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#61 | |
Active Member
Apr 2013
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Best part of that movie. And of course, much better design, compositing and animations than JW. Yep.. and the bolded’s even an understatement. Last edited by VickPS; 02-02-2018 at 07:33 PM. |
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#62 |
Blu-ray Emperor
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Just getting the gamma correct does wonders for VFX whether it's optical or digital, yep. To that end I've been extremely impressed by what HDR has brought to the table in terms of pre-existing VFX, it can't "fix" the poorest CG at source but it can at least adjust the lighting to be more dynamic and realistic which can make a surprising amount of difference.
Getting away from the CG talk I'm cautiously optimistic about JP, I think we're gonna get that smooth new 4K master that debuted on the 3D only without the dirt brown colour timing, which'd suit me. JP2 looks rather lovely on Blu, people don't rate it but I think it's a decent little transfer so it depends on whether it was done at 4K as to whether Uni need to return to the well again. JP3 looks like ass on Blu, the most outdated of the lot with lots of sharpening, so it'll be interesting to see if Uni bother going to the expense of doing a new 4K transfer for the black JP4 should look lush though, it got a "2K plus" finish at 2.4K so the upscale to 4K should reveal a good bit more detail than the Blu (not that most upscales don't anyway because they genuinely do, but this one should have even more in the tank). |
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#63 |
Blu-ray Champion
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I don't know about this teal and yellow comment, or the origin of the screenshot above, but I saw the first two in theaters and they were VERY DARK. They were not some brightly lit teal AT ALL. That animated clip in that same posting looks a hell of a lot closer. The movie had a natural look to it.
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#64 | |
Active Member
Apr 2013
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Edit——- Just found these on ebay, go check them out. ![]() Last edited by VickPS; 02-03-2018 at 11:19 PM. |
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Thanks given by: | Brian81 (02-04-2018) |
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#65 |
Senior Member
May 2017
1444 No steps, No door
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All I know is this is Day 1. I was just thinking about this and was wondering if the first 3 was coming out in 4k this year. Prayers answered
![]() I was just talking to my subs telling them this year is their year to shatter my walls & windows. With the heavy bass movies coming out this year. They said, "Whatever, Dude, you said that about Godzilla and Transformers in 4k. and yet we still didn't break a sweat." Lol ![]() ![]() ![]() ![]() Gotta lov'em!!! ![]() ![]() ![]() ![]() ![]() |
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#66 | |
Blu-ray Ninja
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#68 |
Blu-ray Champion
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Saw this one theatrically mere months before the BD release. So I was paying attention. I ended up not buying the BD release. Colors natural, detail on 35mm print was about as good as a BD. Grainy. But of course a print and not talking negative here obviously.
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#70 | |
Blu-ray Samurai
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![]() Shots like this in full sunlight show the limitations more strongly as its skin looks very plastic and the lighting doesn't seem to match the environment as realistically as can be done today. Its incredible by 1993 standards but its undeniable that things have improved dramatically today |
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Thanks given by: | gwfb5 (02-03-2018) |
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#71 |
Blu-ray Samurai
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I need only the fist one. Sequels sucked and I don't want to watch them ever again.
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Thanks given by: |
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#73 |
Blu-ray Ninja
May 2010
Denmark
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Let's hope they leave the DNR button alone for these!
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#75 | ||||
Active Member
Apr 2013
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But worked so well also because it’s a ****ing miracle of a job, done by real artists and geniuses that had everything to prove on this show. Quote:
The animatronic T-Rex was used for one set piece. There are a total of four set pieces with the T-Rex in the movie, two of them in full sunlight.. you’re telling me that, even on Blu-ray, she looks real only during the breakout sequence and “plasticy” and outdated in every other scene? Because i can read comments on Youtube from 2018 saying “Yes but that’s an animatronic, that’s why it look so real” in scenes with no animatronics at all.. Quote:
![]() Ok. But as i said, that’s not a shot of the movie. That’s a representation of what this shot was on ILM’s computers and new printed negative. Just like it’s a representation of sky and clouds captured on film.. is this representation accurate? Because unless we live in a world with pink skyes and clouds no, it’s not, and same goes for the Brachiosaur, from the way she’s lit, to the shadows that moves on her body, to the look of her skin. ![]() ![]() And what you probably don’t know is that the Brachiosaur sequence was the first ILM had to do, and like every pioneer they learned during the process, and they learned so much that they could end a movie with a full CG dinosaur battle in daylight thad even included close-ups. Something never even considered possible when they started shooting. Quote:
In 2015 everyone complained about the visual effects on JW. That’s not a dramatic improvement. Last edited by VickPS; 02-04-2018 at 07:52 AM. |
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#77 | ||
Blu-ray Samurai
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The CGI in the original movie is closer to these from an upcoming Jurassic Park video game than to either of the recent movies which are far ahead |
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#78 |
Blu-ray Archduke
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If they do a new and proper 4k scan of JP I'd pay whatever they asked for the set...no questions asked. I'm probably in the minority but I'm really looking forward to JP 3 in 4k. The dino designs, the vibrant colors, and the smoke/fog effects will look great. I have to admit it's one of my guilty pleasures.
Last edited by RalphoR; 02-04-2018 at 02:22 AM. |
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Thanks given by: | Mobe1969 (02-04-2018) |
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#79 |
Blu-ray Samurai
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Though it's off topic... The CGI in the original is only 63 shots, totaling 6 mins out of the 15 mins of on-screen dinosaur shots. The majority is practical by some margin.
And they could perfect those 63 shots to match the practical effects (already in the can) much better. This alone proves, along with Mad Max: Fury Road of late, that the method of CGI matching practical effects already filmed is a superior method of delivering SEAMLESS results that hold up. Whereas if you do it all in the computer you get the uncanny valley popping up more, and you get 2000+ shots required to create and render in time for release! I'd say the weakest moments in JP are the colours of the raptors in the Kitchen scene. Not even the animation so much. Just the resolution required to match the lighting of the textures to the practical close-ups which are so detailed, obviously -- Hopefully these short comings are more related to the dated master than the elements that were scanned only recently or will again for the UHD's. Hopefully it's all DNR and EE and artifacts and compression to blame. |
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#80 | |
Active Member
Apr 2013
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What i meant is that computers power means shit if behind the machine there isn’t someone who knows how to use that power. At that time they were the only ones, the pioneers, they were doing things that nobody had ever done before, and they needed to perfectly match real animatronics of oustanding detail in every lighting condition.
Plus, they neeeded to look better than the best stop motion dinosaurs ever created made by Phil Tippett (who after this movie built his own CG company and few years later made Starship Troopers). Luckily, they also had 1:5 maquettes from Stan Winston Studios on set during the shooting of full CG plates, and trust me that’s an incredible plus and what really made a difference. Today most people in the industry thinks that all you need are full global illumination, PBR and insanely high resolutions textures and things will look real. But that couldn’t be further from truth, the only way to make your brain think that something looks there is to have the actual thing on set and emulate that on the computer using all these incredible things available today, because if you don’t have TONS of real life references it’s all in the hands of one of the thousand employees who set these parameters by his artistic interpretation. In the end, you can’t deny that every animal that already made an appearence in the franchise looked ten times less believable in JW, in every aspect but texture resolution. Quote:
So no, that’s not the point. Last edited by VickPS; 02-27-2018 at 05:55 PM. |
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