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Old 01-15-2013, 01:16 AM   #1
BIslander BIslander is offline
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Quote:
Originally Posted by slimdude View Post
You definitely want to hear the soundtrack exactly the way it was recorded on the master.
Movies are mixed to play at reference level in large auditoriums. That may not be optimal for smaller home environments at lower volumes. So, some adjustments may be helpful.



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Old 01-15-2013, 03:39 PM   #2
slimdude slimdude is offline
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Originally Posted by BIslander View Post
Movies are mixed to play at reference level in large auditoriums. That may not be optimal for smaller home environments at lower volumes. So, some adjustments may be helpful.
Not necessarily! Making adjustments to lossless audio, can be a hindrance, to fully output 100 percent of its sound... When you're listening a lossless soundtrack on blu-ray, there is no audio adjustments needed. Why altered lossless audio, when the bitrate is sonically identical to the master recording? You'll be defeating the purpose of listening to lossless audio, if you're going to make adjustments, and manually reduce the sound! It's lossless! This is exactly why I can't understand why some people prefer to use matrix processing enhancements, whey they're listening to lossless audio. It doesn't make any sense to me.

Last edited by slimdude; 01-15-2013 at 05:04 PM.
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Old 01-16-2013, 01:35 AM   #3
Big Daddy Big Daddy is offline
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Quote:
Originally Posted by slimdude View Post
Not necessarily! Making adjustments to lossless audio, can be a hindrance, to fully output 100 percent of its sound... When you're listening a lossless soundtrack on blu-ray, there is no audio adjustments needed. Why altered lossless audio, when the bitrate is sonically identical to the master recording? You'll be defeating the purpose of listening to lossless audio, if you're going to make adjustments, and manually reduce the sound! It's lossless! This is exactly why I can't understand why some people prefer to use matrix processing enhancements, whey they're listening to lossless audio. It doesn't make any sense to me.
It really doesn't matter what the producers have done. What you hear in your room and with your equipment, particularly your speakers, is completely different than what was on the studio master or the sound engineers heard in their studio. That is why you need to make adjustments to all the speakers, particularly to the subwoofer(s).

You need to read the following threads.

Why Do We Need Equalization and Room Correction?
A Guide to Audyssey Auto Calibration & Other Technologies
[LIST][*]The interaction between lower frequencies and boundaries causes the most problem.

http://www.harman.com/EN-US/OurCompa...ndRoomsPt3.pdf
Quote:
When a full-range signal is panned to each of the loudspeakers in turn, and measurements are made at the listening position, we find hugely different bass responses for each of the loudspeakers. The differences are as large as 40dB in this room, and the biggest ones are all at low frequencies. The reason, the woofers each have very different acoustical “coupling” to the room resonances because they are in different locations. This will be different for every different room. Again, referring back to the “circle of confusion” the bass that was heard in the control room will not be the same as that heard at home. It cannot be.


TooleBassResponse.jpg
We have five very different bass sounds, one for each channel!


Attempting to improve the situation by panning the bass to pairs of loudspeakers changes things, but does not remove the problem. Anybody think that an “ideal” room can help this? An anechoic room would, but none of us would wish to live in one.

And this is why bass management and subwoofers make sense. Now we can place the woofers where they perform optimally for a specific room with a specific listening position. We can place the satellites (a term that seems inappropriate for some of the large capable loudspeakers that we use in the high-passed channels) where they need to be for directional and imaging effects. In other words, we design the low-frequency portion of the system separately because rooms force us to do so. This is the only way that we can get good bass in any room, and have any hope of having similarly good bass in different rooms. Remember about preserving the art?
http://www.audyssey.com/node/545
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SUBWOOFER CORRECTION

MultEQ corrects the subwoofer in every seat providing precise bass reproduction.














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Old 02-01-2013, 07:00 PM   #4
Undeadcow Undeadcow is offline
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Many thanks to Big Daddy for his work on the informative documents. I got a surround sound system (my first) for Christmas and after having just plopped them down anywhere am working on fine tuning. Those resources are very informative!
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