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#41 | |
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Not only have white papers and insider company info verified the existence of both unique forthcoming HDR formats, it's even announced that the SDKs will be two for the price of one when it comes to royalty fees for content creators and manufacturers. They implied that when they (Philips and Technicolor) officially merged HDR technologies. However, technically both of those new HDR formats are HDMI 2.1 only formats and nothing has been officially announced yet. The formats have been hinted at, even noted on Philips of Europe slide in a Pocket Lint article about how they still aren't opting to include Dolby Vision support in tvs yet. ![]() |
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#42 |
Blu-ray Grand Duke
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I feel like it's much more likely they're waiting for a larger install base, or just to see how essential the format ends up being sales wise (since all studios want to push digital). I think this "waiting for Dolby" thing has always been an easy go-to for people with Dolby in mind.
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Thanks given by: | Alan A (04-26-2017) |
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#43 | |
Banned
Jan 2017
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It will be interesting to see how the format performs once we get some actual content in a few months. |
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#44 |
Banned
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Why can't this crap ever be finalized and streamlined and set as a standard before the tech becomes available.
It's almost as if they are hurting sales of equipment on purpose. No on is going to buy a 4k tv then a hdr1010+ tv, then a technicolor 4k, then a DV tv just to keep up with how it should all have been before release! The industry as it stands right now is just asinine! |
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#45 | |
Special Member
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#47 | |
Blu-ray Grand Duke
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#48 |
Special Member
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#49 | |
Senior Member
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Since HDR10+ is not just a new HDR format but it's also an extension of HDR10, adding Dynamic metadata, it's meant to become the eventual successor to HDR10. It's not meant to be a premium format, so I would be very surprised if it ends up as a second layer HDR format. Nothing states that there can only be one dynamic metadata format per disk, but disks are limited to only two HDR formats maximum. There's of course a base layer and optional second layer. HDR10+ only adds about 15kpbs of extra data to a disk, which is negligible. The reason why HDR10 was the original base layer is simply due to the fact that it was the only open source HDR format at the time. As far as what you're speculating, I'd say it's currently unconfirmed but highly likely that HDR10+ is fully backwards compatible with HDR-10. But yes, your first point is taken for granted, if HDR-10+ isn't 100% backwards compatible and thus ends up that it has to be relegated to second layer format only, then no, in that case BDA won't make it a new standard requirement, only optional second layer. However, if that were to happen then here's how that would play out. At some point in the future virtually all disks (minus those without any HDR) would be taking advantage of both the base layer and the second layer. You'd have the lion's share of disks utilizing HDR10+ as the second layer format, but we'd continue to see a proliferation of the premium royalty HDR formats from Dolby and Technicolor/Philips, on certain disks. Technicolor actually does much of the outsourced HDR mastering for theatrical and UHD BD releases, they'll have no trouble getting studios to include their optional premium formats in certain cases. Dolby Vision is still a more premium HDR format than any 10-bit based format. It's the most premium, and it will definitely continue to thrive, even if it has to go up directly against the new open source format and forthcoming Technicolor formats. Only a 12-bit Dolby Vision encode can guarantee that a film won't suffer from even minor color banding. So what you'll have in the worst case scenario is most disks utilizing HDR-10+ as the second layer format, but still many disks using Dolby Vision or Technicolor formats instead. Expect more studios to commit to releasing more Dolby Vision disks, not for them to ever stop. Dolby Vision is scalable, it'll still be around as an optional HDR choice when some newer disk format replaces UHD BD in 8-10 years. |
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#50 | |
Senior Member
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There's always going to be an incentive for studios to release Dolby Vision disks. Look how motivated James Gunn is about the format, he speaks for a lot of industry people when he talks of his overall support for Dolby Vision in general. |
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#51 | |
Blu-ray Samurai
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Ill be surprised if there is another disc format. Whatever comes after UHD will probably digital. |
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#52 |
Blu-ray Grand Duke
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Thanks given by: | legends of beyond (04-26-2017), zmarty (04-26-2017) |
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#53 | |
Senior Member
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"Samsung has told FlatpanelsHD that it may be possible to update some existing (UHD Blu-Ray) players in the market with HDR10+ but no further information has been provided to us since the comments at CES 2017." Since all information clearly states that Samsung is working to convince the other major film studios besides Fox who are already on board, that they need to completely ditch HDR-10 and go with HDR-10+ instead, it virtually guarantees it's backwards compatibility with static meta-data tvs, even though that hasn't been formally announced yet. |
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#54 |
Blu-ray Samurai
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Agreed...to an extent. If digital ever has the same bitrate and quality as disc formats, which isnt impossible, and if we can download digital copies onto players and watch them without the use of proprietary apps I wouldnt mind going fully digital. But until that happens disc is the superior format and it would be tragic to lose physical formats while digitalHD is still inferior.
