Optimum Home Entertainment are set to release Luc Besson's Angel-A on September 14th in the United Kingdom.
Variety:
Quote:
A two-hander in exquisite black-and-white, "Angel-A" is a fable about self-acceptance set in a ravishingly lensed, hauntingly vacant Paris. Luc Besson's first pic since 1999's "The Messenger: The Story of Joan of Arc" is his 10th directorial outing. This is good news for his detractors, since he has said he'll helm no more than 10. For his fans, "Angel-A" is an achingly sincere but protracted effort to trade mostly action for mostly dialogue. Beloved entertainer Jamel Debbouze in a bittersweet role will entice curious auds for modest but respectable B.O. Offshore sales likely will hinge more on local appetites for how Paris' beauty is captured than on the story.
A sort of "It's an Adequate Life" with token bad guys, pic's tone is a bit as if the color-coded gangsters in "Reservoir Dogs" decided to get together and form a rainbow.
Debbouze ("Amelie") plays Andre, a 28-year-old downtrodden pipsqueak who owes tens of thousands of dollars to cruel creditors all over town. At pic's outset, three thugs give Andre until midnight to pay his E40,000 ($48,000) debt to their boss. Soon after, the sinister Franck (Gilbert Melki) has his men dangle Andre off the Eiffel Tower.
Andre, who considers himself to be an American on a technicality, finds no help at the U.S. Embassy. He then fails to convince the police to lock him up for his own protection.
Poised on one of the city's most photogenic bridges determined to end it all, Andre notices another would-be suicide: an impossibly statuesque blonde in a little -- really little -- black dress. She leaps into the Seine and Andre instinctively jumps in to rescue her. Cynics might say it's unlikely that a one-armed man in a wool overcoat (Debbouze lost the use of one arm in a youthful accident) could rescue anybody, but Andre drags himself and the woman to safety.
The leggy looker, Angela (Rie Rasmussen), is two heads taller than Andre. When he berates her for trying to deprive the world of so much youth and beauty, she assures him she's rotten and ugly inside-- and that's what counts. That kernel of wisdom sums up pic's worthy -- if repetitive -- thesis.
Reassured by Andre, Angela pledges to stay by his side. With her aggressive lead, they tackle his problems.
There's a twist at the 45-minute mark that Besson -- attending the nation's first public showing at 9 a.m. Dec. 21 -- asked a packed house not to reveal. It's not that much of a twist, but his wishes will be respected here.
Rasmussen, a striking Dane whose fetching accent puts her in the Gallic tradition of foreign leading ladies such as Jean Seberg and Anna Karina, is being described as "unknown." But it's hard to believe anyone who saw Brian De Palma's "Femme Fatale" has forgotten the sight of her clad in little but $10 million worth of diamonds.
Rasmussen and Debbouze are perfectly cast, but their characters just aren't all that interesting. They talk a lot, with Angela always voicing her eagerness to get to whatever's next on the agenda. Still, compared with most of the films Besson has written, directed or produced, pace is positively Zen-like, with calm cutting to match.
Pic's finale ties everything together with some nifty special effects. Thesps rehearsed for six weeks in order to make the most of location work.
Shooting in chronological order in July and August -- mostly at the crack of dawn -- Besson and ace d.p. Thierry Arbogast (in their fifth collaboration) manage to make Paris look completely depopulated. Shimmering in the early morning light, it's a city whose streets and bridges exist only for Andre and Angela -- and for our aesthetic pleasure.
Selective use of violence in the service of a higher cause, which is part and parcel of Besson's universe, is made unabashedly tender here.Score by Anja Gabarek is a plus.
With animation on his mega-budgeted "Arthur" (aka "Arthur et les Minimoys") still under way for a December 2006 release, Besson can always claim that is really his final helming effort, should "Angel-A" prove an insufficiently satisfying grace note.
Hmmm. One of the few Bessons I haven't seen. I seem to remember a friend calling it Besson's attempt to do Wenders' Wings of Desire in his own way - but lacking in the depth and subtlety of the latter.
Maybe I should give it a go in our beloved new format?
Hmmm. One of the few Bessons I haven't seen. I seem to remember a friend calling it Besson's attempt to do Wenders' Wings of Desire in his own way - but lacking in the depth and subtlety of the latter.
Maybe I should give it a go in our beloved new format?
Oh, I loved it. It's a nice touchy, feely, romance film. Man, sucks being broke but at least it doesn't come out until September in the UK. Hopefully if it's Region Free, I'll import it.
Any news on whether or not this will be coming to be released in the United States? I really want this, but if the UK version doesn't have English subs, then there's no point.
No i'm sorry, there aren't any subtitles. Which is too bad, as the film has a lot of dialoge. They speak quite fast a lot of times and my French can't really keep up with that.
The disc has relatively low details (for a Blu) and it is very clean. However the cinematography works very well and i don't know what's more beautiful, Paris or Rie....
and I even ordered it knowing this fact but I think the reviewer maybe a bit harsh on this and it cant be that bad but maybe he is right. I am still waiting for my order to arrive.
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Angel-A (Luc Besson)
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