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#61 | |
Retired Hollywood Insider
Apr 2007
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![]() Can’t be helped, he’s a Tour de France nut….plus, the optical block on his current (old) set is failing quickly and miserably (now with very yellow facial tones, which is impossible to tweak out….even someone with bilateral cataracts would struggle to be happy with at this point). |
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#62 |
Retailer Insider
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4K content from Netflix, M-Go and Amazon instant video was difficult to get them to start on the same frame. We even tried with Sony's FMPX-10 4K server, but it would not pass correctly through our 4K distribution switch.
We just set-up our Scarsdale, NY Showroom with the TVs that were in the Shootout and I always add new high-end models as they come to market so we can all continue to see how the current best TVs compare to the late arrivals. I don't plan on another Shootout for 2015, but we will discuss the new entries and how they perform against each other. I had a blast hosting the 5 TV Shootouts we performed with Scott Wilkinson, Rob Sabin, my two daughters, Lianne and Katelyn, and all of the great guests who made this year's TV Shootout bigger and better! Thanks to all who attended in person and watched online. BTW, we left the raw unedited 5 sessions on the LiveStream TV Shootout page and AVS just posted their recorded raw recording on YouTube. -Robert Last edited by Robert Zohn; 06-27-2015 at 05:36 PM. |
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#63 | |
Blu-ray Samurai
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Can you get Tim Alessi to expand on what LG is doing to address the dark side issue on the LG? |
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Thanks given by: | Robert Zohn (06-28-2015) |
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#64 | |
Blu-ray Ninja
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I also think all of the tests should be done blind - we shouldn't know what set we're looking at, but unfortunately, the UIs on the sets are a dead giveaway even if the brand was covered up or removed on the set itself. |
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#65 | |
Blu-ray Ninja
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Due to the nature of video cameras, the blue glow was probably far more distracting online than in-person. |
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#66 | |
Blu-ray Samurai
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The camera position off to the left of the aisle was poor since there was a lot of traffic and several people were hanging out in front of the camera for extended periods. Very annoying. |
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#67 | |
Blu-ray Samurai
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4K video clip showing the 4 displays playing 4K video:
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Thanks given by: | Robert Zohn (06-28-2015) |
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#68 | |
Retired Hollywood Insider
Apr 2007
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https://www.youtube.com/watch?v=ZtL8...u.be&t=1h1m45s That was simply wrong and a rather unfair characterization because Dolby, not Joe, has been one of the defacto leaders in HDR research and development [at least since ’07 - http://en.wikipedia.org/wiki/BrightSide_Technologies ]). Before the time of that interview in October 2013, apparently unbeknownst to Joe (and Scott), but posted here (in the Tech forum of Blu-ray.com), it was discussed that Dolby had already explicitly stated and showed data from testing with independent observers that it’s a factor of going darker as well as brighter because it’s the full range that totally immerses the audience. For example, one of Dolby’s charts to make that very point… ![]() Also, for further reading to those having interest, I posted these links to papers/presentations/talks expressing as such https://talks.stanford.edu/scott-daly-timo-kunkel/ 2012 Preference limits of the visual dynamic range for ultra high quality and Aesthetic Conveyance, S. Daly, T.Kunkel, X.Sun, S. Farrell and P. Crum (2013) SPIE Electronic Imaging, HVEI, Burlingame, CA, Feb 2013 Viewer Preferences for Shadow, Diffuse, Specular and Emissive Luminance Limits of High Dynamic Range Displays, S. Daly, T. Kunkel, X. Sun, S. Farrell, and P. Crum (2013) SID Display Week May 2013, paper 41.1, Vancouver, Canada. Demographics of viewer preference for the luminance limits of Displayed Dynamic range imagery, S. Farrell, S. Daly, T. Kunkel, and P. Griffis (2013) SMPTE Australia, July. I’m hoping that the HDR demo/discussion at the recent shootout event was more accurate and cutting edge than the “geeky” information provided in that past podcast….where there was also some lack of knowledge regarding the development of HEVC at the time. |
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#69 |
Retired Hollywood Insider
Apr 2007
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Thanks given by: | Robert Zohn (06-28-2015) |
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#70 | |
Blu-ray Samurai
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Did anyone attend the panel discussion on HDR at CE? (Someone forgot to dress up for the occasion) Kane is on it. I believe he and Kisor are working with the UHD Alliance on the HDR portion of the UHD standard.
http://hdguru.com/panel-consider-iss...ng/#more-16161 Also, from a 2015 interview after CES: Go to 45 minutes for Kane's position on HDR and Gamma: Last edited by raygendreau; 06-27-2015 at 11:59 PM. |
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#71 |
Blu-ray Samurai
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Re the shootout ballot question Which TV do you think is best and why:
72 valid ballots from non-experts, 33 picked the LG , while 16 picked the Sony, 15 the Samsung, and one the Panasonic. Reasons for picking the LG were black level, perceived contrast and off axis performance. |
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Thanks given by: | Robert Zohn (06-28-2015) |
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#72 | |
Blu-ray Ninja
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#73 | |
Retired Hollywood Insider
Apr 2007
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As to his ‘position on gamma’, is it his? or that of Gary Demos, originally ![]() |
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#74 | |
Retired Hollywood Insider
Apr 2007
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![]() https://forum.blu-ray.com/showthread...t#post10253680 https://forum.blu-ray.com/showthread...t#post10250389 https://forum.blu-ray.com/showthread...nt#post9596655 |
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#75 | |
Retired Hollywood Insider
Apr 2007
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Which is an easy, holier-than-thou position to take when you don’t sell TVs for a living like the C.E. companies do who are struggling given competition from other forms of entertainment. I wonder if Mark has several children, if he grades each of them according to their value rather than seeing a little good in all of them. b.t.w., my neighbor thanks you ![]() |
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#76 | |
Retailer Insider
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-Robert |
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#77 | |
Blu-ray Samurai
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Mira Loma is right down the freeway from where I live. If I didn't want you to calibrate, I could order from you and almost have the set next day |
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Thanks given by: | Robert Zohn (06-28-2015) |
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#78 | |
Retailer Insider
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Mark Henninger of AVS Forum put his camcorder in our original centered position and stayed with the camera while recording the event. I speak with Tim frequently and I'll report back with any information. We're also working on solutions. Also please understand that the dark edges show up best on a solid low APL (Average Picture Luminance Level) full field gray pattern and it rarely appears on content. To see the dark edges on normal video content the image must have a low APL across the entire scene. The dark edges are not an issue with most content. We exploited the issue by putting up a full field low APL solid grey pattern. Scott had mentioned this every time he demonstrated the test pattern. -Robert |
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#79 | |
Retailer Insider
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-Robert |
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#80 | |
Retired Hollywood Insider
Apr 2007
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Thanks given by: | Robert Zohn (06-28-2015) |
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Tags |
ce week, flat panel shootout, tv shootout, value electronics |
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