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#24 |
Blu-ray Guru
Feb 2011
London, UK
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I completely agree with the second point. In London, the BFI have a pretty good IMAX screen but I'm sick of these horrible up-converts and all the artificial sharpening and attendant noise. At worst, it's like watching something akin to a projected dvd. I'm over the idea that IMAX is, in itself, a better way to watch movies.
Unfortunately, the IMAX brand seems to have really hooked itself into the public consciousness. We're steadily losing the big, regular cinemas as they're converted to multiplexes and Liemax venues. The only cinema equipped with Dolby Atmos here - the Empire, a big, beautiful art-deco auditorium - is currently undergoing the latter transformation, which means there's nowhere in London with Atmos capability. To my great regret, I've yet to see a film in that format. I really think that very soon, IMAX/LIEMAX is going to be the only way of seeing a theatrical release on an impressively-sized screen and we'll just have to swallow the horrible DMR process. |
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#26 | |
Active Member
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TBH, IMAX seems to be desperately holding on to its audience. I'm waiting for a film that was actually shot with IMAX cameras to get a Digital-Only release, nullifying the point of the whole IMAX frame. They know they're going away from what they were and are trying to cling onto its audience. I've seen what cinema-brand large screens can do, and Atmos is a lot better than IMAX's sound system. As long as the audience sees IMAX and automatically thinks it's better, IMAX will continue to degenerate. Think of it like Apple. We're now in the 'Tim Cook' era, not the 'Steve Jobs' era. |
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#27 |
Blu-ray Samurai
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Thanks for your post. Somehow I missed this and am super excited to find out. I usually go to Olathe for the Cinema Suites experience but will have to hit Barrywood this week to try this.
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#31 | |
Blu-ray Ninja
Oct 2008
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And 35mm projection is not higher resolution than 4K in any situation. You'd be lucky to scrape that much off the original negative, let alone anything downstream. I don't know where these tall tales about 35mm film's stupendous resolution come from, an oversampled 4K digital image will mop the floor with it detail-wise. Last edited by 42041; 01-29-2014 at 06:47 AM. |
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#32 | |
Active Member
Sep 2013
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#33 |
Blu-ray Baron
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I'm not a hater. I'm just stating the facts that films that weren't made for IMAX ago under a process that make them look bad. Watching them in another premium format is far better because there isn't any of the digital processing.
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#36 | |
Blu-ray Baron
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RoboCop (No. Shot in Alexa and Red Epic with 2K DI) Pompeii (No, shot in Alexa) 300: Rise of an Empire (No, shot on Red Epic in 2K DI) Divergent (No, shot on Alexa) Noah (No, shot on film with select scenes in Alexa) Transcendence (Maybe, shot on film with no DI) The Amazing Spider-Man 2 (No, shot on film) Godzilla (No, shot in Alexa, watch it in Atmos) Edge of Tomorrow (No, but shot on film) Transformers: Age of Extinction (No, despite inferior IMAX camera) Jupiter Ascending (No, shot in Alexa) Interstellar (Yes, some scenes shot in the format) The Hunger Games: Mockingjay Part One (No, shot in Alexa) The Hobbit: There and Back Again (Only if in IMAX HFR) |
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#38 |
Blu-ray Baron
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The aspect ratio was 1.89:1 and it didn't go through a DMR. I would think it would look good, but then again, digital.
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