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#24 |
Blu-ray Samurai
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Disuni (Disney) no anime (if that counts as one)
all of them nihongo no anime: Final Fantasy VII:AC Spirited away (I expect this in BD, as it is distributed by Walt Disney) and doraemon and crayon shinchan would be nice |
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#26 |
Senior Member
Feb 2007
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deathnote!
Go Blu-ray! |
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#29 |
Active Member
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Berserk, Outlaw Star, Macross Zero, Initial D 4th Stage, Robotech, Zeta and Double Zeta Gundam, Chars Counter, Iria, MD Geist, Golgo 13: The Pro, Original 1988 Aikra dub, Gantz, Record of Lodoss Wars, Black Heaven, X......to name a few....
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#30 | |
Blu-ray Champion
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As far as MD Geist, the director was mystified why anyone would want to buy it nowadays, let alone a special edition ![]() |
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#32 |
Active Member
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Ive seen both Z and ZZ GUndam. i put them up because I do like them. and Geist is just bad ass. I for one, and probably the only one would buy it on BD, along with the Z and ZZ gundam series.
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#33 | |
Blu-ray Ninja
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Also, there are many titles in Japan that are actually not made for the Japanese audience. Many anime were actually designed for foreign western audience, such as Vampire hunter D which was first released in English, and only later was a Japanese language track added, Big O season 2 was made for Cartoon Network because the american fans liked it so much, even classics like Voltron have had seasons made for foreign markets because they diid not make the money they would have if they were solely for a Japanese market. There are also many American shows that were made in Japan, such as Inspector Gadget, which reflect the Japanese anime style but in these cases, were not truly anime. In short, this discussion is very debatable and I am sure many people would be against what I say. I know that many fans of anime consider only things made in Japan anime (I myself used to think that too). But anime to me has become a style beyond the Japanese market that appeals to people all over the world and the true spirit of anime can lie in animations and comics made anywhere in the world. However there is something we both agree on, Disney is not anime. However it is also important to know that Japanese anime artists look up to Disney (at least classic Disney if not modern so much). In fact, without Disney cartoons, there may not be any anime at all, since it is Mickey and the gang that inspired many of the founders of manga and anime, and the "Art of Disney" is still considered a staple of animation education in Japan. |
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#34 |
Special Member
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Samurai Champloo
Samurai Seven Samurai Gun Gun Grave Full Metal Alchemist Full Metal Panic (any) Witch Hunter Robin Vampire Hunter D: Bloodlust Cowboy Bebop Outlaw Star Twelve Kingdoms Tenjo Tenge Gunslinger Girl Trinity Blood Area 88 Appleseed Speed Grapher, etc. Princess Mononoke Howl's Moving Castle Lot's more too. |
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#35 | ||||
Blu-ray Champion
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In Japan. Bugs Bunny and Mickey Mouse, ALL animation is anime. Quote:
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The sequel was, the original was not. Why? Because a US company (Urban Vision) paid for it. Same with MD Geist 2, same with Big O 2, Ninja Scroll TV and a bunch of others that were not necessarily released in the US first. By your logic, Transformers, GI Joe, and the majority of 80s cartoons are "anime" because they were animated in Japan, many with great US influence. Quote:
99% of shows made in Japan are designed to go 13 or 26 episodes and then goes away, sequels never come into it. Almost always, it's only the violent shonen repetative crap like DragonBall or Naruto whose plot boil down to "I don't like you, well, I don't like you! Let's fight!" go for hundreds and hundreds of episodes. What ignorant people who lable any action-adventure show, "anime", or the few Korean or Chinese productions "anime" simply because they're of asian origin just shows ignorance. |
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#36 |
Expert Member
Jun 2007
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Three simple letters.
DBZ |
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#37 |
Blu-ray Ninja
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The point is actually that anime is not just Japanese anymore in many people's opinions. Yes it is the origin. Yes the word "anime" comes from the Japanese interpretation of "animation".
But it doesn't really matter. I don't think you should limit anime to only that which is made in Japan. I agree the best anime is still Japanese, but I have seen excellent manwa (Korean version of manga) that I would consider anime. Many now use anime to represent the style, not just animation from Japan. I don't think "ignorance" plays into what someone considers anime. If something is technically "A" but the majority of people recognize it as "B", the definition will often change. In fact, the dictionary.com definition of anime is "a Japanese style of motion-picture animation, characterized by highly stylized, colorful art, futuristic settings, violence, and sexuality." It says it is a style, not just limited to animation produced in Japan. Like I said, it is an argument that can be debated. I do not disagree with your view. Anime is, in essence, a Japanese invention, originally influenced by early American animators, taking on a style all it's own with unique character designs and stories. But I do not think we should limit the term to only that which is made in Japan. At least not anymore, ever since it started to become mainstream. |
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#38 | |||
Blu-ray Ninja
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Back in the 80's Japan was the animation grunt work of the world, all cheap animation was made there. Now that anime is so big, Korea has become the animation grunt work of the world. Quote:
I am not arguing in that Japanese productions are anime, but I just think anime is becoming more of a style than a product of Japan. |
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#39 | |||||
Blu-ray Champion
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The Japanese studios were convinced anime had gone mainstream here, so they priced themselves into the stratosphere and made stuff they though twould work on Cartoon Network. It's only now we're seeing the fallout from that. Maybe things will recover, maybe they won't. |
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#40 |
Member
May 2007
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1) There are no "seasons" in Japanese anime. There are only "series" even if the "series" is a lengthy episodic count. The term the Japanese use is "arc" especially for long series over 26 episodes. Each new "series" of anime shows has a different title or sub-title to the name to mark it differently. If you don't see this change in the name, then it is considered only 1 series with several arcs.
2) Escaflowne ended up only with 26 episodes. Slated for 39 episodes but was reduced in episode count when the ratings weren't up to par. 3) Korea effectively doesn't do the animation. They get the brunt work of the in-betweens that no one wants to do in Japan anymore because the work was hard and the pay was lousy. And now, Korea may be too expensive for the Japanese studios and you will now see some in-betweens done in China. Most of the key frames, CGI, character designs, storyboards, script, and the brunt of the concepts and visualization and creation are all done in Japan. 4) Even though Korea and China does animate animation much like the Japanese do and try to imitate the style and format, it's still nowhere close to the true presentation of the Japanese. 5) What separates true anime from the pseudo-anime is what Japanese instills into their anime with their sensibilities and cultural trends and attitudes. Because of the English dubbing, a lot of that is loss on English only listeners and so they can't see a difference. But those who listen to the Japanese track and know their cultural background understand the significance. And it doesn't matter what genre the anime is under, or what ethnicity the characters are, they all follow a Japanese modicum of thinking and ideology. 6) While there are certain **few** "made for US audience first" anime, they are primarily not "series" and are mostly "movies". Your blurb on The Big Oh 2 is incorrect. The series was made with help from American studios...that's true...but the series was shown in Japan first before it came stateside. The so-called "anime" of Robotech: The Shadow Chronicles was a complete joke and lost all the sensibilities that the original Japanese series of Mospeada and Macross had. Although Vampire Hunter D: Bloodlust was financed and made for American audience, they kept most of the Japanese modicum of thinking intact, and preserved the way Japanese tell their tales via their mediums, which most Americans find boring, especially in a celluloid medium. The reason, thus, is that they also aimed to sell the movie back in their own home country, so it has to maintain a 100% pure Japanese way of thinking and everything else. Last edited by jadafa; 08-13-2007 at 08:13 PM. |
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