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#81 | |
Retired Hollywood Insider
Apr 2007
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In the above post, I notice that hyperlink to the respective thread on Roger Deakins’s forum has since expired or been deleted since I referenced it back in Jan. of 2012, so here is essentially the same assessment from David M. regarding the resolution topic as posted on the RED forum - http://www.reduser.net/forum/showthr...l=1#post768383 All I would add to last paragraph of David’s post ^, since he is a cinematographer rather than a post production specialist, is that if one desires to harvest all the detail off Kodak Vision 3 35mm frames, the typically used 10bit dpx may not be adequate. For those not following, the Northlight outputs 10-bit or 16-bit log DPX/Cineon files (see page 2, upper right - http://www.filmlight.ltd.uk/pdf/data...Northlight.pdf ). Selecting 16-bit log DPX output may be necessary for optimal scanning (archival quality) of Vision 3 35mm film but, that increases the cost of the project substantially. Luckily, Vision 3 stocks weren’t introduced until 2007 and later. |
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#82 | |
Expert Member
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The point about compression might be relevant for blu rays that aren't mastered as well, but I have my doubts that the average person could notice a difference between a well-mastered blu ray shown on a 2K screen and the uncompressed version of the same movie shown on the same 2K screen (presumably fed to it by some source that can store more data than a blu ray). Last edited by Hypnosifl; 04-21-2014 at 07:15 PM. |
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#83 |
Blu-ray Baron
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Since viewing distance has been mentioned in this thread, I have a question: I have a 55" 1080p at a viewing distance of 12 feet in my bedroom, I just measured. Is my TV size ok for the distance? I have the TV on a stand, if mounted it would be 14 feet away instead of 12.
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#84 | |
Expert Member
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#85 | |
Blu-ray Baron
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#86 | ||
Blu-ray Count
Jul 2007
Montreal, Canada
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That is why I like as an example to go the opposite route (since let's face it visual acuity is individual) if you take content with film grain at any resolution and from where you sit you can't tell it is there but if you move closer you can see it, then you are sitting too far to resolve a pixel of that size on that display, since the human mind will be very good at focusing on it. If on the other hand you see it where you are sitting then your eyes can resolve it and you will benefit by more resolution a different test is by using a black scene with a single white pixel in the middle, if it looks 100% black you can't resolve more but if you can tell that white pixel is there you can resolve more than you have today. yes, maybe if they are very similar shades it might be hard to tell they are different pixels but 1) you should not be able to tell an image has any pixels 2) that is not the only thing that will happen in all the films. what I find is most of the tables and charts (when using the tests described above) are wrong and under estimate what people can see using what I described above). Simply because they start with what I believe is a wrong premise. Let's take your Red link where they talk about the Snellen chart 9the one with the letters). For someone like me that wears glasses and had to deal with often 1) sometimes you can read some of the letters on a line but not others. From a functional perspective the details are too small (not reliable) but from a pixel perspective it would be wrong to say I can't see the difference since on some letters I can. this idea of all or nothing used to make charts based on pixel angularity would only work if it was all or nothing 2) obviously with TVs it is the same thing but the chart moves in large increments, so if someone can read one line completely but not the next one it can't really say anything about anything in between. 20/20 means that the person can see at 20' what a normal person can see at 20' but 20/40 means that person who is still at 20' can read the line representing a normal person at 40' and 20/10 that that person can see at 20' what a normal person can see at 10' but there is no line 20/20.1 or 20/19.1 so precisoion is assumed for something that is not precise (and the same for the TV, maybe 4K is not needed for Joe's set-up but that does not mean that 3K would not help or 3.5k or 2.5 or any resolution more than 1080p. Quote:
![]() obviously there are no triangles but your brain wants to assume there is a triangle with a black outline and three black circles and there is a white triangle on top of them (which is why you don't see the rest of the circles or the full black outline. The point was that the brain likes what it likes and so it can be good at tricking you if you don't account for the tricks it can play on you. Compression artifacts are that way, even though they are sometimes glaring and obvious (by people that know what they are seeing) they can go semi-unnoticed by people that don't know better. That is why a long time ago I decided to never help anyone to see them (because once you learn how to see them and that they are un natural your brain does not try and hide from you what your eyes see). I brought it up because resolution is the same way, I was OK with DVD until I started watch BDs and then what was wrong in the pictures before became obvious. Now maybe with 4K it won't be as bad, but only time will tell because right now like the image above our brains want to find that 1080p image acceptable and it will assume the details that are missing just like it did with DVD before BD. Last edited by Anthony P; 04-21-2014 at 08:38 PM. |
