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#62 |
Special Member
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I've always loved this film and will be buying it but it's interesting that one of it's main attractions, the Oscar-winning cinematography, is a source of a small controversy.
"Shane was the first film to be projected in a "flat" widescreen, a format that Paramount invented in order to offer audiences something that Television could not—a panoramic screen.[6] Paramount, in conjunction with the management of Radio City Music Hall, installed a screen measuring 50 feet wide by 30 feet high,[7] replacing the Hall's previous screen, which was 34 feet wide by 25 feet high.[8] Although the film's image was shot using the standard 1.37:1 Academy ratio, Paramount picked Shane to debut their new wide-screen system because it was composed largely of long and medium shots that would not be compromised by cropping the image. Using a newly cut aperture plate in the movie projector, as well as a wider-angle lens, the film was exhibited in its first-run venues at an aspect ratio of 1.66:1." So basically they mutilated the film by cutting off the top and bottom to take advantage of the new wide screen projection. Wonder if the film will be presented in it's original aspect ratio? And if you are interested in the history oe widescreen cinema this is one excellent site to check out: http://www.widescreenmuseum.com/index.htm Last edited by ewsjr; 04-28-2013 at 06:13 PM. |
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#63 | |
Banned
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There should've never been a 1.66:1 version created in the first place, but they thought they could pull one over on the unsuspecting public. Thankfully, people in the know - Like RH, Jeff Wells, Bob Furmanek, etc - called them out, and they corrected their mistake. Last edited by Sherlock_Jr; 04-28-2013 at 07:59 PM. |
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#64 | |
Senior Member
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#66 | |
Banned
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I assume the film was restored at 1:37:1 — Paramount isn't that stupid — but initially they 1:37 version wasn't going to be released at all. Preserving OAR is a big deal, and in certain instances I don't mind if 2 aspect ratios are offered, as long as the OAR is present. But there's no doubt this film was shot 1:37:1, so to crop it was a huge mistake from the start. Luckily, people in the know petitioned Paramount, now Paramount corrected their mistake by saying they will issue Shane only in OAR of 1.37:1, and delayed the disc so they could fix a problem that never should've happened in the first place. Whatever HDVision said above about the DVD not being a "proper Academy presentation" or whatever was false misinformation. Last edited by Sherlock_Jr; 04-28-2013 at 08:01 PM. |
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#68 | |
Active Member
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I have read this thread ![]() April 18 update: A Warner rep adds: "We may not be able to release the BD as planned in June. We are waiting word from mastering as to when we will have things ready on the new version and then will officially reschedule the release date.'' My question is weather or not the blu-ray release date has actually been changed or is there still a chance that they can still make the June 4th Street Date? |
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#69 | |
Senior Member
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![]() ![]() ![]() ![]() I don't care if we have to wait longer! If it means getting the OAR, then I'm happy! Last edited by bluknight1; 04-28-2013 at 09:56 PM. |
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#70 | |
Blu-ray Duke
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It is a Paramount film and for all Warner distributed Paramount films, Paramount is providing the elements and supplementary materials. Warner is simply handling distribution. In English: Paramount gave Warner the 1.37:1 version of the film. Warner had no say in the matter. |
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#75 | |
Blu-ray Champion
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#76 | |
Senior Member
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#77 |
Blu-ray Samurai
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The version shown at the festival was 1:37:1 and THAT is the way it should be. Director George Steven took so much time in how he did every single shot, including waiting until the sky was just right. To alter that aspect ratio - even if it got released later like that - is a mistake of massive proportions. This film's cinematography is a work of art.
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#78 | |
Blu-ray Champion
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