New 4K digital restoration, supervised and approved by director Terrence Malick and cinematographer Emmanuel Lubezki, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
New extended version of the film featuring an additional fifty minutes of footage
Exploring “The Tree of Life,” a 2011 documentary featuring collaborators and admirers of Malick’s, including filmmakers David Fincher and Christopher Nolan
New interviews with actor Jessica Chastain and visual-effects supervisor Dan Glass
Interview from 2011 with composer Alexandre Desplat about the film, and a new interview with music critic Alex Ross about Malick’s approach to music
Video essay from 2011 by critic Matt Zoller Seitz
Trailer
More!
PLUS: An essay by critic Kent Jones and a 2011 piece on the film by critic Roger Ebert
Update: Now confirmed! (Credit to tylergfoster)
[Show spoiler]
Quote:
Terrence Malick’s ‘Tree of Life’ Gets Longer Criterion Version
Terrence Malick has secretly been working on an extended version of “The Tree of Life,” which will be included by the Criterion Collection as a supplement to an enhanced special-edition Blu-ray and DVD release later this year.
The film, which won the Palme d’Or at the 2011 Cannes Film Festival, has grown 50 minutes of new branches — although roots might be a better metaphor, since the additional material focuses primarily on the lives of the O’Brien family (characters played by Brad Pitt and Jessica Chastain) and the backstory of Jack (Sean Penn), whose search for meaning in the wake of his brother’s death drives a transcendental quest unlike any previously depicted on film.
“Terry doesn’t see this as a director’s cut,” says Criterion president Peter Becker, who insists that the 139-minute theatrical version is the official “director’s cut” and remains the centerpiece of the Blu-Ray edition. “It’s a fresh view of the film that has a different rhythm and a different balance.
....
As cinephiles’ imaginations race, it’s important to note: The expanded 188-minute cut doesn’t contain more effects shots, and the epic creation sequence remains untouched. But it restores material that Malick was exploring for the version that was shown in Cannes, including specific events and characters that were referenced only elliptically in the original film. Audiences will get specific insights into Mr. O’Brien’s painful upbringing, meet members of Mrs. O’Brien’s extended family, and witness a major natural catastrophe that serves as a kind of centerpiece for what Becker has been calling “the new version.”
At this stage, no theatrical release is planned. Criterion holds only home-video rights, “but Fox has been very supportive,” Becker says, “and we’ll see what the audiences demand.”