Batman v Superman: Dawn of Justice 4K UHD (2016) | Remastered

[Kukulele]

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Batman v Superman: Dawn of Justice 4K Blu-ray

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Batman v Superman: Dawn of Justice 4K Blu-ray

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Batman v Superman: Dawn of Justice 4K Blu-ray Zavvi steelbook


Available for pre-order in Sweden http://cdon.se/film/batman_v_superma...-ray)-37056450

I'll update the OP with the US links

[Pieter V]

Batman vs Superman uses Dolby Vision screening technologies

SAN FRANCISCO--(BUSINESS WIRE)--Dolby Laboratories, Inc. (NYSE: DLB) and Warner Bros. Pictures today announced that Batman v Superman: Dawn of Justice will be released for Dolby Cinema™ on March 25, 2016. Dolby Cinema, featuring Dolby Vision™ and Dolby Atmos®, is a premium cinema offering for exhibitors and moviegoers that combines spectacular image and sound technologies with inspired design to make every visit a completely captivating cinematic event.

The world premiere of Batman v Superman: Dawn of Justice at Radio City Music Hall in New York City on March 20, 2016, will be presented in Dolby Vision laser projection and Dolby Atmos sound.

Warner Bros. Pictures continues to support Dolby Cinema with the release of Batman v Superman: Dawn of Justice. Fearing the actions of a godlike superhero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with each other, a new threat quickly arises, putting mankind in greater danger than it has ever known before.

Zack Snyder, the film’s director, said, “Dolby Vision and Dolby Atmos are definite game changers for filmmakers. The blacks are truly black, and the deep contrast and brightness levels are amazing. They make these powerful and iconographic superhero characters that we’ve known all our lives truly come alive, and I’m thrilled we get to see—and especially to hear—this film in Dolby on the big screen.”

Dolby Cinema begins with the filmmaker’s vision—using the full storytelling capabilities that Dolby offers in image and sound production to transform the way movies are made. This combination of state-of-the-art image, sound, and acoustic capabilities makes every visit to the theatre a completely captivating cinematic event.

“With incredible realism and wonderfully clear and nuanced sound, Dolby technologies have helped filmmakers hit the visual and audio sweet spot, enhancing the movie into a captivating and complete picture,” said Doug Darrow, Senior Vice President, Cinema Business Group, Dolby Laboratories. “Warner Bros. continues to be a leading creative force for film innovation in content and technology, and we are eager for audiences to see the powerfully immersive film Batman v Superman: Dawn of Justice in a Dolby Cinema.”

With Dolby Vision and Dolby Atmos, Dolby Cinema enables richer and more detailed storytelling. The Dolby Vision projection system, which uses state-of-the-art optics and image processing, delivers high dynamic range with enhanced color technology and a contrast ratio that far exceeds that of any other image technology on the market today. The result is a viewing experience that delivers strikingly vivid and realistic images that make viewers feel like they are in the movie’s world. Dolby Cinema also includes the award-winning Dolby® sound technology, Dolby Atmos, which moves audio around the theatre, even overhead, with amazing richness and depth.

About the Film

From director Zack Snyder comes Batman v Superman: Dawn of Justice, starring Oscar® winner Ben Affleck as Batman/Bruce Wayne and Henry Cavill as Superman/Clark Kent in the characters’ first big-screen pairing. The film also stars Oscar nominees Amy Adams, Jesse Eisenberg, Diane Lane, and Laurence Fishburne; Oscar winners Jeremy Irons and Holly Hunter; and Gal Gadot as Wonder Woman/Diana Prince. Snyder directed from a screenplay written by Chris Terrio and David S. Goyer, based on characters from DC Comics, including Batman, created by Bob Kane with Bill Finger, and Superman, created by Jerry Siegel and Joe Shuster. The film is produced by Charles Roven and Deborah Snyder, with Wesley Coller, Geoff Johns, and David S. Goyer serving as executive producers. Batman v Superman: Dawn of Justice will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. The film opens nationwide in RealD 3D, and in 2D, and in select IMAX 3D theatres on March 25, 2016. It has been rated PG-13 by the MPAA for intense sequences of violence and action throughout, and some sensuality. For more information, please see batmanvsuperman.com.

http://www.businesswire.com/news/hom...0309005421/en/

[Geoff D]

That reads like Opips posted it.

[Pieter V]

Originally Posted by Geoff D

That reads like Opips posted it.

Fixed the quoting.

[MisterXDTV]

Let's see if this has a 4K finish, but i doubt it...

HDR on movies shot on film needs to be very delicate IMO...

[Pieter V]

IMDb just changed the DI info from 4K to 2K.

