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#1 |
Special Member
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Same with me. The documentary paints computer programmers as if they were victims. What about the special effects artists who became redundant when all went digital? I don't see anybody in the whole thirty minutes acknowleging them in any way. Because of computer effects, the film industry is hardly about making films anymore. It's easier because you don't need to build something with your own hands anymore, so you should expect more people willing to do the same you do cheaper. In essence, you create the problem you're complaining about.
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#2 | |
Blu-ray Duke
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What I cannot understand is for a development company as talented as Rhythm and Hughes was, why didn't a major studio acquire them for themselves? |
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#3 |
Senior Member
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I work in the industry and there are worse things going on that are not brought up in this Documentary.
First off Rythm and Hues is a great company and they lasted this long because of great leadership. A lot of vfx houses are not like this. These are the houses that underbid like crazy to get the job, then threaten employees that if they want to keep working here they better put in more hours. Since it is all contract work from Job to Job the employer can get away with this. They just wont renew the contract with the employee. Is this Field over crowded.Yes and No. For how much work now these day that go into building VFX shots. Every movie even comedies require vfx. The main problem as described in the video is there is no clear vision. You are bidding on a temporary blueprint, that gets changed throughout the movie process. I have been on set multiple times and the director said this is not going to work and we will fix in post, but no extra money gets allocated to it. The industry has to change big time. |
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#4 | |
Senior Member
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Tax subsides are fine, they are just going to the wrong people. Instead of going to the Studio it should go to the VFX house. |
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#5 | |
Blu-ray Knight
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Nobody gets into this industry to get rich, but we also don't get into this industry to get exploited or have our businesses go bankrupt. So many films are now sold on their effects rather than star power, but most of us make a modest wage compared to the names on the posters. Many of us tend to be freelance, so we don't always work and we can go through long spells without earning any money, so that is also offset by out wages. It's a very competitive industry and its getting more so. We often don't get paid for overtime and most of us have found ourselves working weekends for weeks and spells of days when we work round the clock to meet deadlines because productions want everything as cheap as possible. They are willing to spend money on all sorts of things, but when it comes to effects, people really get squeezed for all they are worth. I know quite a few people who have left the industry and jobs they once loved, because they are burnt out. Last edited by Todd Tomorrow; 02-27-2014 at 07:41 PM. |
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#6 | |
Blu-ray Duke
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What I cannot understand is why don't the VFX industry come together and unionize? Considering how dependent movies are now on VFX, I would think VFX companies would hold a lot of leverage in this regard against movie studios. Besides VFX, I also think stunt men (and women) are incredibly undervalued in the movie industry considering the great risk they put themselves in! They should be paid more! Also why isn't there an Oscar for best stunt work? If there's one for sound editing there absolutely should be one for best stunt work! Last edited by Steelmaker; 02-27-2014 at 07:12 PM. |
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