Tom Lowes Timescapes and with 4K it almost seemed like you could make out digital noise from the camera, or compression, or something in a few spots. 4K is great but it takes no prisoners when it comes to any video artifacts and that sort of stuff. |
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#524 |
Retired Hollywood Insider
Apr 2007
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![]() ![]() In order to make imagery, especially motion rendition in 2D and 3D more life-like as well as, I believe (given my past discussion on the last page) *therapeutic* i.e. to truly cause significantly less of the predisposed population to experience *side effects* with 3D viewing, we should strive for all of these as a unit… -ultra high resolution (4K) and high frame rate capture (240 fps) -ultra high resolution (4K) and high frame rate (240 fps) distribution -ultra high resolution (4K) and high frame rate (240 Hz) projectors and TVs (by that I mean a 240 fps source-inputting circuit). Obviously, this will not happen at the upcoming CES, but I can only dream the youngsters out there who are budding videophiles get to see a 4K 240 fps distribution platform and display system presented at some future CES for anticipated public use, rather than just a prototype using an HD 240fps camera…. http://www.sbjtvd.org.br/2010/anais/..._3d_system.pdf Initial steps toward the Holy Grail of more life-like viewing have begun... https://forum.blu-ray.com/showthread...52#post6857852 |
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#525 | |
Blu-ray Champion
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EDIT- Where did you see the projector? Last edited by saprano; 12-10-2012 at 06:13 PM. |
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#526 | |
Blu-ray Champion
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I really hope this isn't standard for all his movies. If he is making a Hellboy3 for example, it would suck if it used such a high frame rate and digital cameras. 2 no no's for me. Digital cameras have their place. I like the way it looks on a few films, In Time for example, but it just doesn't fit some movies and to be the industry standard in the future is terrifying to me. Last edited by saprano; 12-10-2012 at 06:28 PM. |
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#528 |
Retired Hollywood Insider
Apr 2007
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Thanks tob
![]() Before I go there and start reading (I notice the thread is only 2 pages long, so I can catch up to speed quickly), do the folks there use spoilers?, because for instance, I haven't watched past the first half of the City vs United match and I don't want my viewing ruined until I get around to finishing it later this week. |
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#529 | |
Blu-ray Champion
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#530 | |
Retired Hollywood Insider
Apr 2007
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![]() The biggest complaint I’ve heard about coming from my more sedentary colleagues who saw the early screening at WB was that there seems like there is a helluva lot of running around by characters in the movie....which made them feel uncomfortable. Last edited by Penton-Man; 12-11-2012 at 07:41 PM. Reason: added the word 'around' |
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#531 | |
Power Member
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I also had a chance to watch some some 3D on a Mitsubishi projector today. I could feel eye strain starting to build inside of fifteen minutes. I'm not down with 48fps for 2D, but I'm willing to give 48fps a chance for 3D if it cuts down on my eye strain. If 3D at higher frame rates stops the eye strain, great, otherwise I'm pretty much throwing in the towel on 3D. |
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#533 |
Retired Hollywood Insider
Apr 2007
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I know it’s difficult but I wouldn’t pass final judgment until you’ve seen more films with HFR.
At least wait for Jim Cameron’s next AVATAR movie…as I have a feeling you may be more easily amenable to that content shot and exhibited in HFR. ![]() |
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#535 |
Retired Hollywood Insider
Apr 2007
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Well Sap and Flatnote, I think it behooves all card-carrying cinephiles to make a concerted effort to see the filmmaker’s preferred version (HFR 3D) of The Hobbit at their local movie theater if at all possible.
At the very least, if/when your young grandkids of grade school age are watching high rez/high frame rate capture and display as a matter of routine, whether it be at home or in the theater, you can always reminisce/brag to them while at the dinner table or sitting around the fireplace one evening, that … “I attended the original widely-released pioneering debut into HFR feature film back in the year 2012" …for which I’m sure some young whipper-snapper will innocently respond…. “Geez ![]() As an aside, when you think about it, it would take some steel cajones on the part of Jim Cameron to shoot Avatar II in 60fps because that would require a helluva lot of post processing work by his post production team in order to churn out the 24 fps versions for the ‘traditional look’ which conservative cinema-going audiences are used to, and might perhaps insist upon, if P.J.’s foray into HFR fails miserably on an aesthetic basis with the general population. I mean (as I mentioned somewhere on my old thread about a year ago in a back-and-forth with either I think sharkshark or maybe Anthony), you’re talking about applying some pretty complex motion compensation to the Avatar II 60fps acquisition….much more extensive and time-consuming than was done by P.J.’s team for converting his 48fps original capture for the 24p theatrical versions of The Hobbit. Last edited by Penton-Man; 12-12-2012 at 01:21 AM. Reason: bolding for emphasis, paragraph and typo |
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#537 |
Retired Hollywood Insider
Apr 2007
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Well Flat, in your case, if the HFR doesn’t help with your 3D eye fatigue, it’s truly a pity that P.J. and the distributor didn’t offer a 2D HFR version for public viewing but, I wouldn’t be surprised if there was a deliberate effort to exclude that option, after the past CinemaCon feedback…http://latimesblogs.latimes.com/movi...pp-gatsby.html
I mean if you’re shooting 48 fps to “give the "illusion of real life, where movement feels smoother”….helllloooo ![]() I know Jon Landau of the AVATAR production (and maybe even Jim C.) has already gone on record saying that HFR doesn’t have to be exclusive to 3D but can also “raise the impact” of 2D motion pictures. True believers in the merits of HFR should not restrict it to the 3rd dimension format. Heck, you know there are people out there who wouldn’t attend a 3D movie even if it were marketed as shot and exhibited at 120fps because they won’t deal with wearing the dang glasses in the first place, for one thing. They couldn’t care less if the HFR improves motion blur and strobing. Last edited by Penton-Man; 12-12-2012 at 04:03 PM. Reason: typo |
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#538 |
Retired Hollywood Insider
Apr 2007
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Not quite sure what you’re referring to but; nevertheless, we are all happy to be of service.
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#539 |
Retired Hollywood Insider
Apr 2007
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Hey, just so we can continue talking about The Hobbit, which honestly is a revolutionary motion picture in its own right, despite what I posted here...https://forum.blu-ray.com/showthread...18#post6864918
We can always wait for the 'official' response from Park Road and hope ![]() |
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#540 | |
Retired Hollywood Insider
Apr 2007
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![]() http://www.usatoday.com/story/sports...e-cup/1762287/ But I’m watching the rest of the Man City/Man United match this evening so I’ll check out your thread probably on Thursday...maybe Fri. ![]() |
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