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#5581 |
Active Member
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Sorry for being late to the party... I read Blu-ray.com's review of the JP III UHD and didn't quite understand why it was so harsh—I mean, while the UHD of the third installment may not be as stunning as the second, it's still undeniably a significant upgrade over the terrible old Blu-ray right?
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#5582 | |
Blu-ray Ninja
Jul 2009
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Thanks given by: | Dino-Killer 912 (09-16-2024) |
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#5583 | |
Blu-ray Ninja
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![]() and then these would be images from 35mm color timed side by side with 35mm print and framed to original theatrical framing (probably showing a trace more equally on all sides than most theaters would manage) well other than for the open matte one: ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Last edited by WBMakeVMarsMovieNOW; 10-11-2024 at 02:55 AM. |
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#5584 |
Blu-ray Samurai
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Yes, but it's a bit too reddish and does not have as good a colour separation as the release prints have. The warm tone looks like a blanket over the original image, lacking nuance. We don't have an optimal version of JP1 (or JP2 & JP3) on home video, yet. JP2 also doesn't look the same as the prints, which are very warm and have a strong green and cyan-blue cast. Many scenes have a warm, yellow glow. The UHD, comparatively, looks more neutral. I prefer the colours on the prints. They are richer.
Last edited by Riddhi2011; 11-12-2024 at 04:04 PM. |
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Thanks given by: | The Rider (02-11-2025), WBMakeVMarsMovieNOW (11-12-2024) |
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#5586 |
Special Member
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Thanks given by: | WBMakeVMarsMovieNOW (11-12-2024) |
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#5588 |
Blu-ray Samurai
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Thanks given by: | hemlis1357 (01-12-2025) |
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#5589 |
Banned
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Hmmm...that's frustrating, to say the least. As much of a perfectionist as Steven Spielberg is known to be, you'd think for a project like this he'd have personally overseen the restoration, making sure it was as flawless as possible.
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Thanks given by: | The Rider (02-11-2025) |
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#5590 | ||
Special Member
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I’ve debated with many YouTube comments that don’t understand why this movie has yet to receive a definitive remaster. They keep claiming in comparison videos that the 2011 version is “how it should look”
![]() ![]() ![]() ![]() It's basically how Jurassic Park should look and the 3D version is the closest thing to that. Even if you take out the colour grading aside, the clarity, albeit not as natural as it should be due to DNR, is still far more natural than the oversharpened 2011 image, especially when it comes to hair. Not to mention, the 3D version went as far as fixing that one contrast issue that bugged me for ages, in reference to 19:18 - 19:26 of the movie when Gennaro spoke to John Hammond, the contrast and saturation levels went all over the place. This occurs in both 2011 and 2018 version but NOT the 3D verison. Quote:
Jurassic Park on the other hand post VHS / DVD release, keeps getting remastered as a trilogy. I wish they’d just treat the first movie alone with the TLC it long deserved. That’s why, albeit the DNR for the 3D version, I consider this to be my go-to format, even if I have to turn off the 3D to watch it in 2D. Quote:
Last edited by I-C-Blue; 11-18-2024 at 08:56 AM. |
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#5591 |
Blu-ray Emperor
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You lost me at The Sound of Music, as comparing a 65mm show to a 35mm one is daft
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Thanks given by: | 19MICK94 (04-23-2025), fuzzymctiger (01-05-2025), gigan72 (11-26-2024), Kyle15 (11-18-2024), Mierzwiak (11-18-2024), steel_breeze (11-18-2024) |
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#5592 |
Special Member
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We all know Jurassic Park can look better, even on 35 mm, just as The Karate Kid looked great for its 4K remaster, which SONY is always on point when it comes to remastering their catalog titles. My point was it can still receive a better restoration. No need to be lost at that point.
