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#21 |
Blu-ray Samurai
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#23 |
Blu-ray Samurai
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70mm prints won't have a lot of grain, but there is no fine detail in the Zulu BD transfer such as skin pores, hair, etc. This movie doesn't need any DNR (not that any of them do, but 70mm is very fine-grained so you would hardly see it anyway) but whoever did this transfer doesn't understand or care what film is supposed to look like.
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#26 |
Moderator
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I think you have missed my sentiment...the comment was about grain haters vs grain lovers. It refers to the ongoing arguments about transfers a la Predator and Total Recall
Last edited by BigNickUK; 08-17-2012 at 11:44 PM. |
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#27 |
Blu-ray Samurai
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#28 |
Senior Member
Jun 2010
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Also apart from some DNR the squeeze does not seem right everbody seems
to thin. This film was shot in Technirama, 35mm sideways with a 1.5 squeeze. It was only screened in 70mm in London in 1972 at the Casino Cinerama Check the Blu of King of Kings to see how this should look ,shot in the same format. |
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#30 |
Power Member
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While I abhor dnr and think it's especially unnecessary in higher resolution film format films like Patton, and Zulu (also The Longest Day, anamorphic is a higher resolution format, though the negative frame isn't larger in and of itself), the fact that the grain is so fine in the first place, less effort is needed to scrub it away and/or dull it, so Zulu and Patton didn't come out looking nearly as bad as most dnr'd films. I can still see some grain in some scenes in Zulu, is essentially goes from nonexistent to barely there to normal looking (the latter being less common).
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