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Old 07-12-2017, 04:01 PM   #421
darkedgex darkedgex is offline
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Bought it yesterday, watched a little of it on the Sony 65" A1E we have at work before going home to watch it on my Samsung 55JS8500. Picture looks gorgeous. Yes, the shots with visual effects have issues around the edges of CGI elements, but it's surprising (to me anyways) how hard it is to look at that during the course of the movie. I only made it halfway, so maybe the diva scene will change my view overall, but... I'm hoping not. :P
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Old 07-12-2017, 04:39 PM   #422
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Saw it yesterday on my SDR 4K sony set with HDR conversion set to narrow on my UBP X800 UHD player. Movie looked great though the initial menu looked very dull and had me worried that the HDR on the disc wouldn't translate well. Luckily, it wasn't a problem.

The last time I'd seen the movie was on the old Superbit release, so this was quite the improvement. I didn't have any trouble with the halos people are mentioning, but I've never had a problem with halos unless they were on DVD when scaled to HD sets.
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Old 07-12-2017, 05:29 PM   #423
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Quote:
Originally Posted by benhoppel View Post
The haloes are baked into the film elements due to sharpening of sfx shots before film out. They can't be fixed unless one redoes the sfx shots.
The halos are there, but less noticeable on the Gaumont master.

http://caps-a-holic.com/c.php?go=1&a...=63696&i=2&l=0
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Old 07-12-2017, 05:32 PM   #424
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Quote:
Originally Posted by Patsfan123 View Post
The halos are there, but less noticeable on the Gaumont master.

http://caps-a-holic.com/c.php?go=1&a...=63696&i=2&l=0
But it also looks like the Gaumont 1080p Blu-ray has some filtering/de-graining applied, which would also help hide the digital effects print out to film artifacts.
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Old 07-12-2017, 05:40 PM   #425
Patsfan123 Patsfan123 is offline
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Quote:
Originally Posted by FilmFreakosaurus View Post
But it also looks like the Gaumont 1080p Blu-ray has some filtering/de-graining applied, which would also help hide the digital effects print out to film artifacts.
I don't want to rehash this argument here but I thought the common theory was that Sony used an IP which they may or may have not sharpened while Gaumont (owning the elements) went to the OCN and did a new scan which they may or may have not filtered.
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Old 07-12-2017, 06:00 PM   #426
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Quote:
Originally Posted by madfloyd View Post
I watched the first 30 minutes or so tonight. I'm slightly disappointed but in hindsight my expectations were too high. The recent bluray remaster is so good that the differences are, overall, subtle.

Resolution is much improved in some scenes but no different in others. In fact, even with the recent Bluray, some scenes just seem to be devoid of resolution (e.g. more like DVD quality) and the 4k can't improve on what is a source limitation.

As for HDR, nothing is jumping out at me (which is good in a way, the color grading shouldn't be distracting) but other than the odd scene here and there I didn't notice much difference and I didn't (yet) go back to the Bluray to refresh my memory. Usually even if there aren't impressive highlighting I notice much smoother gradients throughout the image and I can't say I noticed any so far.

Don't get me wrong, I'm happy to have this release, but my expectations were (probably unfairly) higher. Again, I think it's the source and not any fault of the transfer.
Are you the same person that said John Wick didn't look good ?
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Old 07-12-2017, 06:16 PM   #427
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this is the best the movie is ever going to look, it was filmed 20 years ago and we are nitpicking every minute thing we can find to diminish the 4k transfer

i watched the 4k disc last night, its very impressive, we are never going to get perfection on 4k transfers of old movies like this, if youre not willing to accept that then theres no point in upgrading
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Old 07-12-2017, 06:18 PM   #428
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Everyone who are reviewing UHD BD should be able to judge only if owning 4k Oled Sony A1 65' or Pana EZ 65.
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Old 07-12-2017, 06:20 PM   #429
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Quote:
Originally Posted by Joce View Post
Everyone who are reviewing UHD BD should be able to judge only if owning 4k Oled Sony A1 65' or Pana EZ 65.
No.
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Old 07-12-2017, 06:22 PM   #430
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Quote:
Originally Posted by OI8T12 View Post
No.
One of the best argument i have ever read.
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Old 07-12-2017, 06:24 PM   #431
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Quote:
Originally Posted by Joce View Post
Everyone who are reviewing UHD BD should be able to judge only if owning 4k Oled Sony A1 65' or Pana EZ 65.
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Old 07-12-2017, 07:41 PM   #432
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Quote:
Originally Posted by benhoppel View Post
The haloes are baked into the film elements due to sharpening of sfx shots before film out. They can't be fixed unless one redoes the sfx shots.
This could be factually correct, but is it?

