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#1 |
Blu-ray Guru
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What makes a movie great are these key features: the direction, cinematography, editing, acting, the script and score. There are many other factors, but I find these features to be the most important.
Most of the films that are called great or classic have a strong marvelous score. Film score, by definition, is an original musical composition made for the film. A Soundtrack has multiple definitions. For use of this thread, it will be defined as any music not made for the film. For example, Bob Dylan's "Man in Me" in Big Lebowski. Sometimes a film will have both a film score and soundtrack. So name your favorite film score, soundtrack or composer. For the moderators: There was only one thread in Music about scores, the last post was in 2008. This thread is more general. |
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#3 |
Blu-ray Samurai
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All of Trent Reznor's soundtrack work has been phenomenal (Natural Born Killers, Lost Highway, The Social Network, The Girl With The Dragon Tattoo). The Lost Highway soundtrack is probably my favorite of all time if I had to choose.
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#4 | |
Blu-ray Guru
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I love Miles Davis' music, so Elevator to the Gallows is one of my all time favorites. This is one of his first modal improvisation recordings , which then lead to his classic Kind of Blue. ![]() |
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#5 | ||
Blu-ray Guru
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Last edited by Fellini912; 02-09-2013 at 03:20 AM. |
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#6 |
Blu-ray Guru
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Ennio Morricone
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Thanks given by: | UltraMario9 (09-04-2021) |
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#7 |
Blu-ray Guru
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Ennio Morricone is one of the great film composers. There are few in his league (John Williams, Bernard Herrmann, Jerry Goldsmith). I love his versatility in his music. From an ambient piece (The Thing) to an orchestral score (Days of Heaven), they are all great.
Last edited by Fellini912; 02-09-2013 at 01:22 AM. |
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#9 |
Senior Member
Jul 2012
Scottish Highlands
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I'm a big fan of Toru Takemitsu. From his grand Ran score, to his garage rock early Shinoda collaborations, to his avant-garde work for the New Wave directors. He can really heap on the atmosphere when he needs to (Kwaidan and Pitfall are particularly great), I haven't heard a score from him that didn't compliment the film well.
Philip Glass' Mishima is another score that sticks with me. I also really like Peer Raben's work for Fassbinder. |
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#10 | ||
Blu-ray Guru
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I made sure that criterion's transfer of La Belle et la Bete on blu ray had Philip Glass' alternative soundtrack. It really puts a spin on Cocteau's movie. |
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Thanks given by: | GLBright (01-07-2015) |
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#11 | |
Blu-ray Guru
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#12 |
Blu-ray Archduke
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Favorite original film scores:
Elevator to the Gallows (Ascenseur Pour L'Echafaud) Goldfinger The Thin Red Line The Good, the Bad and the Ugly Vertigo Favorite film soundtracks: The Lost Boys Some Kind of Wonderful Pretty in Pink 24 Hour Party People Repo Man It's a crime against humanity that a film soundtrack was never released for Ferris Bueller's Day Off. Those songs are all golden. I was just listening to The Dream Academy - "The Edge of Forever" in my truck on the way to work this morning. |
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#15 | ||
Blu-ray Archduke
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Here's the Ferris Bueller's Day Off track that I mentioned above... The Dream Academy - "The Edge of Forever" This song plays when Ferris Bueller is saying goodbye to Sloan near the end. |
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#17 | |
Blu-ray Guru
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Say Anything http://vimeo.com/4419513 |
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#20 |
Super Moderator
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For more recent films that don't have traditional big orchestra instrumentation I've really been digging Harry Greggson-Williams, particularly the scores he's done of Tony Scott flicks including Enemy of the State and Man on Fire.
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