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#21 | |
Blu-ray Samurai
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It was the best he could do with what he had to work with, bottom line, if he had Steven Spielbergs budget we wouldn't be having this discussion right now. Start reading: http://www.google.ca/search?hl=en&sa...G=Search&meta= |
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#22 |
Blu-ray Guru
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That link takes me to a google page with tons of websites. Where is your source where Danny Boyle states that if he had more money he would have shot the movie on film (or other format) other than DV?
Because right now we all agree the movie looks bad, but your claim is that it was not intentional but rather out of necessity due to budget limitations. Where is the source to support your claim? My source is Danny Boyle's commentary track where he discusses at length the look he was going for and why he chose to shoot on DV for artistic intent, but I don't recall him saying anything about budget limitations. |
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#23 |
Moderator
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http://www.indiewire.com/people/people_030627boyle.html
Danny Boyle: "I'd just shot a few films on DV, and the only way to shoot London on our budget was to use the DV technology. The DV technology felt absolutely right for an apocalyptic setting. There's also a very pretentious reason: this story felt like a circumstance in which a camera like this would work. If you could find batteries they would still operate. At one point [the character of Jim] was going to find a camera and look at it and look back at what had been recorded. He found one in the street. We didn't use it in the end. But that felt sort of appropriate, really. Besides which, it's very much an urban story, and our cities are full of these cameras. And I think [DV is] extraordinary for urban stories, especially as the medium improves technically. They're progressing technically the whole time. I think more and more urban pictures will be done on it. I'm not sure it's right for all films." The article is an interesting read. |
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#25 |
Blu-ray Samurai
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actually that quote seems pretty similar to what was said on the commentary
anyway... a Canon XL1 was $4699 MSRP (with the standard lens) when it came out.... im sure for that price he could have gotten a better film camera? or used a tiny bit more cash for an awesome camera.... or even worked out a deal to use a low budget film camera for free that would still be better than that DV, blah blah blah i really doubt he was pinching his pennies THAT much!, he wouldnt have bothered with extra scenes then and those alternate endings etc etc etc point is given the choice between the 28days later dvd or blu-ray id get the blu.. even for the audio alone Last edited by X400; 10-18-2008 at 10:41 PM. |
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#26 |
Expert Member
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For those with HD television service - 28 Days Later on Blu-ray is comparable to how standard definition looks when delivered through an HD feed. PQ is much better, with little no compression artifacts - but it's still a far cry from high def. This movie will never look better than what is presented on the BD.
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#27 | |
Active Member
Oct 2007
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![]() No the PQ isn't any better than DVD, but the audio is fantastic, and the movie is one of the best in its genre in the past 25 years or more. I wouldn't pay 30 bucks for it, but I'd definitely pay $15 (which I did during last year's Circuit City BOGO goof ![]() Anyone who says it's not better than the DVD probably doesn't have access to HD audio. |
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#29 |
Power Member
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I don't see how people can say this movie looks good. This was one of the first titles I got when I first started buying blus a few months ago and this is by far the worst looking movie I have. I am tempting to buy it back on dvd just to see if it looks the same.
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#32 |
Blu-ray Samurai
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gotta agree with whats been said, if the blu is the closest it can be to the source, then its a success, if they have lossless audio, the dvd does not, then it it is leaps and bounds better then the former. in my circle the only ones that complain about these types of sub-reference blu's are my buddies that joined the format with ps3, don't understand that not all blu's will or even can look like superbad, and don't understand how bad and SOFT the dvd would look on their 50"+ tv's, but lets get back to the real issue, 300 and the grain.
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#33 | |
Blu-ray Knight
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![]() Quote:
Boyle: It is possible, usually big Hollywood movies, like "102 Dalmatians" can close off Westminster Bridge for a Sunday morning. With big bucks it can happen. With a film of this scale, you cannot do that, and you certainly cannot get permission to do that scale of work. So we said to the authorities, "We'd like to go in on six or seven sequential mornings and we will ask the traffic to stop" and because we've got the DV cameras, we can set up six to ten cameras looking at a very particular part of London and we'll just ask the traffic to stop and try to shoot for a minute or 10 minutes. It worked. We couldn't believe it ourselves. **clearly, Boyle's reaons for using the DV's were logistical, not just financial. you can argue those are the same thing, but when you're dealing with the London Police and shutting down downtown London, you better have lots of cameras around. also, the style of the DV wasn't just in the image we see, but the DV itself (boyle emphasizes that deserted cities will have DV's laying around, Jim picks one up and looks at it, etc. ** |
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#34 |
Active Member
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Yes, the PQ is pretty bad.
Last edited by DGates01; 05-03-2014 at 12:04 PM. |
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#37 |
Active Member
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Is there a limit on the number of years a movie has been out that people can no longer discuss it? Might want to tell the folks in this thread how silly they are.
Double Indemnity (1944) & Touch of Evil (1958) - currently at 446 posts. |
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Thanks given by: | benricci (05-03-2014) |
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#40 |
Blu-ray Guru
Oct 2013
Brooklyn NY
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