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#21 | |
Blu-ray Samurai
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Dolby themselves say that the brightness and color volume are important, they are the inventors of the HDR format. You are right though that at this point it's preference because no tech can do both my so it's a race to see who can close the gap faster. ![]() |
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#22 |
Active Member
Nov 2014
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Oleds also do whites better also , the best buy sales rep took the 4k flash drive out of the Lg oled and put it into the flag ship sony lcd and the Samsung , the whites were much brighter more white not dull on a oled, he wanted to show that people always talk about blacks when comes to oleds but they do a much better job with whites also .
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#23 | |
Retailer Insider
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I was taught that the human visual system can see up to 7 stops in any given fixed APL and ambient light conditions. I also understand that there is no clear agreement on the static dynamic rage we can resolve, but my teaching is also the thinking of Wikipedia where they say "The retina has a static contrast ratio of around 100 000:1 (about 6.5 f-stops)" Regardless if it's 7 stops or 10 stops or even 12 stops we can not see the full range of HDR's specular highlights that can easily hit 14 stops. Our brain clips the specular highlights. |
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#24 |
Retailer Insider
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Thanks Ray for posting Dolby Vision's HDR paper. I love HDR and DV is my favorite format of HDR as it supports dynamic metadata and 12-bit. So hopefully in the future we'll see more DV content and 12 bit displays.
I do also want to draw your attention to the bottom right side 3D Color Volume chart in the DV pdf you posted. In particular, look at the peak luminance at the top of the chart to see how little color there is at the DV's HDR brightest level. |
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#25 |
Blu-ray Knight
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I think HDR will look better on OLED when watching DV content and in a darkened room.
But right now high nit LCD is better for UHD BD because HDR10 clips the highlights and makes the picture dimmer on the low nit sets. With both using Dolby I would think that LCD with higher brightness would hold the edge for HDR daytime viewing, otherwise OLED. So both have their advantages, and neither being necessarily "better" than the other, as it depends on format and viewing environment. |
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#26 |
Retailer Insider
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Good ^ comments. OLED for moderate ambient light viewing of HDR and LCD for bright high ambient light.
Not that most folks can get a proper HDR10 calibration, but when an OLED is set-up properly they do not clip the highlights with HDR10. |
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Thanks given by: | Gillietalls (01-26-2017) |
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#27 | ||
Retired Hollywood Insider
Apr 2007
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Despite occasionally joking around with topics like flatulence in order to encourage people to learn something new, I’m also a wee bit familiar with the brain and its connections too, see the brain hyperlink, i.e. the human connectome project. Do you have a citation (on the order of pubmed, e.g. https://www.ncbi.nlm.nih.gov/pubmed/16102542) which had to pass through at least some sort of independent editorial review panel in order to get published in a scientific journal rather than something from the layman’s press to back up that clipping level assertion? |
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#28 |
Retired Hollywood Insider
Apr 2007
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#29 | |
Retired Hollywood Insider
Apr 2007
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Bruce, good to see you’re alive and kicking. Haven’t seen you around on your HDR Discussion thread recently. Been training? or just avoiding the thread? On that note, I may (depending on me body) be running in the Duluth marathon on June 17th ? which I think is entirely around Lake Superior in Minnesota, or so I’m told by friends encouraging me to go. PM me if you plan on being there. This would be my first full marathon. ![]() |
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Thanks given by: | bruceames (01-23-2017) |
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#30 | |
Blu-ray Knight
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#31 |
Blu-ray Guru
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Dolby has a document called Color Volume Limitations with HLG, basically saying HLG can't keep up with PQ in the extremes. Then the BBC's HLG FAQ addresses the problem saying don't worry about it right now (question 14). BBC says they will have more details in an forthcoming color volume document.
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#32 |
Retired Hollywood Insider
Apr 2007
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puddy, on going discussion….. https://forum.blu-ray.com/showthread...e#post13129321
and to Dolby’s white paper…. https://forum.blu-ray.com/showthread...t#post12671964 |
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#33 | |
Retired Hollywood Insider
Apr 2007
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#34 | |
Blu-ray Emperor
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Thanks given by: | bruceames (01-24-2017) |
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#35 |
Retailer Insider
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Today's Flatpaneshd article touches much on what we are discussing here. Good read.
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Thanks given by: | bruceames (01-25-2017), Richard Paul (01-24-2017) |
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#36 | |
Senior Member
Oct 2007
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"Nevertheless, Samsung believes that it can be done (adding dynamic metadata for HDR10) and that is why it has not yet partnered with Dolby. It even believes that it can add support via a firmware update to current UHD Blu-ray players. Samsung gave us a demonstration of how it hopes to implement dynamic metadata in the HDR10 standard. We will cover that in a later article." |
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Thanks given by: | Robert Zohn (01-25-2017) |
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#37 | |
Member
Jan 2017
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#38 |
Retired Hollywood Insider
Apr 2007
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In an nutshell, in their Reassessment….paper which I referenced above, what Timo and Erik are indicating is that the instantaneous dynamic range of the human visual system has been shown to be around 13-14 stops building to greater than 16 stops if the image is viewed for more than 500 ms.
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#40 |
Retired Hollywood Insider
Apr 2007
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Don’t feel badly. It’s all relative. I never thought of doing this
![]() http://news.harvard.edu/gazette/stor...ssure-physics/ We've got a new metal now on earth folks! |
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Tags |
2017 tvs, bt.2020, color volume, value electronics |
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