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#87 | |
Blu-ray Count
Jul 2007
Montreal, Canada
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I just find it funny in todays society when an adult will use a laptop or table less then an arms length away but still believes a TV needs to be many feet away or something bad will happen. A few months ago I had someone over (an engineer) that saw my row 10' away from my 10' screen that said "won't It ruin your eyes because you are so close", so I go "how close is your tablet when you use it" he goes "yeah but it is a much smaller screen" and I r4eplied why would the size of the image ruin someone's eyes" , thought about it a second and goes "you are right". |
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#88 | |
Blu-ray Prince
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4K is clearly a step forward. Will it be an incremental step forward or a so-called game changer? My guess is the former but who knows. Heh, I think the real reason was that even the small tvs weighed a zillion pounds and could brain a kid if it fell over on him. |
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#90 | ||
Blu-ray Count
Jul 2007
Montreal, Canada
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todays flat screens are a much bigger tipping issue since some dumb parents just plop them on furniture (and so the large size makes them more prone to typing) or badly install them on the wall (you need good screws/bolts gripping into the stud, the TVs are still pretty heavy even though they are light compared to when I was a kid and constantly cantilevering on the screws). Also if a kid was sitting 4' from that 30" TV even if it tipped it would not fall on him. So maybe your parents believed it was a risk and told you not to sit too close but it really did not make sense at the time. PS also a TV is much more likely to tip on a kid while a kid is playing around it (pull on some cords....) than if he is just watching. Last edited by Anthony P; 04-21-2014 at 09:29 PM. |
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#92 | |
Blu-ray Baron
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#93 | |||||
Expert Member
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So even if the size of a pixel is below the limit of what your eye is able to physically resolve (based on what they call the Rayleigh criterion), you still may be able to see a white spot on the black background, but it'll be smeared out to a size larger than a pixel, and pixels of different colors next to each other will be blended together like a watercolor. Quote:
So long story short, variations in which letters you can resolve on eye charts probably happen when the size of the gaps between parts of the letter (like the three gaps in the letter E) are just barely larger than what your eye is physically capable of resolving, but some letters are easier to recognize than others because of how your brain is processing the information coming to it from the retina (pattern recognition and such). But this is only going to be when the size of the gaps is very close to the limit of what you can resolve, and it should be physically impossible for anyone's visual resolution to be more than about twice as good the figure of 1.75 mm at 20 feet usually given for 20/20 vision (and apparently the empirical data suggests the resolution for "most acute vision, optimal circumstances" is just under 1.5 times as good). Like I said, the issue of compression is separate from the issue of number of pixels. You may be right about a lot being lost, but do you have any examples? If you've seen uncompressed video converted to a blu ray and noticed a difference, are you sure the person doing the conversion was skilled at choosing the best compression algorithms, and encoding everything on the disc to fill as much available space as possible? For really high-quality blu rays like those in the "mastered in 4K" series, I wonder if there would really be much visible difference between an uncompressed 2K file produced from the 4K master, and what is actually seen on the blu ray. |
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#94 | |
Blu-ray Samurai
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#96 | |
Blu-ray Baron
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That's just rediculas, I can't imagine looking through a telescope would be very enjoyable. |
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#97 | |
Blu-ray Samurai
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http://caps-a-holic.com/hd_vergleich...ss=1#vergleich Sure they will be even clearer on a 4K transfer, but the difference between "visible" and "more visible" is nowhere near as big and important as the difference between "visible" and "not visible". |
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#98 | |
Blu-ray Samurai
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#99 | |
Blu-ray King
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![]() Last edited by Steedeel; 04-22-2014 at 03:10 PM. |
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#100 |
Blu-ray Guru
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So despite the opinions of most analysts/reviewers who've tried their low-bitrate "technically 4K" streams and predictably found them worse-looking than a good Blu-ray, Netflix's new shareholder report says "the best quality consumer video in the world is now streaming Internet video," referring of course to theirs.
http://files.shareholder.com/downloa...14%20final.pdf |
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