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#963 |
Blu-ray Archduke
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checked out my 2D copy... it's certainly a dark film, especially in the end fight, but on my JVC RS-46 it looked amazing (but then again that projector can handle blacks like none other)... I think it may have been a bit darker than the theater but I can't remember exactly,
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#967 | |
Blu-ray Prince
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Last edited by Clark Kent; 09-05-2014 at 04:29 AM. |
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#968 |
Senior Member
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That just makes things worse IMO I saw this in a Regal Premium theater and these pictures do not remotely resemble what I saw in the theater I will have to crank up the brightness when watching this one for sure.
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#969 | |
Special Member
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and it wasnt used in this movie. it was a trex roar. Last edited by RudyC; 09-05-2014 at 05:34 AM. |
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#970 | |||
Blu-ray Ninja
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For the latest film, they wanted to preserve the roar's iconic, distinctive qualities, but also modernize it with a more expansive, dynamic sound. You really can't tell that this: is supposed to be a modern interpretation of this? I'm not saying you have to like it, but don't misrepresent what it actually is. Last edited by Thomas Guycott; 09-05-2014 at 08:28 AM. |
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#971 | |
Blu-ray Champion
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#975 | |
Special Member
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its nothing but trex jurassic park in the movie...except the very last roar at the end of the movie has a hint of real godzilla Last edited by RudyC; 09-05-2014 at 11:48 AM. |
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#977 |
Banned
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(http://www.doblu.com) has their review up....And it's not a good one i am afraid.
http://www.doblu.com/2014/09/04/godz...lu-ray-review/ Here are some snippets: This is a visually complex film which demands supreme black level adjustment, careful muting of color, and hefty encoding parameters. For Warner’s Blu-ray, “two out of three ain’t bad.” Central here are blacks which may lack the thick density associated with many premium blockbusters, but they cast enough care on the existence of shadow delineation and visual effects to off-set the loss of pure contrast Likewise, this movie is hardly a delight as the screen swarms with variations of reds and oranges in the midst of browned out locales. Rarely are there instances where patches of green appear flushed. Dour mood is central to the themes. Washed out grays push scenes at sea and a lightly vintage sepia introduces the opening sequences. From Warner’s recent crop of releases, Godzilla is amongst those which suffer from errant compression. Problems begin early as subtle smearing and noise appears as cameras perform sweeping pans over water. Banding shows up as red warning lights signal imminent danger in the nuclear plant or during prep for the halo jump. Lightly visible artifacting can be spotted in aerials where sharpness is otherwise astonishing. Close-ups are often smeary and mildly waxy. A few manage to escape that fate. Most of this is restrained to live action. Much of the all-digital computer effects are great, despite some misgivings over smoke. Compared to the theatrical presentation, this finale seems comparable based on memory. The rest? Not so much. Raw fidelity feels lost and energy is sapped when in motion. It’s passable, but the routine of the studio’s wayward encodes is growing tiresome. Audio issue One note: At 1:18:02, as a train is derailed, a skip occurred in the audio track. It’s unknown at this whether this was our review copy or something affecting the wider release. As such, for now, we’re ignoring it until confirmation is made. Some screencaps taken directly from the blu ray. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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#978 |
Blu-ray Baron
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If it were a dinosaur movie, like Jurrassic Park, we were talking about, and it had used the 2014 roar, you'd probably be complaining that it sounded too much like Godzilla.
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