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#3 |
Blu-ray reviewer
![]() May 2009
Bellevue, WA
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I can't wait. The Wire is sitting comfortably below Twin Peaks as my second favorite TV show.
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#4 |
Banned
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It never aired on HD (the only HBO show not to) and even creator David Simon says he prefers the gritty fuzzy look of SD to give it a really rough documentary-type feel. So I assume if it ever did come out, it would have to be completely re-scanned in HD... that is, if Simon approves.
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#5 |
Banned
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From David Simon:
"And perhaps the final contrast to the rest of high-end episodic television, The Wire for each of its five seasons has been produced in good old fashioned 4 x 3 standard definition. DP Dave Insley recalled, "The reason the show has stayed 4x3 is because David Simon thinks that 4x3 feels more like real life and real television and not like a movie. The show's never been HD, even 4x3 HD and that (SD) is how it is on the DVDs. There is no 16x9 version anywhere." As a viewer with an HD set I will point out that like much of SD television that makes its way to HD channels, it appears that HBO utilizes state-of-the-art line doubling technology. It may still be standard definition, but line doubled it looks considerably better on a high definition set than it would on a standard definition set. Insley explained, "When the show started 2001 / 2002 they framed it for 16 x 9 as a way of future-proofing. Then a couple of seasons ago, right before Season 4 began shooting, there was a big discussion about it and after much discussion -- David, Nina, Joe Chappelle, the Producers, the DPs -- and we discussed what should be the style of the show. David made the decision that we would stay with 4x3. The DPs pretty much defined the look to be what it is now. And it's been consistent for the past two seasons." The Wire is shot entirely with Panavision cameras. David Insley let us know that, "These later episodes of the show are shot Super 35, 3-perf, and that saves a lot of money because that means we're shooting about three quarters of the film we used to. But we're only using the 4 x 3 part, so we're losing the edges of the 16x 9, but it's less than we were using when it was 4-perf, so (the image is) somewhere between a Super 16 image and a standard 35 (mm) image." |
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#6 | |
Blu-ray Samurai
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Look on the main page on the left side under bluray news. About half way down is a press release concerning studio canal, which includes the Elephant Man. I'm sure more lynch will follow. Last edited by Riff Magnum; 09-17-2009 at 03:04 PM. |
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#7 | |
Expert Member
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However, its one of those rare cases where I think the filmmaker's intent is not only wrong but poorly justified. Simon is lucky that everything else he has said in numerous interviews and the work he did on Generation Kill outshine his odd outlook on how to achieve a gritty look. |
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#8 |
Banned
Jul 2009
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#11 | |
Expert Member
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Here is hoping SFU gets the Blue treatment as well. |
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#12 |
Blu-ray Duke
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#13 |
Blu-ray Count
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#14 | |
Blu-ray Duke
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![]() Edit: Got it....I didnt have all countries enabled. Thanks again. Last edited by SquidPuppet; 09-17-2009 at 06:05 PM. |
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#16 |
Banned
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I think all he is saying is that Simon chose to stay with 480i after most broadcast went to 1080. The Wire debuted in 2002 before HD; after HD broadcast began, he chose to stick with SD to maintain consistency in all the episodes. I applaud that, but at the same time think an 1080 upgrade off the original film elements could still maintain the grit and ambience. As stated above, look at Generation Kill, another Simon show. No doubt if he started the Wire today, it would be shot and broadcast in 1080.
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#18 | |
Expert Member
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#19 | |
Blu-ray Guru
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Last edited by graf1k; 09-18-2009 at 01:21 AM. |
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