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Old 06-28-2023, 10:12 PM   #5361
gigan72 gigan72 is offline
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Normally I'm in for stuff like booklets and slipboxes, but this release is just lazy enough that I'm gonna pass. The slipbox art is ugly imo, the repro film cell I'm sure is just like their To Kill a Mockingbird one which means it's not really like an actual film cell and is just cheap printed plastic, the booklet doesn't seem to have much material, and the cards are Jurassic World era art. Plus I've already got the og art slip from the previous reissue + slipbox also isn't a sturdy one so I don't have any good reason to pick this up.
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Old 06-29-2023, 02:40 AM   #5362
WBMakeVMarsMovieNOW WBMakeVMarsMovieNOW is offline
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Quote:
Originally Posted by MovieGuy999 View Post
On the subject, I can't think of a Studio release that has gotten a new scan after they put out the 4K. I would say it's still too early. Maybe they are using these collector's editions to clear out the old discs.
There have been a few that have used the same scan again but not done all the DNR and other stuff to the raw scan master though and/or changed the colors and regraded.
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Old 06-30-2023, 11:04 AM   #5363
nick4Knight nick4Knight is offline
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Universal is not likely to be a studio that would do that, though. So not really much point to mention that. Nor really to keep harping on theatrical colors for home video.

It's really weird to see someone believe studio PR on face value, reciting it like its a scientific fact, with regards to scanning/resolution being true etc but then accuse them of being inaccurate with color correcting for the "4K workflow". They did the work to color correct, if you believe the PR claim.

Why would you ever think it needs re-doing?
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Old 07-21-2023, 08:01 AM   #5364
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Just saw an open-matte version from the 1st JP (1993), and at the same time looked into the 16:9 one (both supposed to be 35mm scans). I thought the Widescreen version would have more image on the sides, but this seems to be that case where the OM adds needlessly more content top/bottom, and the WS simply "cuts" both and that's it.

What is odd is that I remember seeing films in which the WS adds more content:





(Probably the same exact shot)

Yet, when a scene has some special effect (for example, some bits from the T-Rex attacking the car with the kids), both 4:3 open-matte and WS are 100% the same (at least the files I checked).

Note: I haven't checked again the fullscreen version from the DVD again, only those two.
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Old 07-21-2023, 09:09 AM   #5365
Ben_UK Ben_UK is offline
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It depends on how the film was originally shot.

WS only adds more if it’s a 2:35.1 or higher presentation (scope). So when doing a pan and scan version they would zoom in and along the frame depending on what action was being displayed. If it’s open matte, it’s a much squarer frame and then they just zoom into it afterwards. The CG shots will all likely be masked off so they will have the black bars in all likelihood if that’s how the presentation has been done.

Last edited by Ben_UK; 07-21-2023 at 09:21 AM.
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Old 07-22-2023, 10:21 PM   #5366
Gac-Man Gac-Man is offline
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I've seen footage of the open matte and while it does look sharper, we also get things like the boom mic and things we aren't meant to see. So if it is released it would need to be digitally removed if they want to put in the time.
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Old 07-22-2023, 10:45 PM   #5367
Ben_UK Ben_UK is offline
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I presume this new set there is no doubt that it’s the exact same transfers? I’ve not seen any reviews or screenshots etc
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Old 07-22-2023, 11:47 PM   #5368
Kyle15 Kyle15 is online now
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People finding the open matte print scan for the first time and posting about it like they've made a discovery nobody knows about with a side of nerd conjecture is so funny
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Old 07-22-2023, 11:48 PM   #5369
Kyle15 Kyle15 is online now
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Quote:
Originally Posted by Ben_UK View Post
I presume this new set there is no doubt that it’s the exact same transfers? I’ve not seen any reviews or screenshots etc
Same transfers, nothing new.
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Old 07-23-2023, 11:38 AM   #5370
Sky_Captain Sky_Captain is offline
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Universal UK still lying about DV being included:
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Old 07-23-2023, 03:15 PM   #5371
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Quote:
Originally Posted by Gac-Man View Post
I've seen footage of the open matte and while it does look sharper, we also get things like the boom mic and things we aren't meant to see. So if it is released it would need to be digitally removed if they want to put in the time.
The ideal would be the open matte scan (because it's actually filmic and natural) but cropped to the theatrical ratio of 1.85:1
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Old 07-23-2023, 07:11 PM   #5372
JohnCarpenterFan JohnCarpenterFan is offline
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Quote:
Originally Posted by nick4Knight View Post
Universal is not likely to be a studio that would do that, though. So not really much point to mention that. Nor really to keep harping on theatrical colors for home video.

