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#81 |
Blu-ray Samurai
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Is anyone else sick and tired of discussions on grain!? Why can't you people just leave it alone! There will never be a winning argument. I am sick of our threads being flooded with this nonsense garbage. Just leave it be.
If your movie has too much grain, then I'm sorry you're disappointed. |
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#82 |
Blu-ray Legend
![]() Mar 2008
Austin, TX
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Those shots are from the UK X-Men Trilogy boxset edition and the UK X-Men 3 has a different encode than the US version (UK: AVC @ ~30Mbps vs. US: AVC @ ~20Mbps). Not that this necessarily effects any aspect of perceived visual quality between the two, but I thought it was worth pointing out.
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#83 | |
Blu-ray Prince
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there are 3 things that should never be discussed with people-- religion, politics, and grain on blu-rays! ![]() |
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#84 | |
Blu-ray Guru
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#86 |
Blu-ray Samurai
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#87 | |
Blu-ray Guru
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I only just recently realized that there are a lot of people, and not just on this board, that have no idea that they should calibrate their TVs. I think the argument for and against grain is played out. It exists in film and it's not going away, so the best we can do is remind everyone - Don't Hate. Calibrate! ![]() Last edited by Dotpattern; 07-02-2009 at 09:47 PM. |
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#89 | |
Blu-ray Duke
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#90 | |
Active Member
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With film grain, the "noise" as you define in the above article is intended, and frankly, impossible to totally take away. Film does not look like film without grain. Digital video might look very sharp, but movies made in digital do not look like films. They look like long television shows. Some people will be happy when there is no company making photographic stock, and everything is in digital. Kodachrome is already now a part of history, and no doubt, film will be also. Then, you can no longer call movies "films". You can call them flat, artificial, soul-less abominations. Eat your heart out, George Lucas. Last edited by greatfoxmusic; 07-03-2009 at 05:24 AM. |
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#91 | |
Active Member
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I might as well be watching a DVD. And DVDs look really bad that big. |
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#92 | |||
Blu-ray Samurai
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You just have to find the position wherein your picture is not artificially altered with edge enhancement and is also not softened. I guess a disc with a test pattern on it would be the best thing to check this against. Quote:
I've always had an understanding that grain is inherent to a filmed picture for as long as I can remember. A lot of people seem to believe grain gets introduced to a picture during a bad transfer. Or they believe that grain is introduced with age. Or they believe that grain amount is reliant on when the film was made rather than the choice of film stock. Quote:
When I saw Spider-man 3 in IMAX I was blown away by the detail (seeing pores during close shots) and I thought it was because it was IMAX. Nope, Spider-man 3 was not filmed on IMAX at all. The reason I was so blown away by the detail was the fact that I was so used to seeing movies in soft focus at the local theatre; I was simply not used to seeing a movie in focus. Aesthetic appeal. For example, look at Benjamin Button. I haven't seen it myself yet, but I hear they artificially added a ton of grain for flashback sequences. Other cases are just because the director feels like the film having that texture, that they want it to look that way. Other cases are because of budgetary constraints, and the choices made for film stock because of that inform the aesthetic look of the film. And even if a film stock choice is made for budgetary reasons, that aesthetic look is generally embraced regardless. For example, 28 Days Later was shot mostly on low resolution digital. But the aesthetic look this gives to the majority of the picture is embraced despite the fact that it is that way because of budgetary choices. For another example, look at Clerks, the Kevin Smith film. Shot on low quality stock and black and white, just because that was all he could afford. But that budgetary choice made the film look what it was, it'd've been a totally different film if shot on high quality 35mm in color. |
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#93 | |
Blu-ray Samurai
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Many(most) film movies are scanned to digital and edited digitally. Grain and whatever else can be added there and then the final production can be mastered. |
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#95 |
Blu-ray Archduke
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#97 |
Senior Member
Jun 2009
Manchester, England
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Actually out of the box set this one still looks the sharpest and overall the best in my view.People have said the X2 looks best ,but i think it looks soft compared to The Last Stand.If this means a bit more grain will show because of how sharp it looks, then i would take this every time compared to a softer image of X2 because it has less grain.
Not saying X2 is bad just saying that i find X3 far more detailed and sharp and in some scenes more grainy but the overall viewing puts the the other two films to shame in the PQ depatment in my view. |
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#98 |
Blu-ray Duke
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#99 | |
Blu-ray Guru
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Speaking of X3 and grain though, anyone know anything about Brett Ratner? Does he like to film a certain way that inherently leads to grainer films? Is it just X3? I ask mainly because I was a bit disappointed in the PQ of Rush Hour 3, another Ratner film. It had too much DNR applied to it for my tastes. If it was a bit 'extra grainy' than that could explain why New Line went a bit overboard. Last edited by bajor27; 07-04-2009 at 10:58 AM. |
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