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#621 |
Blu-ray Ninja
May 2010
Denmark
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How in the hell can this get a score of 5(!) when it looks DNRed to shit!?
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#622 | |
Senior Member
Jun 2012
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Thanks given by: | gwfb5 (03-01-2019) |
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#623 | |
New Member
Feb 2019
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#625 |
Active Member
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My girlfriend and I watched this one last night. I hadn't seen The Little Mermaid since I was a little kid, so it was a lot of fun to experience it again. The songs in particular hit me with a lot of nostalgia feelings.
The HDR looks good here, particularly in surface scenes out of the water when warmer colors are used. Generally I was very pleased with how the movie looked overall on UHD, but in certain scenes (particularly the first scene of the movie, which takes place on the ship) the motion is downright blurry when the characters move. This might just be par for the course for hand-drawn movies, but it looked a little weird and was a bit of a distraction. Overall I'm glad to have it in my collection. I didn't have the standard blu ray so jumping in on the UHD release was an easy choice. |
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#626 |
Blu-ray Champion
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To be quite honest, even The Lion King is a barely worthwhile upgrade. Colors are a tad better. I am wondering about Disney and future UHD titles. I guess it is really just too early to say. I guess there is hope that some titles will get fixed (Cinderella, plus the DNR abortions like Sword and Mickey's Christmas Carol). But it seems all of them have been minimal to nonexistent improvements except for Incredibles 2 - simply because the contrast is nowhere as good). Do I buy all fifty-something Disney and 20-ish Pixar titles over at $30 a pop just because they're in a newer format, even if the improvements may not be worth of double dipping? I guess for now I will keep buying, but I guess I will hold onto the BDs in the event I change my mind and decide to keep only one copy (like if I had to choose between TLM editions).
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Thanks given by: | ToEhrIsHuman (03-01-2019) |
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#627 | |
Banned
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Disney is only interested in potential big movers/sellers. They care not one wit about their animated classics back catalog. Live action classics or near classics... none at all. 20,000 Leagues, The Black Hole, etc. have not even recieved half-hearted DMC Blu-ray releases. This is a disgustingly run studio empire. Their film history and legacy mean nothing to them except as potential profits and losses. Last edited by FilmFreakosaurus; 03-01-2019 at 04:46 PM. |
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#628 |
Blu-ray Baron
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Doubt if The Little Mermaid would be a big seller and augment format adoption but agree with you a million percent on the above. Disney = Apple. These companies could sink on their own weight.
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#629 | |
Blu-ray Ninja
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I realize this's probably a stupid question, but I'm curious. Last edited by gwfb5; 03-01-2019 at 05:23 PM. |
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#630 |
Blu-ray Baron
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#631 | |
Blu-ray Knight
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Cinderella is another one I hope gets fixed with a new master for the 4K. Sleeping Beauty should look marvelous on 4K. I'm pretty sure that only the signature titles will get the 4K treatment. It doesn't like Disney bothers with the rest of them, even Mary Poppins, which has a 55th anniversary doesn't get a 4K treatment. Dumbo's remake will be released this month and no word on a 4K release of the animated one. Now that I think about this, Disney might do the 4K treatment only for their four big Renaissance films. Sad. |
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#632 | |
Blu-ray Knight
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#634 | |
Blu-ray Baron
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#636 |
Banned
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There are bits of CAPs in this
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#637 | |
Blu-ray Prince
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FF, if I may, you haven't seen 20,000 Leagues and The Black Hole on HD or 4K because they're still kicking around remakes of both. David Fincher was even involved with 20,000 Leagues at one point, the Australian government was even going to give Disney a $20 million tax incentive to shoot it there (Disney stopped the 20,000 Leagues reboot, shot Pirates 5 in Australia instead). So they're holding their powder on those two films while they wait for someone to crack them. The Black Cauldron? They're kicking around a Prydain series, too. As for not caring or your assertion the films mean nothing to them -- that's more than a bit out of phase, that's 180 degrees backwards. Disney is fanatical about their IP and their history. That doesn't mean they bring the titles to market in the fashion of a film archivist. They bring titles to market for the market. Think of it this way. This was told to me by an entertainment lawyer in early 2000. Modern studios love big hits. Of course. But there's the long game -- a library of revenue that can continually generate interest, income, and (in the case of Disney, more than any other studio) support the brand. This is why you see studios creating a diverse range of product, from rom coms to mid-range budget action thrillers to niche nature documentaries, because it's the library -- a library of content, that can continue to generate revenue over time, over years, over decades. The Disney back catalog makes more money per title than even Warner Bros., despite the fact that Warners dwarfs Disney in sheer numbers of films. Walt and Roy were just smart enough (or lucky enough) about branding the studio and the studio product, the studio today stands on that foundation, that back catalog, and those titles still crank in money. Disney doesn't care about their library? No, they thrive on it, by the second. |
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Thanks given by: | murakaz (03-04-2019), that1guystudios (03-01-2019) |
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#638 | |
Blu-ray Champion
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#640 |
3D Moderator
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Just one shot. Rainbow shot at the end of the film.
As seen below: Last edited by that1guystudios; 03-01-2019 at 09:17 PM. |
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