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#1 |
Power Member
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what are the proper steps to ensure a proper break in of speakers? what is a complete list of stuff to do? (i.e. what volume should i keep it at? for how long? how many hours should i listen at a time, if any?)
etc etc im new to this so fill me in ![]() |
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#2 |
Moderator
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The "break-in" of speakers is a much debated point. Some audiophiles and manufacturers swear by the fact this should be done, but the whole concept to me about how is rather vague (even after several decades of having owned various equipment).
The only think I can conclude from "breaking-in" speakers is NOT to play them at high volume. But what volume is that? So many different parameters fall into play that it's impossible to say what volume level that is for any given amplifier. As such, I just use my "ears". I refrain from playing my speakers very loudly. On my amp that means not higher than the half-way mark for several weeks. I then gradually start to increase that level. Does that improve the sound? I think it does, but it's not always immediately apparent. I found after breaking-in my Totems I didn't notice anything, but then something changed. I put on a fave recording and things seemed more noticeable...I could now hear things more clearly and more defined. Was that because of the "break-in"? I don't know. Maybe my ears and my mind were just more in tune with the record that was spinning. If you want to be safe and follow the recommended guidelines, I'd suggest you keep the volume at a reasonable level for the first few weeks. John |
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#3 |
Expert Member
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I wondered about this too, when I got my Def Tech Mythos system a few months ago. So I contacted Definitive Technology, via email, (surprisingly fast responses, like a couple hours tops!) and they said basically the same thing stated above. Play sorce material at reasonable levels (for me on my Onkyo 705 this is around -40 to -30Db, I know I'm a pansie, but with good ears
![]() They said the break in should be around 40 to 50 hours, which probably comes out to a couple weeks of normal use. That's only like 15 to 25 movies, or probably around 45 to 60 albums. Also, very important to remember, not to turn the speakers on until they warm up to room temp. Had a friend blow out some Cerwin Vegas by bringing them in from his car, hooking them up and turning them on. ![]() Course we're in Pittsburgh, in February, so it's cold! |
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#4 | |
Blu-ray Samurai
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While it may be that before they've moved back and forth a few million times, they may not perform to the specifications one expects, it can't hurt them to be played normally. The only speakers I've ever heard that changed after use for a few hours are subwoofers with very big rubber surrounds. I don't think this applies to any other type of driver, personally. Certainly not with metal dome tweeters, for example. |
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#5 | |||
Blu-ray Champion
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According to Paul Barton, Canada's most famous speaker designer and PSB Speakers founder, speaker burn-in is a myth:
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#6 |
Blu-ray Samurai
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#7 |
Blu-ray Ninja
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When I ordered three new drivers for my left SDA speaker, they sounded completely lacking, weren't very "quick", were totally different sounding, and just sounded wrong. After a few hours of break in, there was a huge difference in sound that even my friends and parents could tell there was something different. I do believe most speakers have some sort of break-in period. You can't tell me that a speaker playing for over 20 years with the same drivers are going to sound the same as another matching speaker with brand-new replacement drivers. That's just not going to happen.
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#8 |
Power Member
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To second what Big Daddy quoted, the crossover designer of my speakers, Dennis Murphy, also said that speaker break in was a myth and couldn't figure out what would need to be broken in to begin with or what would be changing with multiple listenings. I would attribute hearing differences over time to just becoming accustomed with the speakers and the sound they produce, not that anything is actually changing. A personal example for me was the other day I was auditioning cdp's on a pair of Dynaudio Contour 5.4s, and for the first time heard very distinctly the bass line in a song. When I got home, I put that cd on again, and sure enough, I heard the bass line again, and it sounded every bit as good. I guess I wasn't trying to listen for it, but now that I've heard it, sure enough its there and always has been.
Last edited by Intamin; 02-14-2009 at 12:34 PM. |
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#10 |
Blu-ray Samurai
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Since this appears to be a rhetorical question, I have to ask: What's the difference between the two speakers, if they're identical?
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#13 | |
Blu-ray Samurai
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More important, even if they were made at the same time, and you tested two brand new ones, and two that had been used for twenty years straight, there are probably minor differences between them. Very minor, certainly, but differences nonetheless. I find logic in the idea of break-in, but there are certainly limits to that logic. Thin, highly flexible surrounds on smaller drivers don't really change much with constant break-in flexing, even though the coils that drive them back and forth are pretty small. It probably depends on the material used to make the surrounds. Big subs - think the massive rubber surrounds on JL Audio W7 series, for example - may change over time, but they're so thick, they may never appreciably change, even with long break-in. I think they do, but it's subjective and I definitely couldn't quantify it. Overall, I think it's one of those myths that are used to cover all speakers, and may apply only to a tiny minority of speakers. |
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#14 |
Power Member
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Whether it's myth or subjective or whatever, my Energy speaker's manual say that playing the speakers loud before breaking them in could damage them. I think we can rule out the aluminum dome tweeters. What's is there to break-in for those tweeters anyway? So do they mean the woofers which have composite fiberglas cones and their suspensions? I faithfully did the 100 break-in anyway but feeling it was ludicrous. I still don't think it's necessary. I think it's just our ears that were really being broken-in by the speakers. The speaker mfrs are probably trying to prevent a lot of returns because people may not like the sound at first. Then give them 100 hours of listening, they are prone to.
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#15 |
Expert Member
Dec 2008
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Other than the possible damage from radical temperature changes as mention on an earlier post, breaking in a speaker sounds more like wearing it out. If the speaker doesn't play its best when it is brand new when will it? These aren't piston rings on your V8 you are talking about, it is material that looses its designed charateristics over time. I say push them to the stops when they are brand new and take them back if they fail you.
This is a thread about speakers but what about breaking in your new amplifier/receiver? Capacitors are known to 'form' after use, vacuum tubes mellow but solidstate shouldn't change - I think? Last edited by zicmubleu; 02-14-2009 at 06:38 PM. Reason: clarification |
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#16 |
Blu-ray Champion
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Please don't shoot the messenger. I am just reporting this. I have never done any controlled experiments myself and cannot make any comments, but I do have quite a lot of respect for people like Paul Barton of PSB.
According to some experts, most speaker manufactures know that the break-in period is not an important factor and do not write anything about it in their manuals. However, when you call them or email them, they will tell you that you need between 30 to 50 hours. The reason is because they do not want you to return their speakers. They are hoping that you get used to them or the return period expires. Others claim that the only part of the speaker or subwoofer that needs break-in is the spider and that normally requires less than an hour. They argue that if the manufacturer insists that their drivers need break-in, it means that they are mass produced and never been tested. Last edited by Big Daddy; 02-14-2009 at 10:43 PM. |
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