Companies want to push digital, but they dont want to invest the money to make digitalHD meet the standards set by the superior physical formats. |
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#55 | |
Blu-ray Grand Duke
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#56 | |
Senior Member
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If they went with mandatory higher-bit rate downloads, instead of mostly streaming, major studios would still rather give you an even better, more premium experience on disk. It's a tangible physical thing that people can own and collect, there will always be a consumer demand for that. It makes people happy. You won't lose it all if your hard drive suddenly crashes. Granted, in ten years the 100TB intel 3d xpoint SSD technology or whatever else is around at the time is certainly going to be a lot less prone to random self destruction. I've had many an external hard drive bite the dust, the old traditional hard drives with moving parts are not a very appealing or realistic option for people to expect to store permanent movie collections on. SSD drives aren't large enough storage for cheap enough price yet. Even in a tricked out PC that can store and playback all those downloaded and streaming movies, people will still expect an updated disk drive for an updated disk format. It will happen, unquestionably. I think the next disk format will have optional 8K resolution, and maybe it'll always upscale to 8K or maybe that resolution upscale won't matter as much as an even wider color gamut. Now of course native 8K disks will matter, but if we have this many upscales in the 4K era, just imagine 8K. |
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#57 | |
Blu-ray Samurai
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Thatd be the next logical step in digital media. But with studios being so damn paranoid about media piracy and all these proprietary apps (vudu, flixster, FandangoNow, Google etc.) it will be a while before digital formats work like physical media: universal digital files playable on any digital media player without apps. If studios and companies ever pull their heads out of their asses and do that with digital Id happily switch over. Last edited by Cook; 04-25-2017 at 11:34 PM. |
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#58 |
Blu-ray Emperor
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Re: HDR10+, I don't see why people are so concerned with it becoming the mandatory HDR application. It wouldn't even have to "replace" HDR10 in the strictest sense because it's simply HDR10 with a payload of dynamic metadata that'll take up a fraction of the available bandwidth, in other words there's absolutely no reason to throw out the static metadata. Make sure to master it with both sets of data and hey presto, you've got your backwards compatibility which maintains a regular HDR10 presence on the disc as per the spec and has HDR10+ as the optional extra.
Making it the mandatory HDR would also cause issues for Dolby as I highly doubt they'll want to have a competitor's dynamic system residing on their "premium format" discs, so keeping the base layer as static only would alleviate any political concerns. |
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#59 | |
Senior Member
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#60 | |
Senior Member
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Dolby invented the HDR-10 technology. They made a lot of it open source. Samsung continued, branched out in that open source path with the help of 20th Century Fox Studios, to avoid paying royalty fees to Dolby or Technicolor. Doesn't matter what would be ideal for Dolby, the industry still progresses as a whole, and I'm sure they understand the need for a true opensource successor to the original HDR-10 format. Their stock prices and revenue are both soaring at the moment, snowballing really. Good stock to watch in 2017. BDA would not keep the base layer static only over concern for Dolby. So I feel I'm about 99% sure in my estimation that HDR-10+ will eventually be updated as the required base layer HDR format for UHD BD. Dolby Vision was never meant to be supported on 100% of disks. Likely, all major studios will eventually support all HDR formats on disk. You'll have the HDR10+ base layer on every disk, then close to 1/2- 2/3rds of the disks will also use the second layer for either Dolby Vision, or else a Technicolor HDR format. I think eventually we'll see just as many disks coming out with Technicolor HDR as we do with Dolby Vision. There is room for all. |
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