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View Poll Results: Should SPE Drop Dolby TrueHD and use DTS-HD Master Audio? | |||
Yes, Drop TrueHD for DTS-HD MA |
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899 | 58.76% |
No, I like things the way they are |
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152 | 9.93% |
Wouldn't matter to me either way |
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450 | 29.41% |
Other |
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29 | 1.90% |
Voters: 1530. You may not vote on this poll |
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Thread Tools | Display Modes |
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#41 |
Active Member
Sep 2007
Vikingland
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DTS-HD MA with 1.5mbit core for the ancient ppl. That way everyone benefit.
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#42 |
Power Member
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It doesn't matter as far as lossless goes. To quote Sir Terrance, the sound insider here:
"listen. We have carefully compared our masters with both Dts MA lossless and Dolby TrueHD encodes, THERE IS NO DIFFERENCE PERIOD!!!! 12 audio engineers, highly experience engineers with excellent hearing participated in this DBT, and no one could tell the difference between our masters and the codec encoded output. 1. Your rooms are not audio labs. It does not have the acoustical control to make accurate comparisons. 2. Nobody hearing is tested, so how do you account for mismatch frequency responses between your two ears, not to mention level differences. 3. I know of nobody here who has the necessary equipment to level match down below .5db, let alone 1.0db or 1.5db. 4. A Blu-ray disc is a terrible medium to test off of. No soundtrack is mixed or tweaked exactly the same, so comparing different soundtracks in order to get a result is silly enterprise not worth chasing after. 5. Sighted testing is useless as it invites bias. 6. When you examine the waveforms of each of the testing forms, they are all the same. That means there are no audible differences between them. 7. Lossless is lossless. There is no better lossless than the next, unless one is mixed and eq'd more dynamically than the other. 8. We are more subject to hearing biases than we care to admit to. Especially if we know what the source is. 9. How many here have a neutral room that adds no sonic signature to the mix? Nobody. How many here have speakers with a flat broadband frequency response in room? Nobody. If you purchase speakers from most known speaker manufacturers, your speakers are probably not flat even in a anechoic chamber, which makes them unsuitable for testing. 10. Did I say lossless is lossless no matter which codec is involved?" But if there are still a ton of people without HD audio, then I guess go ahead and switch so that they can get better core. |
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#44 |
Special Member
Jan 2007
Tennessee
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I know this is very subjective, but I don't believe that there is no difference. DTS-HD Master always sounds better to me than TrueHD. I should qualify that by saying that I do have some significant hearing loss in the higher frequencies, and that could very well have something to do with it. DTS-HD is always more clear for me, and just sounds better overall when compared to TrueHD at the same volume. As I said, very subjective. Not being a sound guy, I can't definitively say why.
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#45 |
Blu-ray Knight
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I voted to drop Dolby TrueHD. In my opinion the Blu's that have the DTS MA tracks sound superior to any of the Dolby TrueHD tracks that I've heard. I am so convinced of the decided superiority in the DTS format that I always check the audio listing on the back of the case and am always disappointed that a movie that I wanted only has a TrueHD track.
This idea that both lossless formats should have no effect on the sound is great theory that doesn't translate to "ears in the theater" results. |
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#47 | |
Power Member
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#48 | |
Special Member
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try the blind fold test,i bet you won't hear any difference between the two. |
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#49 | |
Special Member
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i don't hear any difference myself and my hearing is good,its all in the mind. the thing is people belive what they want....let them ,who cares i don't. |
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#50 |
Special Member
Jan 2007
Tennessee
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I'm not sure how you define subjective, but for me when something appears or seems to be so in the absence of anything quantifiable, that's subjective.
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#51 |
Power Member
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When a sound engineer who does mixing of audio tracks for a living states "When you examine the waveforms of each of the testing forms, they are all the same" as well as "12 audio engineers, highly experience engineers with excellent hearing participated in this DBT, and no one could tell the difference between our masters and the codec encoded output," it is no longer subjective.
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#52 |
Special Member
Jan 2007
Tennessee
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And as I stated, I hear a difference SUBJECTIVELY. Apparently from the poll results so far I'm not the only one. There's really no point in turning this into an argument. The poll asks for your opinion. You gave yours, I gave mine. They happen to be different but that's ok.
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#53 | |
Power Member
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Finally, to anyone who says there is a difference, please buy this. It has pcm, true hd, and dts hd ma, all on the same mix. Test for yourselves, just don't forget to turn up the true hd mix to attempt to normalize it for volume differences. Last edited by Intamin; 05-20-2009 at 02:11 AM. |
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#54 |
Special Member
Jan 2007
Tennessee
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Jeeze man, Lighten up. Everybody has their own opinion on this. No need to try and convince everyone that yours happens to be right. I guess we will just have to agree to disagree.
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#55 |
Blu-ray Ninja
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#56 | |
Power Member
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And Alan, touche. I was just driving at the bigger picture of "x codec > y codec." |
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#57 |
Senior Member
Jan 2009
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On the flip side, those who have an older AVR, use analog out and let the player decode may have a problem getting dts-ma, due to the fact that many of these BDP's don't decode dts-ma. ie Sony 300/301, Pioneer 51fd.
With this in mind I like that Sony uses Dolby True HD. Plus I see no reason to change what works. |
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#58 |
Power Member
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I will always side on the side of science, and in this case it is definitive: PCM, DTS HDMA, and True HD all produce an identical waveform. That said, I did answer "yes" because I feel empathy for anyone without access to the lossless codecs, and having a DTS core would make me happy if I were in that situation.
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#59 | |
Blu-ray Legend
![]() Mar 2008
Austin, TX
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In principle, "lossless" means that all tracks should decode to the same digital waveform that they were encoded from exactly sample-by-sample with no error, but this does not appear to always be the case in practice. Whether or not one can actually hear these differences on level-matched tracks is another story (well, a short story, since you almost definitely can't), but I am inclined to agree with your general point and say that they are effectively perceptually identical and that the choice of lossless codec does not matter other than for bandwidth and legacy compatibility concerns. Last edited by Cinema Squid; 05-20-2009 at 05:10 AM. |
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#60 |
Blu-ray Archduke
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I prefer DTS MA over True HD. It has a higher bitrate, and the companies don't have to sacrifice picture quality for DTS MA.
There are only three North American that I am aware of that still use Dolby True HD. Sony WB ( I hope that they will some day use a 24 bit audio master.) and Paramount |
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thread | Forum | Thread Starter | Replies | Last Post |
Dolby TrueHD v. dts-HD Master Audio, Hulk comparison | Audio Theory and Discussion | Tok | 120 | 10-29-2010 07:20 AM |
Sony Switches Dolby TrueHD for DTS-HD Master Audio | Blu-ray Movies - North America | igloo1212 | 92 | 08-19-2009 08:57 AM |
Dolby TrueHD and DTS-HD Master Audio decoding | Home Theater General Discussion | Preeminent | 7 | 07-05-2009 11:06 PM |
DTS-HD Master Audio vs Dolby TrueHD | Audio Theory and Discussion | alphadec | 26 | 05-18-2009 12:51 AM |
Dolby TrueHD vs. DTS-HD Master Audio | Blu-ray Technology and Future Technology | Zinn | 11 | 10-10-2007 04:29 PM |
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