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Old 03-18-2013, 08:14 PM   #1
Scottie Scottie is offline
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USA The Criterion Collection: June 2013 Releases

June 11


Quote:
Wild Strawberries (1957)

Traveling to accept an honorary degree, Professor Isak Borg—masterfully played by veteran director Victor Sjöström—is forced to face his past, come to terms with his faults, and make peace with the inevitability of his approaching death. Through flashbacks and fantasies, dreams and nightmares, Wild Strawberries dramatizes one man’s remarkable voyage of self-discovery. This richly humane masterpiece, full of iconic imagery, is a treasure from the golden age of art-house cinema and one of the films that catapulted Ingmar Bergman to international acclaim.

New high-definition digital film transfer
Audio commentary by film scholar Peter Cowie
Introduction by director Ingmar Bergman
Ingmar Bergman on Life and Work, a ninety-minute documentary by filmmaker and author Jörn Donner
Behind-the-scenes footage shot by Bergman
PLUS: A booklet featuring an essay by film writer Mark Le Fanu
June 18


Quote:
Marketa Lazarová (1967)

In its home country, František Vlácil’s Marketa Lazarová has been hailed as the greatest Czech film ever made; for many U.S. viewers, it will be a revelation. Based on a novel by Vladislav Vancura, this stirring and poetic depiction of a feud between two rival medieval clans is a fierce, epic, and meticulously designed evocation of the clashes between Christianity and paganism, humankind and nature, love and violence. Vlácil’s approach was to re-create the textures and mentalities of a long-ago way of life, rather than to make a conventional historical drama, and the result is dazzling. With its inventive widescreen cinematography, editing, and sound design, Marketa Lazarová is an experimental action film.

New high-definition digital film restoration, with uncompressed monaural soundtrack on the Blu-ray edition
New interviews with actors Magda Vášáryová, Ivan Palúch, and Vlastimil Harapes and costume designer Theodor Pištek
New interviews with film historian Peter Hames and journalist and critic Antonín Liehm
New English subtitle translation
PLUS: A booklet featuring new essays by film scholar Tom Gunning and author and translator Alex Zucker and a 1969 interview with Vlácil by Liehm
More!
Quote:
Safety Last! (1923)

The comic genius of silent star Harold Lloyd is eternal. Chaplin was the sweet innocent, Keaton the stoic outsider, but Lloyd—the modern guy striving for success—is us. And with its torrent of perfectly executed gags and astonishing stunts, Safety Last! is the perfect introduction to him. Lloyd plays a small-town bumpkin trying to make it in the big city, who finds employment as a lowly department-store clerk. He comes up with a wild publicity stunt to draw attention to the store, resulting in an incredible feat of derring-do on his part that gets him started on the climb to success. Laugh-out-loud funny and jaw-dropping in equal measure, Safety Last! is a movie experience par excellence, anchored by a genuine legend.

New 2K digital film restoration
Musical score by composer Carl Davis from 1989, synchronized and restored under his supervision and presented in uncompressed stereo on the Blu-ray edition
Alternate score by organist Gaylord Carter from the late 1960s, presented in uncompressed monaural on the Blu-ray edition
Audio commentary featuring film critic Leonard Maltin and director and Harold Lloyd archivist Richard Correll
Introduction by Suzanne Lloyd, Lloyd’s granddaughter and president of Harold Lloyd Entertainment
Harold Lloyd: The Third Genius, a 104-minute documentary from 1989
Three newly restored Lloyd shorts: Take a Chance (1918), Young Mr. Jazz (1919), and His Royal Slyness (1920), with commentary by Correll and film writer John Bengtson
Locations and Effects, a new documentary featuring Bengtson and special effects expert Craig Barron
New interview with Davis
PLUS: A booklet featuring an essay by critic Ed Park
Quote:
Things To Come (1936)

A landmark collaboration between writer H. G. Wells, producer Alexander Korda, and designer and director William Cameron Menzies, Things to Come is a science fiction film like no other, a prescient political work that predicts a century of turmoil and progress. Skipping through time, Things to Come bears witness to world war, dictatorship, disease, the rise of television, and finally, utopia. Conceived, written, and overseen by Wells himself as an adaptation of his own work, this megabudgeted production, the most ambitious ever from Korda’s London Films, is a triumph of imagination and technical audacity.

New high-definition digital film restoration, with uncompressed monaural soundtrack on the Blu-ray edition
Audio commentary featuring film historian and writer David Kalat
Interview with writer and cultural historian Christopher Frayling on the film’s design
Film historian Bruce Eder on Arthur Bliss’s musical score
Audio recording from 1936 of a reading from H. G. Wells’s writing about the “wandering sickness,” the plague in Things to Come
PLUS: A booklet featuring an essay by critic Geoffrey O’Brien
More!
June 25


Quote:
Shoah (1985)

Over a decade in the making, Claude Lanzmann’s nine-hour-plus opus is a monumental investigation of the unthinkable: the murder of more than six million Jews by the Nazis. Using no archival footage, Lanzmann instead focuses on first-person testimonies (of survivors and former Nazis, as well as other witnesses), employing a circular, free-associative method in assembling them. The intellectual yet emotionally overwhelming Shoah is not a film about excavating the past but an intensive portrait of the ways in which the past is always present, and it is inarguably one of the most important cinematic works of all time.

