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#1 |
Active Member
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The last few movies I have watched (Silent Hill, MI3, Underworld) on Blu-Ray have all been MPEG-2 encodes. I found that I actually enjoyed the PQ on these discs quite a bit. I will admit that it can get a little noisy during certain shots, but overall I found the detail was very good. Anyone else like/don't hate MPEG-2 releases?
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#3 | |
Blu-ray Guru
May 2006
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#4 |
Blu-ray Samurai
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I think MPEG-2 may be too sharp for some people. MPEG-2 really gets the film grain (where the image lives). Some people really object to that film grain. It may not be the most efficient codec, but I think it's definitely sharp.
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#6 |
Blu-ray Guru
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I have few to no issues with high bitrate MPEG2. I have defended its use in the past.
The MI III comparisons on the AVS forum are fascinating - a direct and undeniable case of MPEG2 showing a sharper image than VC-1 with the same source material. |
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#8 | |
Senior Member
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The differences you see between those two films on BD has a lot more to do with the photographic design than the compression method. I got a kick last year reading some BD review, where the reviewer was putting down one of Warner's BDs I believe, saying how he could tell it was inferior quality MPEG 2 as soon as it started. The title was actually VC1. There are a lot of misperceptions still floating around out there. Many perpetuated by reviewers making assumptions that they can't qualify. The one that has become something of a pet peeve of mine is reviewers that see artifacts they can't explain and automatically labeling it "compression noise". There are a lot of ways compression can influence the video. And every one of them has a name more specific than "compression noise"; like posterization, Gibbs effect (aka mosquitoes), blocking. Using such a vague term as "cn", just means it's something they can't explain. Or maybe they're going on some assumption that if one film isn't very noisy then none should be, so any noise level higher than the one, must be compression. Which couldn't be more wrong. Some have complained of bit starvation on discs that have very high bitrates. If studios decide that filtering video is the answer to uneducated criticism, we could be watching DVD again in blu and red cases. I'll take high bitrate MPEG2 over low bitrate VC1 any day. It's not the codec as much as what you do with it. Last edited by Chad Varnadore; 04-05-2007 at 12:44 AM. |
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#10 |
Senior Member
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If you optimized the bit budget for three separate encodes of the same film, one using MPEG2, one VC1, one AVC, and had the same compressionist, well versed in all three, work on each, and all viewed on the same format using the same playback equipment, I doubt you'd find a quantitative difference. Distinctions start to become more clear when you start to push the codecs closer to their limits. That's where their shortcomings become pronounced. For MPEG2 it's about 18mbs I believe. Though I'm guessing that would be a constant bitrate, not a variable one.
I can't remember if I've actually heard what it's supposed to be for VC1, but for some reason 16mbs jumps in my head. But, last time I spoke with someone that would know, they were still working out some of the bugs with VC1. Bugs that aren't just present at low bitrates I believe. That's one advantage to MPEG2 right now. It's been around longer and has been a little more refined. I'm not sure about AVC. I know they were still working some things out with AVC late last year according to a compressionist I spoke with. And Disney had a few problems with some of their early AVC encodes. But, Sony's have been flawless as far as I can tell and Sony has always said they were waiting on AVC to mature more. Either it has or they've figured out a workaround, which might explain why Sony's AVC encodes have been budgeted higher than most of their MPEG2s, unlike Fox who's AVCs have been closer to 15mbs than 30 and for whatever reason haven't been quite as jaw dropping. Last edited by Chad Varnadore; 04-05-2007 at 01:16 AM. |
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#11 |
Active Member
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I agree with the fact the MPEG-2 is very sharp. It does tend to recreate the source so faithfully you capture all the flaws. But personally, I do not mind video noise as long as it is not excessive. The whole point of high def home theater is to re-crate the movie theater experience, flaws and all.
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#12 |
Expert Member
Jan 2007
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One of my peeves was when they knocked points off of Casino Royale because the director intentionally threw in distortion into the film. Even though the AVC encoding was true to the directors intent the reviewers still saw it as a flaw.
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#17 |
Power Member
Sep 2006
B.C. Canada
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In the early stages there was alot of people screaming about the quality of the movies and mpeg 2. It was just a lack of bd 50 and the higher bit rates that was to blame. Of course some of the movies could have been cleaned up some but oh how times have changed. Some of our best titles are encoded with that same codec that cause alot of grief in the early goings. Mpeg 2 is alive and well. Will take quality every time. Maybe Warner could learn a thing or two as its had share of trouble on some of its VC1 dics.
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#18 |
Expert Member
Jan 2005
Makati, Philippines
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Don't forget Tears of the Sun either.
Now that WAS a film that proved that even if 25 GB SL disc is only used (combined with bandwith-hungry MPEG2 codec), you still get neat results. ![]() |
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#19 |
Blu-ray Guru
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Yes i agree with you all ,Just a real example Compare how MPEG2 and VC-1 are real identical for titles done by PARAMOUNT.Yes i like MPEG2 and it really outstand lower compression VC1 done released so far on HD-DVD.
My favorites for now is optimizing higher bit rate whatever it is MPEG2 or AVC.I like both of them over VC1 cdec. |
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#20 | ||
Moderator
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Right now, VC-1 is being marketed. And the number of people that see quality when told it's VC-1 (or even just think it is) shows you, that for one camp, the marketing is working quite well. Quote:
VC-1 seems to exist to push the bit-rate as low as possible, rather than maintaining the quality of the underlying master as high as possible. Gary |
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thread | Forum | Thread Starter | Replies | Last Post |
The Descent - MPEG-2 NOT MPEG-4 | Feedback Forum | lgans316 | 7 | 07-07-2008 02:27 AM |
What types of encodes does Blu-ray use? | Blu-ray Technology and Future Technology | rodgerse | 4 | 02-06-2008 03:07 PM |
Warner using different encodes? | Blu-ray Movies - North America | Iron Man | 8 | 10-01-2007 07:47 PM |
Blu-Ray to use MPEG-2 over MPEG-4 | Blu-ray Movies - North America | Alex Pallas | 20 | 12-23-2005 11:25 PM |
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