It's really weird to see someone believe studio PR on face value, reciting it like its a scientific fact, with regards to scanning/resolution being true etc but then accuse them of being inaccurate with color correcting for the "4K workflow". They did the work to color correct, if you believe the PR claim.

Why would you ever think it needs re-doing?
Just saw this. I said before coming across the "studio PR" that I didn't think it was a mere upscale so this is not me falling for studio PR on face value. The statement by Universal merely backed up my own observations.

As for accusing them of "being inaccurate with color correcting", just because color correction has the word "correct" in there doesn't mean that it's accurate at all and they never claimed it was color corrected to match the original grade so that's a strange statement. I've seen and held multiple 35mm prints from the time of its release and was describing how it originally looked way before these fan scans started appearing online. The 2D Blu-ray and UHD grades look nothing like how it did theatrically.

The 3D version which had Spielberg's involvement and which actually used prints as reference during its "color correcting" while not exactly matching the prints comes a hell of a lot closer than those other releases.
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Old 07-26-2023, 12:34 AM   #5373
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Quote:
Originally Posted by starmike View Post
So what's the consensus here? I missed the boat (not really upset about it) because the new release was thrown into this thread which I ignored because I have no interest in a set. So....should I find this or not if I have the previous 4K?
I watched the first movie last night and I really didn't think it looked that bad. But it's certainly not top tier catalog treatment. It reminds me a little of how Universal handled Back to the Future. There is no question there is finer detail versus the original BD (which looks more 'digital' in general). There has been some filtering applied usually fairly mild but a little more noticeable in a few sequences. The color does resemble the vibe of the BD to JCF's point and it takes on a more nuanced look in a better way. I recall the 3D BD looking too orange in 2D although worked okay enough in 3D. I still don't feel like the UHD stems from the OCN. I could sense the 3D did even though it was in 1080p watching it. I feel the BD stems from an IP as it just has a lot of that look, but who knows despite what the press release said. It's definitely 4K though and an upgrade from the BD. The DTS-HD audio is good as to be expected, but I recall one of the prior versions feeling a little more engaging, but didn't compare to the BD and working off older memories here and different set-ups.
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Old 08-01-2023, 06:11 AM   #5374
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Quote:
Originally Posted by Pocketkid2 View Post
The ideal would be the open matte scan (because it's actually filmic and natural) but cropped to the theatrical ratio of 1.85:1
Maybe one day we can get that. I'm sure there will be an eventual day we start to get 4K re-releases or remasters because there's newer technology to get a better source of a film. Technically we already have been getting some remasters of some films.
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Old 08-04-2023, 06:11 PM   #5375
truecineaste truecineaste is offline
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Do you recommend getting The Lost World on LD then for the most accurate framing? How about the fidelity of the sound mix on the LD compared to the theatrical mix?


Quote:
Originally Posted by Riddhi2011 View Post
As of now, The Lost World looks the most faithful to its 35mm counterpart, but has a slightly different framing compared to the 35mm, which is shifted a bit more to the right than the left. The vertical framing is about the same.
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Old 08-08-2023, 04:25 PM   #5376
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Is the 4K re-release a new transfer?
https://twitter.com/empiremagazine/s...059263489?s=20
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Old 08-08-2023, 04:29 PM   #5377
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Quote:
Originally Posted by kristoffer View Post
Is the 4K re-release a new transfer?
https://twitter.com/empiremagazine/s...059263489?s=20
Was literally about to post this too. Is this new, or is this the 3D master in 2D?
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Old 08-08-2023, 04:49 PM   #5378
Kyle15 Kyle15 is online now
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Is it just me or does the trailer footage look different than the current 4k disc? It's not orange as hell and despite Youtube compression looks better textured. Could this be a silent restoration walk-back? You'd think Universal would advertise it. If it is different idk if they'll actually put it on disc but I'd like to dream.

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Old 08-08-2023, 05:05 PM   #5379
JohnCarpenterFan JohnCarpenterFan is offline
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Could just be a degrained and sharpened HDR > SDR conversion. It looks more like the UHD than the 3D release although it looks very dark.
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Old 08-08-2023, 05:06 PM   #5380
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Quote:
Originally Posted by Kyle15 View Post
Is it just me or does the trailer footage look different than the current 4k disc? It's not orange as hell and despite Youtube compression looks better textured. Could this be a silent restoration walk-back? You'd think Universal would advertise it. If it is different idk if they'll actually put it on disc but I'd like to dream.

Jurassic Park: 30th Anniversary | Official Trailer | Park Circus - YouTube
If on disc, it would have certainly made the Universal Essentials disc, well, more essential!
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