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#521 | |
Special Member
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Not a big expert on the small differences, only stuff like different cuts, so only audio difference I know of a big movie from that era is The Italian Job changing a line |
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#524 |
Junior Member
May 2023
England
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.....
Last edited by RobertSterling; 04-05-2025 at 01:18 AM. |
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#525 | |
Blu-ray Samurai
Sep 2014
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And as RobertSterling mentioned, the most noticeable is the end titles music. One mix has the Bond theme, and the other has an instrumental of "Thunderball." But the Blu-ray (both mono and 5.1) seems to be a mashup of the two mixes, as some of the dialogue differences are there, but the end credits still has the Bond theme. There's nothing official, but others have pointed out that Zavvi's listed specs include 2.0 English tracks. That seems to indicate mono or stereo, and with Warner and MGM's recent track record, my guess is that they at least intend to include the original tracks. Whether they get them right or not remains to be seen, of course. ![]() Last edited by BNex99; 04-03-2025 at 07:44 PM. |
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Thanks given by: | RobertSterling (04-03-2025) |
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#526 |
Banned
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Hmm, the listing on amazon for the Connery set shows digital but the cover art doesn't. I guess Bezos is going to want you to stream the films on amazon.
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Thanks given by: | aviosis (04-06-2025), RobertSterling (04-03-2025) |
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#527 | |
Expert Member
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The spec specifics are so scatter shot it's hard to know for sure what is and isn't being included at this point. |
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Thanks given by: | mar3o (04-03-2025) |
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#528 |
Blu-ray Guru
Apr 2015
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#529 | |
Expert Member
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#530 |
Special Member
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#531 | |
Site Manager
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#532 |
Blu-ray Emperor
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I'm blind as hell. I thought that was an X-ray of a bionic leg on first glance
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Thanks given by: | Bolty (04-05-2025), Cluck (04-03-2025), HeavyHitter (04-03-2025), n64ra (04-03-2025), nicwood (04-03-2025), pferreira (05-02-2025), reanimator (04-04-2025), SHolmes221B (04-03-2025) |
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#536 | |
Active Member
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Last edited by SHolmes221B; 04-03-2025 at 10:35 PM. |
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#537 |
Banned
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No MGM logo makes me think it is fake.
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Thanks given by: | SHolmes221B (04-03-2025) |
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#540 | |
Special Member
Jan 2025
Cambridge, Massachusetts
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In the US later in the 20th century most mainstream commercial theaters could only worked with two aspect ratios, 1.85 and Scope. Don't know what they did in the UK, but it wouldn't surprise me if many theaters just showed all widescreen flat films 1.75:1 Art/rep theaters in the US would also be equipped for 1.33 and 1.66--1.66 was really necessary for European, especially older European films. Not just for the proper composition but to allow enough room for subtitles not to get cut off. I'm assuming most flat films in the UK were like the US, shot open matte, protected for TV. They may have composed visually for 1.75 or 1.85, but either aperture plate could work. So could 1.66 if in Europe, just with some excess headroom... That 99% of the audience wouldn't have noticed when they were engrossed in Bond's escapades. Scope films allowed that nice wide frame, but they also locked the composition so the projectionists couldn't misframe and screw up the composition. But then you were stuck with anamorphic lenses which weren't so great in the 50s and well into the 60s. |
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