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#3401 |
Blu-ray Ninja
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#3403 |
Blu-ray Prince
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Glad I waited to buy Gladiator, but before I do I'll see how people like the new remaster. Plus I feel sorry for those who bought the old one, Paramount should do some sort of replacement program for those who did, but Disney/Miramax did'nt do it with the new GONY release.
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#3404 |
Blu-ray Archduke
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Wow..you're really boycotting that release lol. I had to cave and buy The Perfect Storm, and A History of Violence. You can't beat $7.99.
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#3405 |
Blu-ray Duke
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#3409 |
Blu-ray Duke
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I need to watch it again. I consider myself a huge DNR/EE hater, and a grain lover. I remember it looking soft, but it looked more like a focus/lighting tchnique. I dont remember any smearing/waxy a la Patton/GONY/Amadeus. Maybe I'm wrong.
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#3411 |
Moderator
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It's definitely got some going on, but I personally wouldn't rate in anywhere near the realm of Gladiator or Patton. It does have some soft focus to get the noir-ish look, but there's definitely manipulation going on. Having said that, I didn't find it all too distracting whereas when I've checked out Gladiator and Patton it was painfully obvious. It's not perfect, but I don't think Dark City ever reaches the levels of DNR we've seen in some titles. Would it benefit from a different transfer/encode? Yes. I absolutely love Dark City and am a huge fan of a quality filmic look, but even though it's one of my favourite films it doesn't have me crying out for a new transfer quite like Gladiator does.
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#3414 |
Blu-ray Duke
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There's a two second burst in the Dark City transfer, where the DNR completely disappears. It looks fantastic and then it's back to shit again. It's actually the scene where Murdoch goes to his uncle's apartment and is watched through the window. I think Mr. Hand watches him and then flies away. It's as he moves up through the frame, BLINK!!! Gone. Then BLINK!!! Back.
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#3415 | |
Special Member
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those people probably can't tell the difference between a good transfer and a poor one ![]() |
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#3416 | |
Banned
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The sound was bit lacking impact due to 40 year old Volt speakers placed behind the screen. The surrounds where new JBL 8330 some x16 or so. The HF horns behind the screen where JBL with 15” bass mid JBL drivers loaded into the Volt enclosures, still impact was missing. It was slightly better on my second viewing at the Empire Leicester Square, London screen 1. I was rather surprised after the film finished and the house lights came up, I noticed the surrounds where visible along the sidewalls? Martin Audio I can just make out peering at the speakers. One of the projectionist there said we had the old THX taken out amps and fronts speakers except for the JBL subs x8 4645 that remained behind the screen. I was rather disappointed in the impact because the previous original 13KW JBL THX was just at times in my chest and face, total impact. As for the look it was grand with the grain. I first sat in the middle first row circle centre line of the cinema, then moved down towards the front centre line and the size of the screen just dwarfed the Odon Bournemouth. There was slightly more impact at the front that jolted me back at times in the (rocker seat) as I’m a rather jumper person. Since then Empire has gotten its THX back along with JBL the king of cinema sound presentation with enough 56KW to serve and give justice, to any film soundtrack! Since I read poor reviews buy the average consumer on the forums, I’ve stayed away from, it. I have it on region 2 DVD and the (edge enhancement) no way it looks ghastly looking. Shame on Universal Studios! |
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