Crash (1996)

[Akijama]

https://www.criterion.com/films/29014-crash

DIRECTOR-APPROVED SPECIAL EDITION FEATURES
New 4K digital restoration supervised by director of photography Peter Suschitzky, and 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray, both approved by director David Cronenberg
Audio commentary from 1997 featuring Cronenberg
Press conference from the 1996 Cannes Film Festival featuring Cronenberg; Suschitzky; author J. G. Ballard; producers Robert Lantos and Jeremy Thomas; and actors Rosanna Arquette, Holly Hunter, Elias Koteas, James Spader, and Deborah Kara Unger
Q&A from 1996 with Cronenberg and Ballard at the National Film Theatre in London
Behind-the-scenes footage and press interviews from 1996
Trailers
English subtitles for the deaf and hard of hearing
PLUS: An essay by film critic Jessica Kiang

For this icily erotic fusion of flesh and machine, David Cronenberg adapted J. G. Ballard’s future-shock novel of the 1970s into one of the most singular and provocative films of the 1990s. A traffic collision involving a disaffected commercial producer, James (James Spader), and an enigmatic doctor, Helen (Holly Hunter), brings them, along with James’s wife, Catherine (Deborah Kara Unger, in a sublimely detached performance), together in a crucible of blood and broken glass—and it’s not long before they are all initiated into a kinky, death-obsessed underworld of sadomasochistic car-crash fetishists for whom twisted metal and scar tissue are the ultimate turn-ons. Controversial from the moment it premiered at Cannes—where it won a Special Jury Prize “for originality, for daring, and for audacity”—Crash has since taken its place as a key text of late-twentieth-century cinema, a disturbingly seductive treatise on the relationships between humanity and technology, sex and violence, that is as unsettling as it is mesmerizing.