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Thanks given by: | The Rider (02-11-2025), WBMakeVMarsMovieNOW (11-19-2024) |
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#5593 |
Blu-ray Ninja
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You're right, we all know that... since 2018
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Thanks given by: | alexdg1 (11-18-2024), DR Herbert West (11-18-2024) |
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#5594 | |
Special Member
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There's every right reason to compare with an older film from a different time period. It's to show the extent of how the right restoration team can make or break the final product, even if a film is older. Jurassic Park being far newer should have no excuse to look the way it did, even on 35mm. And the fact it was a different studio that DID receive a proper restoration was my point that Jurassic Park did not but should receive. Not sure why what I said is being confused here. And it being shot in 65mm is still irrelevant to what I already stated. Look at the 35mm colour timed captures WBMakeVMarsMovieNOW provided earlier.. While obviously not identical to Sound of Music, it still follows in the direction the restoration should have been. |
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Thanks given by: | The Rider (02-11-2025) |
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#5595 |
Blu-ray Emperor
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Great. Now all I can think of is a Sound of Music x Jurassic Park crossover
The Hills are Alive, with the sound of Screaming |
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Thanks given by: | 19MICK94 (04-23-2025), alexdg1 (11-18-2024), DR Herbert West (11-18-2024), fuzzymctiger (01-05-2025), jvonl (11-18-2024), Kyle15 (11-18-2024), samuelkhan999 (11-29-2024), steel_breeze (11-18-2024) |
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#5596 |
Blu-ray Samurai
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No need to compare it to how other films look or anything. A proper grade is simply what is required most of all. All Universal needed to do was use a reference print or multiple 35mm prints to assist with that.
Instead it looks like they just referenced a completely unfaithful old telecine, going as far as adding magenta to the UHDs of the original Jurassic Park and the third film too. The magenta we see on older telecines on modern displays wasn't even as noticeable (or sometimes wasn't even visible) while watching on CRT displays which those masters were made to be seen on. What they did was absolutely dumbfounding, especially since Spielberg was involved in the creation of the newer 3D master which had a much better grade. Sadly color accuracy has historically never been much of a concern on home video. What's even more unfortunate is that people think that this is how the films should look and whenever a remaster comes out that looks different (even if it is confirmed to be more accuate), it is decried for being revisionist or not looking "natural" because we all know that expressive art forms such as film are always supposed to look like real life. ![]() |
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Thanks given by: | 19MICK94 (04-23-2025), alexdg1 (11-18-2024), anand-venigalla (11-19-2024), fuzzymctiger (01-05-2025), HD Goofnut (11-18-2024), Kyle15 (11-18-2024), Riddhi2011 (03-22-2025), The Rider (02-11-2025), WBMakeVMarsMovieNOW (11-19-2024) |
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#5597 | |
Blu-ray Guru
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Thanks given by: | anand-venigalla (11-19-2024), eXtofer (11-29-2024) |
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#5598 | ||
Special Member
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Just looking at what WBMakeVMarsMovieNOW shared is a harsh reminder of what it could have been, which reminded me how older films like Sound of Music (and again, other folder 35mm films) received a better direction in restoration. One could even argue Universal tried to make the 2011 transfer look like a 65mm presentation when instead, it gave it a false sense of clarity that many people fell for. Even though the 3D is faulty for its DNR, I'd still much rather watch that because at least they're not artificially modified to the degrees of edge halos. 2018 would be my second choice of compromise but never 2011. |
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Thanks given by: | The Rider (02-11-2025) |
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#5599 | |
Blu-ray Ninja
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(On a side note, TSOM is a tricky one though in that the release prints were, warm and yellow in a way somewhat like JP can get, but the original director's grading was not like that, the studio forced him to dump his intended look, the most release re-mastering went with the colder, different colors original desired, but nothing at all like how the film was ever seen in theaters or on TV and so on for years and so totally revisionist compared to what anyone ever saw and for nostalgia purposes even if much closer to how the director had originally color timed it). |
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Thanks given by: | anand-venigalla (11-19-2024), The Rider (02-11-2025) |
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#5600 | |
Blu-ray Ninja
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Thanks given by: | Riddhi2011 (03-22-2025), The Rider (02-11-2025) |
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