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#1 | |
Special Member
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Thanks for the info though and the protected zone info; didn't know that the area had a name even though I knew about the area itself. Last edited by hakunamufasa; 11-04-2014 at 05:59 PM. |
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#2 |
Special Member
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In relation to the last post I made, The Lion King's aspect ratio is 1:66:1 and the 70mm IMAX is 1:43:1, so it wouldn't have ruined the picture too much by compressing the size of the image. IMAX only developed their digital projection system of 1.89:1 or 2.39:1 (whether this depends on the film or screen, I'm not too sure) in 2008, a full 6 years after the Lion King's IMAX run. Even from 1:89:1 (DMR/non-IMAX film) to 1:43:1 (70mm IMAX format) there probably isn't much of a difference, not like below anyway with 2:39:1 (standard to 70mm) :
![]() That Tron picture above could be the answer. GOTG was similar to above (2:35:1 instead of 2:39:1, but similar enough); I definitely remember the screen changing before the film was about to start and also with Godzilla and TASM2, the other two IMAX films I saw this year. Now that I've looked into it more (Godzilla and TASM2 were also 2:35:1) I'm sure it happens with most non-native IMAX films but we don't notice as the *bars blend into the darkness of the walls of the room. *bars meaning dead space My conclusion is that the same happens with showing standard films on 70mm and digital IMAX screens and that there are bars there, but that you don't notice them. Last edited by hakunamufasa; 11-04-2014 at 06:57 PM. |
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#3 | |
Blu-ray Samurai
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For movies that have no IMAX footage, they are usually presented in their original aspect ratio (OAR). Sometimes you have different approaches like Avatar being 1.78:1 in IMAX and in digital 3D but 2.40:1 for 2D theaters. Skyfall's OAR is 2.40:1 but it was opened up to 2.00:1 for IMAX. In that case, there was a lot of extra space on the top and bottom of the frame that made all the shots look loosely framed. It's termed "dead space." I'm not sure what you mean by an "IMAX presentation", though. It all depends on the movie, but the typical approach is to show non-IMAX filmed content in its OAR, regardless of whether the movie is entirely non-IMAX sourced or if it is a hybrid. Many different kinds of movies are shown in IMAX 70mm and most have no IMAX footage whatsoever, and the few that do have it for select scenes. |
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#4 | |
Special Member
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Full-screen w/no dead space.
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#6 |
Active Member
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I did this graphic for the aspect ratios of Interstellar. I think this gives you a good overview of the different formats.
![]() I don't know about home cinema releases of imax movies, i think every director does it differently, but i would prefer a version that switches between 16:9 and 2,40:1 on one blu-ray and a version of the original aspect ratios on a second blu-ray. Last edited by hajiketobu; 11-07-2014 at 09:25 AM. |
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#7 | |
Blu-ray Ninja
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Good graphic, but it assumes constant width for all ARs, which is usually the case these days, but not always and it also assumes that the screen width is the same for all formats, which is definitely not true.
And I heard that at the new IMAX installation at the TCL (originally Graumann's) Chinese Theatre in Hollywood, even though they're showing Interstellar in 70mm IMAX and even though they're claiming it's the largest IMAX theatre in the world (although I think they might be referring to the number of seats or the square footage of the auditorium and not the screen size), it's still only going to be 1.9:1 and not the proper 1.4:1. I challenged the person who presented that info, but he swears it's correct. If that's accurate, it must be that the theatre wasn't tall enough, even though that's a very large theatre. There's a YouTube video of the theatre reconstruction. |
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#8 |
Banned
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The Grauman IMAX is largest in terms of seating but not screen size.
http://en.wikipedia.org/wiki/IMAX http://en.wikipedia.org/wiki/TCL_Chinese_Theatre By the way, how else would you compare the aspect ratios other than constant width? It makes no sense to compare constant height since the IMAX presentations (15/70 or Digital) go taller, not wider. |
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Thanks given by: | WJWS Channel 13:Amity (11-07-2014) |
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#9 | |
Blu-ray Ninja
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We are projecting in 1.4:1 and we have masking in place on the sides as we did last year with Wizard of OZ IMAX 3D(digital) last year and Maginifcent Desolation Walking on the moon(70mm) |
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Thanks given by: | jscoggins (11-08-2014) |
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