Easy to blame the scan and transfer work, but has the blame been misplaced?!
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Old 07-12-2017, 07:45 PM   #433
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Quote:
Originally Posted by Joce View Post
Everyone who are reviewing UHD BD should be able to judge only if owning 4k Oled Sony A1 65' or Pana EZ 65.
Ah. Such a tiny 2.40 image!

JVC RS4500 at 10 - 15 feet wide and pro calibrated by ChadB or the opinion doesn't count!
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Old 07-12-2017, 08:24 PM   #434
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Quote:
Originally Posted by joce View Post
everyone who are reviewing uhd bd should be able to judge only if owning 4k oled sony a1 65' or pana ez 65.
lg c7 oled
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Old 07-12-2017, 08:26 PM   #435
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"Display"- hah! No review is valid unless the pits and lands are examined directly with a jeweler's loupe.
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Old 07-12-2017, 08:55 PM   #436
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Quote:
Originally Posted by OI8T12 View Post
No.
I don't know why this made me laugh so hard.
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Old 07-12-2017, 09:20 PM   #437
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Quote:
Originally Posted by Joce View Post
One of the best argument i have ever read.
As was your initial argument.
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Old 07-12-2017, 09:37 PM   #438
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Had a quick glance at it. The UHD BD's contrast and colors look more in line with the MI4K BD rather than the Gaumont one (https://forum.blu-ray.com/showthread...3#post11456373).

Minus the CGI shots, the UHD does look naturally sharper (less digital) than the MI4K BD with improved spatial resolution. The colors and contrast also look subtly improved (less yellow tint and black crush) topped all with an impeccable looking grain field void of compression issues.

The UHD looks great but need to take a closer look at it when I get a chance to see if it contains any issues such as banding (which am almost sure it doesn't as this does look to be another typical high quality Sony UHD release).
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Old 07-12-2017, 10:03 PM   #439
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Quote:
Originally Posted by Patsfan123 View Post
I don't want to rehash this argument here but I thought the common theory was that Sony used an IP which they may or may have not sharpened while Gaumont (owning the elements) went to the OCN and did a new scan which they may or may have not filtered.
I'm more inclined to go with what FilmFreak said, it seems like the Gaumont was softened or processed in some way which hides the sharpening. I think the movie was sharpened a long time ago as part of the finishing process and there's nothing Sony could do about it.

In any event, this is the recent Sony BD, just on UHD. The HDR is nice but subtly used, not a ton of pop. Everyone should know from that summary pretty much exactly what they're getting.
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Old 07-12-2017, 10:08 PM   #440
Geoff D Geoff D is offline
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Quote:
Originally Posted by vincentric View Post
Had a quick glance at it. The UHD BD's contrast and colors look more in line with the MI4K BD rather than the Gaumont one (https://forum.blu-ray.com/showthread...3#post11456373).

Minus the CGI shots, the UHD does look naturally sharper (less digital) than the MI4K BD with improved spatial resolution. The colors and contrast also look subtly improved (less yellow tint and black crush) topped all with an impeccable looking grain field void of compression issues.

The UHD looks great but need to take a closer look at it when I get a chance to see if it contains any issues such as banding (which am almost sure it doesn't as this does look to be another typical high quality Sony UHD release).
The grain should act as a natural dithering agent anyway, although sometimes banding can still creep in on the filmed-out VFX which I've noticed on ID4 and The Mummy. They weren't always working on VFX with the kind of bit depth, colour gamut and dynamic range that we take for granted today, e.g. ILM were still working in linear space rather than logarithmic at that time, and even used the 709 gamut well into the Noughties.

[edit] How does Zorg's stripy suit look in the weapons test scene with the Mangalores? It shimmers like a mofo on the Mi4K blu.

Last edited by Geoff D; 07-12-2017 at 10:13 PM.
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