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#221 |
Blu-ray Knight
Jun 2007
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#222 | |
Blu-ray Samurai
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#224 | |
Blu-ray Samurai
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#227 |
Power Member
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I have to say that I really enjoy all of his works. Either directed or written by him. Sure, sometimes you might think he is overrated, or your expectations are set really high every time a new film gets released and you might end up walking out disappointed. Happened to me before... However after repeat viewings his films really grow on you! There is just so much detail put into it, that you have to watch it several times to really enjoy every little bit of it and yet you will never stop to finding new things, or crossovers to his other films.
It's great and he definitely started some kind of cult. I also think that him and Robert Rodriguez brought back a niche of films and made them more mainstream (El Mariachi, Grindhouse even Inglourious Basterds or Hell Ride that was produced by QT). Might be true that a lot of people new to his films will not enjoy some of his earlier works, as they are aging, but if you look at the time it was released (take Reservoir Dogs as an example) there was nothing else like it back then. I truly hope he will continue to bring us new movies for many years to come! |
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#229 | |
Special Member
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I understand how you could find Tarantino's movies unique, but he also borrows heavily from older films. Reservoir Dogs uses the last 15 minutes of the Hong Kong film City on Fire (1987) for its plot, and the use of color pseudonyms from The Taking of Pelham One Two Three (1974). Pulp Fiction uses some bits of dialog from Charlie Varrick (1973) and the Sonny Chiba movie Karate Kiba (AKA The Bodyguard). His "uniqueness" comes from how he puts his pastiches together. |
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#230 | |
Expert Member
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#231 | |
Special Member
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Citizen Kane (1941) -- some of the flashbacks are out of sequence, or jump through time, or we see the same events but through different perspectives depending on who is telling the story. The Killing (1956) -- the time shifting occurs during the racetrack heist, where we see the same events from the point of view of the different robbers. Images (1972) -- disjointed nonlinear storytelling due to the fact that the main character is insane. |
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#232 |
Special Member
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#233 |
Expert Member
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#234 | |
Active Member
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#237 | |
Special Member
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I know Tarantino's former writing partner, Roger Avary, said of Quentin, "I've realized that I can't hang out with him. I talk with him, and he just sucks stuff from me." That's the only bad thing I've heard about the man, though. |
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#239 | |
Blu-ray Prince
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Last edited by Ernest Rister; 08-26-2009 at 12:55 PM. |
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#240 | |
Special Member
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It may be a case of "success has many fathers while failure is always an orphan." Of course one would want some credit for one of the most acclaimed films of the last fifteen years. I'm sure if the movie had bombed or turned out poorly, we wouldn't hear about Avary's uncredited contributions. Taratino has always been rather tight-lipped about acknowledging where he got some of his ideas, it seems in order to create the illusion that they were original. He's never admitted that City on Fire was used as the basis for Reservoir Dogs, for instance. I understand that you don't want to air what amounts to hearsay on these public boards. If only there was a way to hear these rumors in private. Maybe if I could read, say, a message where no one else could see it. If only these forums had such a way! ![]() |
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