Paris (Cedric Klapisch)

[pro-bassoonist]

Set to be released on March 16th. Courtesy of MPI.

Official site and trailer:
http://www.lefilm-paris.com/

Variety:

Gallic helmer Cedric Klapisch ("L'Auberge espagnole") stays well within his comfort zone in every sense with "Paris." Likeable if hardly groundbreaking dramedy features most of Klapisch's favorite elements, including romantic angst, crisscrossing storylines, thesp Romain Duris (leading a big-name ensemble that includes Juliette Binoche) and the real star of the show, the City of Lights itself. Locally well-reviewed, "Paris" has done capital biz since its Feb. 20 preem with nearly 5,000 admissions on its first day. Pic is likely to travel extensively and make at least middling moolah offshore.

At the front and center of the action stands Pierre (Duris, on his sixth joint venture with Klapisch), a professional chorus dancer at a cheesy Parisian cabaret spot. Forced to quit work when he finds out he has a potentially fatal heart problem, Pierre turns to his social-worker sister Elise (Binoche, boldly going frumpy) for help at home. In his now-abundant spare time, Pierre rethinks life's priorities and stares out at the city he loves from his balcony, often to the strains of Eric Satie's melancholy (if cinematically overexposed "Gnossiennes No. 3."

Pierre and Elise intersect with a broad spectrum of characters: Single mother Elise flirts tentatively with local market stallholder Jean (Albert Dupontel), who has complex feelings about his own ex-wife, Caroline (Julie Ferrier). Jean and Caroline's working-class milieu balances the film's focus on middle-class and posh people elsewhere, and allows for impressive location work at Rungis, Paris' massive wholesale food market.

In fact, pic's rapturous use of the city's best-known landmarks -- Montmartre's Sacre-Coeur basilica, cemetery Pere Lachaise and, naturellement, the Eiffel Tower -- in some ways suggests a loose homage to "Manhattan" (Klapisch apparently wrote his master's thesis on Woody Allen). As in the latter film, there's even an ill-fated May-December affair, between university professor Roland (Fabrice Luchini, in wonderful comic form) and his student Laetitia (Melanie Laurent), who also becomes the object of Pierre's own voyeuristic lust.

Screenplay often feels jerry-rigged to enable the pic's big setpieces (such as a dance party for Pierre during which Duris struts his stuff convincingly) and cameos for yet more stars (Karin Viard as a loathsome bakery owner, Maurice Benichou as Roland's shrink). Nevertheless, auds who like upmarket soap opera, sightseeing and Gallic films where people talk a lot about their relationships will be consistently entertained. While many of the supporting characters are quickly sketched types there to pad out pic's demographics, the leads are in fine form.

Duris rewards Klapisch's earlier career nurturing with a nuanced perf, even if his character isn't vastly different from the wolfish charmer he played in "L'Auberge espagnole" and its sequel, "Russian Dolls." Binoche shows off her rarely seen comic skills and, like Duris, gets a charming scene in which her dancing succinctly expresses much about her character, although Luchini's own hilarious-yet-graceful gyrations steal the show.

Christophe Beaucarne's widescreen lensing looks postcard-pretty, and other craft contributions are pro. Running time feels a little long for a pic that ultimately doesn't have anything very profound to say, but crisp editing by Francine Sandberg keeps it from feeling like a drag.

Camera (color, Panavision widescreen), Christophe Beaucarne; editor, Francine Sandberg; music, Loik Dury, Robert "Chicken" Burke; production designer, Marie Cheminal; costume designer, Anne Schotte; sound (Dolby Digital/DTS), Cyril Moisson, Philippe Heissler, Cyril Holtz, Philippe Amouroux. Reviewed at Berlin Film Festival (market), Feb. 9, 2008. Running time: 128 MIN.

Ciao,
Pro-B

[crey014]

Tempted to double dip this one since I have the French DVD boxset.

Pro-B: I am still sure that that last photo is from Paris Je T'iame, the short that was shot at the cemetery. :P

[edo9125]

I really liked this movie!

I have the French Blu-ray which has English subtitles. So no need to buy this one, but for those who haven't seen it you should definitely give it a try.

[pro-bassoonist]

update:

Cover:
https://www.blu-ray.com/movies/Paris-Blu-ray/8877/

Pro-B

[crey014]

Ssssssoooooooolllllllldddddddd!!!!!!!!!!!

[LeTraceur]

A US version was released today.

Also, it was a really good film (I saw it on DVD). I'd love the extra PQ the Blu-ray would provide because the backdrops are part of the story.

[Arkadin]

does anybody know if this is just a direct port of the French disc?
I hate it when there is a US based release of an already released bd from another country and I don't know if it is the same.
so far a number of US versions have been inferior like the "36" bd or the "Gojira" release.

[pro-bassoonist]

Originally Posted by Arkadin

does anybody know if this is just a direct port of the French disc?

CCflix asked the same question, and I don't believe it is:

Hello CC,

I don't have the MPI disc, which Casey reviewed, to compare to the French Studio Canal disc. But from what I could see, the transfers they use are most definitely not identical. They have different color-schemes:

1. French release:
https://www.blu-ray.com/movies/scree...539&position=5

2. U.S. release:
https://www.blu-ray.com/movies/scree...877&position=1

Additionally, the French release is encoded with VC-1 while the U.S. release is encoded with MPEG-4 AVC. Also, the supplemental features on the French disc are not subtitled in English.

I will try to take a look at the MPI disc some time next week.

Pro-B

[Arkadin]

thanks do much for the info!
look forward to reading your findings.