Cinematographic Process Digital Intermediate (2K) (master format)
IMAX (source format) (some scenes)
Panavision (anamorphic) (source format)
Panavision Super 70 (source format) (some shots)
Super 16 (source format) (some shots)

http://www.imdb.com/title/tt2975590/...ef_=tt_dt_spec

[dvdmike]

Originally Posted by Pieter V

IMDb just changed the DI info from 4K to 2K.

http://www.imdb.com/title/tt2975590/...ef_=tt_dt_spec

I can change it back it you like.....
It was always 4k we knew that

[Pieter V]

Originally Posted by dvdmike

I can change it back it you like.....
It was always 4k we knew that

You could help me fixing these two titles:

This has a 2K DI:

http://www.imdb.com/title/tt1441953/...ef_=tt_dt_spec

This has a 4K DI:

http://www.imdb.com/title/tt1924435/...ef_=tt_dt_spec

[dvdmike]

I'm cool thanks

[Poya]

IMDb is not a reliable source.

[xbs2034]

Originally Posted by MisterXDTV

Let's see if this has a 4K finish, but i doubt it...

HDR on movies shot on film needs to be very delicate IMO...

Not only is it releasing in 4K formats like Dolby Cinema and IMAX laser, but it is also having 15/70 IMAX prints and 5/70 prints (one of which is playing just over two miles from me, and there is a chance I might see it again in theaters for that format after digital IMAX 3D first viewing) being made. So it would seem counterintuitive to go through all the trouble and expense of releasing in those formats if it uses a 2K DI (but studios do counterintuitive things all the time though).

[Jimmy Smith]

Seriously 400 million dollars in 2016 isn't enough for a 4k finish?

[MisterXDTV]

Originally Posted by xbs2034

Not only is it releasing in 4K formats like Dolby Cinema and IMAX laser, but it is also having 15/70 IMAX prints and 5/70 prints (one of which is playing just over two miles from me, and there is a chance I might see it again in theaters for that format after digital IMAX 3D first viewing) being made. So it would seem counterintuitive to go through all the trouble and expense of releasing in those formats if it uses a 2K DI (but studios do counterintuitive things all the time though).

You know.... 3D......

[xbs2034]

Originally Posted by MisterXDTV

You know.... 3D......

So, movies being released in 3D have had 4K DIs such as Amazing Spider-Man 2. Any movie now has to have a 2K version (outside of the big chains in AMC and Regal, theaters I've seen typically use 2K projectors still, some just switched from 35mm a couple years ago), but they could still have a 4K master format.

[James Freeman]

Originally Posted by Jimmy Smith

Seriously 400 million dollars in 2016 isn't enough for a 4k finish?

The movie is 95% CGI.
We'll be waiting till 2017 for the whole building of super computers to render that.
350 million for the electrical bill alone...

Studios use large server farms to render animated movies. As an example Despicable Me 2 required around 20,000 computers and 680 terabytes of memory for the HD version (2K). Studios could potentially use much faster flash memory to speed up the process, but it is still too expensive.

s usual, Pixar is pushing boundaries when it comes to the CGI in Cars 2. Making the film required a render farm containing 12,500 CPU cores. And on average, it took 11.5 hours to render a single frame. (2K master)

From the Wikipedia article for Frozen
Fifty effects artists and lighting artists worked together on the technology to create "one single shot" in which Elsa builds her ice palace. Its complexity required 30 hours to render each frame, with 4,000 computers rendering one frame at a time.

The CGI black hole in Interstellar took 120 hours per frame days)

The more quality CGI the movie has, the better the chances that the master will be in 2K.
No, the smurfs is NOT at that level of CGI, realistic CGI is not an animated cartoon like Smurfs or Despicable Me.

[puddy77]

Originally Posted by James Freeman

The more quality CGI the movie has, the better the chances that the master will be in 2K.
No, the smurfs is NOT at that level of CGI, realistic CGI is not an animated cartoon like Smurfs or Despicable Me.

I would just like to point out that for the example of Interstellar, fx were rendered either at 4k if it was a 35mm frame or 5.6k if it was a 70mm frame. And the digital print was 4k (it received a photochemical finish, not a digital intermediate). Interstellar, along with The Dark Knight and The Dark Knight Rises, are some of the rare exceptions where fx were rendered at 4k or above.

[SolidRaider]

I'll be camping out Best Buy for this UHD release.

[dvdmike]

It had a 4k finish, until the Dcp says otherwise, and there are 4 versions of this film don't forget

[xbs2034]

Originally Posted by dvdmike

It had a 4k finish, until the Dcp says otherwise, and there are 4 versions of this film don't forget

I actually think this film will quite possibly set the record for formats released in: Digital 2D and 3D, IMAX Digital 2D and 3D, IMAX laser 2D and 3D, IMAX 15/70 2D, 5/70, Dolby Cinema, etc. (And then there is the extended R rated cut, mainly for blu ray, but wouldn't be shocked if it gets a fathom events style theatrical play down the line)

[Jimmy Smith]

Originally Posted by puddy77

I would just like to point out that for the example of Interstellar, fx were rendered either at 4k if it was a 35mm frame or 5.6k if it was a 70mm frame. And the digital print was 4k (it received a photochemical finish, not a digital intermediate). Interstellar, along with The Dark Knight and The Dark Knight Rises, are some of the rare exceptions where fx were rendered at 4k or above.

Which is why these movies need Ultra HD Blu-Ray releases post hast