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#1 |
Junior Member
Feb 2008
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What is the better route to decode the audio. In the player or in the newer rec'rs.
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#3 |
Special Member
Sep 2007
The Burghs
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It is a little more complicated than that.
If you have a relatively low end receiver then I would agree with "they are both the same". However, if you have a more upscale receiver or a high end processor, then things might be different. Can you apply THX EQ to your PCM stream? Can you apply 7.1 processing to a PCM 5.1 stream? Can you add other post processing to your PCM stream? If your answer is "no" to any of the above (or anything else your equipment can do to bitstream but not PCM) then the answer may not be an automatic "they are both the same". ![]() We can also get into the jitter debate when it comes to bitstream vs PCM, but most here don't really have the level of gear needed to properly judge the differences for themselves. (myself included) |
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#4 |
Super Moderator
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#5 |
Special Member
Sep 2007
The Burghs
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#6 |
Super Moderator
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#7 |
Super Moderator
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#8 |
Blu-ray Guru
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QFT.
The decode of DTS-HD MA and TrueHD should yield bit-for-bit identical results. Unless there is something flawed with the player or receiver, there should not be a difference. It's no longer a matter of interpretation rather, if the package can be unpackaged with enough processing power available to do the video decode. The newer players should have separate units for audio and video. I'm looking for a player to do both bitstream and internal processing while preserving the best PQ possible. I'm not too concerned about price. There may be a difference in the future when enhanced features require mixing of audio for PiP or BD-Live. When that's determined, I'll be buying a new whatever(s). Edit: Lately I am a huge fan of higher end Burr-Brown DACs. I've heard mixed reviews on the latest Wolfsons. |
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#10 | |
Super Moderator
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#11 |
Special Member
Sep 2007
The Burghs
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#12 |
Blu-ray Guru
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#13 |
Blu-ray Guru
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and interconnects and amps/bi-amps, and (active) crossovers and subs, and power, and power conditioning, and room shape, and acoustic control, and tuning AND (don't tell anyone) speaker wire. Every link in the chain makes a difference. You have to decide if it's worth the price and the cost. I've seen some sick two channel systems that would bankrupt me and force a divorce. The first is the price - the second, the cost.
Those that have read my posting track record will understand that the quest for the perfect replication of the original is worth the cost. I'm into Blu-ray for the audio perfection. |
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#14 | |
Special Member
Sep 2007
The Burghs
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(or the hours spent on trying to making CAT5 ones) Or even those foot long polymer disks played with a sharp instrument that used to make acceptable noises if setup correctly. ![]() Unfortunately, (or fortunately for most here) digital downloads have made most of these differences a moot point anyway. I honestly think that sometimes the CEs don't realize the gold mine that Blu could be on the audio side. |
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#15 |
Blu-ray Samurai
Mar 2007
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I personally went with a good rcvr, id rather let it handle the work.
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