Netflix is developing a reputation for funding passion projects that distill entire filmmaker’s careers into one epic work. Consider how much “Roma” reflects the life and work of Alfonso Cuaron. The same appears to be true about Martin Scorsese’s “The Irishman.” A fraction of the people who watch those two films will stumble upon Sion Sono’s “The Forest of Love,” but it too feels like an internationally admired filmmaker being handed a blank check and told to run rampant in his own passions.
Loosely based on true events, “The Forest of Love” will be recognizable as a Sono film to anyone who knows his work. There’s an obsession with teen girls in uniforms, a suicide pact, characters who are wannabe filmmakers, playfulness with chronology, and, of course, enough gore to turn off most people who aren’t familiar with the director of “Tokyo Tribe,” “Tag,” and “Why Don’t You Play in Hell?” It is a movie that wallows in its excess, undeniably long and repetitive and somewhat nonsensical, but never boring. There’s too much filmmaking craft on display to care that this movie seems to go on forever. Hardcore Sono fans may wish it was longer. [SOURCE]