DIRECTOR-APPROVED SPECIAL EDITION:

New high-definition digital film restoration, with uncompressed monaural soundtrack on the Blu-ray edition
Three additional films by director Claude Lanzmann: A Visitor from the Living (1999, 68 minutes), Sobibor, October 14, 1943, 4 p.m. (2001, 102 minutes), and The Karski Report (2010, 54 minutes)
New conversation between critic Serge Toubiana and Lanzmann
Interview with Lanzmann about A Visitor from the Living and Sobibor
New conversation between associate director of photography Caroline Champetier and filmmaker Arnaud Desplechin
Trailer
PLUS: A booklet featuring an essay by critic Kent Jones and writings by Lanzmann

Last edited by Scottie; 03-18-2013 at 10:44 PM.
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Old 03-18-2013, 08:15 PM   #2
RomanBlade86 RomanBlade86 is offline
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Why are Criterion films so expensive?
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Old 03-18-2013, 08:17 PM   #3
Scottie Scottie is offline
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Originally Posted by RomanBlade86 View Post
Why are Criterion films so expensive?
The work that Criterion puts into restoring and remastering these films is worth it alone, but they also include an essay written by a scholar examining the film, a ton of special features, and a pretty creative cover art.
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Old 03-18-2013, 08:20 PM   #4
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Can't wait for Shoah. Have been waiting for a BD forever.
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Old 03-18-2013, 08:24 PM   #5
KrugerIndustrial KrugerIndustrial is offline
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Quote:
Originally Posted by iScottie View Post
The work that Criterion puts into restoring and remastering these films is worth it alone, but they also include an essay written by a scholar examining the film, a ton of special features, and a pretty creative cover art.
Well said, although I don't think Criterion does the restoring/remastering by themselves that often. I could be wrong here though.
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Old 03-18-2013, 08:29 PM   #6
MifuneFan MifuneFan is online now
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Shoah sounds interesting, but I doubt I'll ever get it with that high MSRP. Even at half off, it'd be too expensive to justify as a blind buy.
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Old 03-18-2013, 08:33 PM   #7
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All very important films that I wouldnt pay more than $5 each for. No replay value at all but I do appreciate the effort that they put into the special features this month. Extras look excellent if you are a fan of these titles.
I watched a few hours of Shoah. Its nothing I could ever want to watch again .
So Criterion yet again wont be seeing any money from me for this month with a bunch of films I could not get even a little excited for.
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Old 03-18-2013, 08:33 PM   #8
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Originally Posted by MifuneFan View Post
Shoah sounds interesting, but I doubt I'll ever get it with that high MSRP. Even at half off, it'd be too expensive to justify as a blind buy.
$39.99 for a 9.5 hour long Blu-ray documentary film about the Holocaust sounds like a steal, in my opinion.
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Old 03-18-2013, 08:34 PM   #9
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Quote:
Originally Posted by iScottie View Post
$39.99 for a 9.5 hour long Blu-ray documentary film about the Holocaust sounds like a steal, in my opinion.
The list price is $100
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Old 03-18-2013, 08:36 PM   #10
MifuneFan MifuneFan is online now
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Quote:
Originally Posted by iScottie View Post
$39.99 for a 9.5 hour long Blu-ray documentary film about the Holocaust sounds like a steal, in my opinion.
you might want to look at the Criterion page
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Old 03-18-2013, 08:38 PM   #11
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Originally Posted by CoopFilm View Post
The list price is $100
Quote:
Originally Posted by MifuneFan View Post
you might want to look at the Criterion page
Oops saw the sale price.

Still, $49.99 is a good deal.
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Old 03-18-2013, 08:38 PM   #12
chris_sc77 chris_sc77 is offline
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Originally Posted by CoopFilm View Post
The list price is $100
$100? HFS! wow. Even $50 if u can get if at a 50% off sale is too much. But if you got the money to spare and wanna get it then be my guest.
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Old 03-18-2013, 08:42 PM   #13
MifuneFan MifuneFan is online now
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I'd likely watch it only once so yeah, even at $50 it's too much. Kind of feel sorry for completionists though, June titles will set them back more than usual.
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Old 03-18-2013, 08:43 PM   #14
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The film is extremely powerful, definitely worth a watch, but no reply value really. It's too upsetting. Last time I saw it was 5 years ago. In 4 or 5 different sessions.
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Old 03-18-2013, 09:01 PM   #15
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Quote:
Originally Posted by MifuneFan View Post
Shoah sounds interesting, but I doubt I'll ever get it with that high MSRP. Even at half off, it'd be too expensive to justify as a blind buy.
It's pricey, yes, but keep in mind that it's a four disc set (six discs for the DVD release) that holds an 8+ hour film, along with 3 additional films, adding an additional 3+ hours to the release. And that's not taking into account the other extras included as well.

I can understand fully why some would view it as expensive to blind-buy, or why they feel the film doesn't have enough replay value to it, but I'm not surprised by the price, either.
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Old 03-18-2013, 09:08 PM   #16
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While I am very slightly miffed the Criterion version of Marketa Lazarova really lowers the resale value of my Czech blu (it's the most expensive one I've ever bought...) I'm THRILLED that this film is going to receive the wide release - and the audience - it rightly deserves. The film is a masterpiece and will blow many minds when it is released.
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Old 03-18-2013, 09:45 PM   #17
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Quote:
Originally Posted by iScottie View Post
The work that Criterion puts into restoring and remastering these films is worth it alone, but they also include an essay written by a scholar examining the film, a ton of special features, and a pretty creative cover art.
And they're not expensive if you buy them during the B & N Criterion sales - $20.xx at most for higher-tier titles.
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Old 03-18-2013, 09:50 PM   #18
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I hope for Life Aquatic with Steve Zissou this year
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Old 03-18-2013, 10:44 PM   #19
Scottie Scottie is offline
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Updated the original post with the database entries.

Pre-Orders should go live within the week on Amazon.
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Old 03-19-2013, 01:51 AM   #20
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Finally! Something I actually want to own and watch!
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