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#2901 | |
Blu-ray Ninja
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#2902 | |
Blu-ray Count
Jul 2007
Montreal, Canada
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different markets. People are used to getting a new phone every time the lease expires or the phone brakes ( I doubt many keep a phone for more than 3 years), so they don't see it as a big deal to upgrade and since it is a status symbol as well they want to be able to brag why their new phone is better (even if they have no idea what they are talking about). On the flip side people see TVs as a longer term investment and so every time it makes a leap (1080p, ATSC, 3D, 4k) people get annoyed because they see it as forcing an upgrade (i.e. jealousy with keeping up with the Joneses) on something they would rather be happier for a longer time. |
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#2903 | |
Blu-ray Ninja
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But my thought was not one of merit as much as how the same concept applied to different applications is received in a totally different light and many who do own UHD gadgets don't own it for that alone, so I know it's apples to oranges. But still, with all that said, it still baffles me Anthony, the level of understanding and excitement. I, for one, was very happy to see 4K monitors show up at CES with 27-30" models promising a very decent price of admission. Right now I have a QHD monitor and just love it but even at those small sizes a full 4K panel is def something I want and I'm pretty sure anyone into PCs for media/gaming will also want. That excitement doesn't yet touch the HT industry and I find it odd is all, even with the great points you brought up Anthony. |
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#2906 | |
Senior Member
Oct 2007
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I also found the article on day 5 to be surprising since a huge problem is caused by the decision to not use the D65 white point for the consumer XYZ color space. It looks like the major studios are trying to make the conversion from movies to consumer video as cheap as possible by moving the conversion cost to consumer equipment. I found a thread on the XYZ color space with comments from several engineers, including the engineer who directed the ITU working group that developed UHDTV, and there is concern about the computational cost of the XYZ color space. I think the problem is that most of the people who read up on UHDTV aren't excited by what the CE companies have released. While not everyone will want every feature listed in the UHDTV standard I think most people are hoping for more than higher resolution HDTV. |
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#2907 |
Retired Hollywood Insider
Apr 2007
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#2908 |
Retired Hollywood Insider
Apr 2007
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You’d do well at an Easter egg hunt.
Yeah, I’m aware of the discussion, and for that matter, not just your typical ‘run-of-the-mill’ engineers e.g. http://www.chirpe.com/EventSpeakerDe...2&EventID=1289 Amazing how many entries in that thread are by former Sony employees. For folks that find it difficult to wade through all the technicalities of what Richard and I have been colorfully discussing on-and-off for the past several weeks, what the colorimetry situation boils down to in a nutshell is that the EBU is pro B.T. 2020, the Hollywood Studios are more desirable of the XYZ primaries and the consumer electronics companies (in general) like the status quo (B.T. 790 errr 709) or would probably even prefer xvYCC signal over the other two. Add in the need (or lack thereof) for native 10-bit panels and HDR for truly next-gen video….and everything gets even further complicated. In fact, there just was a recent SMPTE wide color gamut/HDR standards meeting (after HPA). Busy time for me right now with the federal tax deadline fast approaching (I don’t like filing tax extensions) as I’m in the midst of collecting a lot of paperwork (tax exchange, deductions, etc.) for my accountant. Carry on. Excuse my absence at least for a little while. Last edited by Penton-Man; 03-09-2014 at 09:52 PM. Reason: Typo…09 instead of 90. |
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#2909 | |
Blu-ray Ninja
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As for scalable, I would love a CE panel model similar to digital signage/PC use. There's a standard which you can attain, let's say 100% XYZ/100% HDR. But we also know that such a reference panel, while highly desirable is far from being a necessity, and clearly overpriced in appearance, the same way most won't understand why some will pay $2k for a 27" Planar, if you need to ask, you don't have the need. But, like in mainstream PCs, you could also sell perfectly fine panels that only meet 75% of that standard, you pays for what you wants and you get what you pays for. For me spending $800-900 for a 27" PC monitor is a minimum, most think I'm nuts. I don't even know if the concept of scalability is possible, but is seems it would be a great way of better serving the client. Ah! Wishful thinking ![]() |
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#2910 |
Retired Hollywood Insider
Apr 2007
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#2911 | |
Retired Hollywood Insider
Apr 2007
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#2912 | |
Retired Hollywood Insider
Apr 2007
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Regarding dem Dolby boys and girls…http://www.filmlight.ltd.uk/news/eve...07_nab2014.php |
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#2913 |
Retired Hollywood Insider
Apr 2007
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Bummer….I’m told volunteer time used posting on Blu-ray.com doesn’t qualify as a tax deduction. Back to a stack of paperwork. Steed, I’m not even allowed to watch the FA Cup quarterfinal Arsenal match until I’m done trying to save us money…so sayeth my better half.
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#2914 | |
Blu-ray King
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#2915 | |
Blu-ray Champion
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Last edited by saprano; 03-09-2014 at 11:37 PM. |
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#2916 | |
Blu-ray Ninja
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But when it comes down to HT, I agree, it has to be more than just a higher number but it seems highly probable that it will be. Now would I go out and purchase a UHD set, now, nope, no way, unless I were filthy rich (and that would be a 4K pj). But I'm still excited by the prospect of better as it will have to soon be our choice if we want the better panels out there |
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#2917 |
Retired Hollywood Insider
Apr 2007
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Well, I take that to mean, one way or another, your Black Cats lost
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#2918 | |
Retired Hollywood Insider
Apr 2007
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*sucks* I say let’s go back to the olden days with kits and tech – http://journal.smpte.org/content/75/...dvertising.pdf |
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#2919 |
Retired Hollywood Insider
Apr 2007
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Seriously,
For an example of just one time-consuming technical hurdle, which involves both codec development and display devices, has been the complex situation of how to deal with the presentation of content mastered in a wide color gamut and then expected to be displayed on legacy TVs that only support Rec.709. Easiest and quickest solution would be simply to clip the RGB values to the allowed Rec. 709 range and have legacy viewers deal with any resultant color distortions but, that is not the best solution. |
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#2920 | |
Retired Hollywood Insider
Apr 2007
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![]() Survey says... ”28 per cent of those who have seen a 4K Ultra HDTV are very interested in getting it” - http://advanced-television.com/2014/...7-of-us-homes/ |
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