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#102 |
Banned
Nov 2017
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#104 |
Banned
Nov 2017
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I don't know what makes you think that. The Russian one is actual 1080i, not just an upscaled DVD. Steelbreeze has the Spanish one and says it's nowhere near the resolution of the still capture I posted (which is actually much better looking; the board software scaled it down in terms of compression. It looks much better for real, save a couple of scenes with a bit of macroblocking (probably due to compression on HDNet).
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#106 |
Banned
Oct 2020
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You guys have mentioned some HD broadcasts of the film that were recorded? Does anyone have any links to those videos (if it is allowed to share such links here)? I only have the DVD so I would like to check out what those look like.
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#107 | |
Special Member
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[Show spoiler]
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#108 |
Banned
Oct 2020
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#109 | |
Banned
Nov 2017
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Thanks given by: | Jay H. (01-04-2021) |
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#110 | |
Blu-ray Baron
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And I ask could we wipe the slate clean But they tell me to please go f*** myself You know you just can't win" I have the bootleg you mentioned and you're right; it's not bad. I'd rather have a legit release, but like the lyrics above say... |
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#111 |
Banned
Oct 2020
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Ok so the HDnet version might indeed be somewhat better then, that's why I was asking if there is a video online or link to watch it or whatever? (again if that would be allowed to share such links here) Or would I only be able to watch the HDnet version on this bootleg disc?
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#112 |
Banned
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Thank god my tape still works (and to be honest still sounds amazing), because the powers involved show no sign of growing up anytime soon. Music rights can sink any movie or TV show, and this is a prime example. MGM went belly-up years ago, so who even knows where the actual movie’s right lie? And Waters and Gilmour take the cake for the two most immature people in music. They frankly remind me of the Miser brothers from The Year Without A Santa Claus, and believe me, that’s not a compliment. Considering the audio is stored somewhere in uncompressed form (albeit in a format created in the 90s), and there has to be some negatives and prints laying around (and maybe the 90s scan of the interpositive), there isn’t really a reason why this isn’t on Blu-Ray except “just because”. Hopefully this all gets worked out by next year, since I genuinely want to watch this movie in the high quality that it deserves.
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#113 |
Blu-ray Prince
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I haven't watched the DVD in quite some time, but I remember watching the HDNet version and thinking that there were a lot of film nicks and such that should have been digitally erased - if it was sourced from the DVD transfer, the hidef transfer certainly accentuated the flaws on the film print.
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#115 | |||
Special Member
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James Gutherie Has been working on both "The Wall" and "Animals" going back to the master tapes, which long story short, were in pretty bad shape and needed to be baked (yes it's a thing). Gutherie gave an interview when the SACD of Wish You Were Here was released that his next project was The Wall and he had to do 2 5.1 mixes: one for the Movie and another for the SACD. The mix appear to be about done, but the relationship between band members aren't that great. |
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#116 | |
Special Member
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Waters may have been the main writer on Animals (it's debatable, Waters was prone to appropriating all writing credit, even when others had been involved) but the fact is that Animals and The Wall were not solo albums. Essentially, Waters asked Guthrie to remix Animals without consulting with Gilmour and Mason. He blocked new surround mixes for Meddle and Obscured from being included on the early years and Gilmour is returning the favour. He's entitled to be as much of a bastard as Waters. There's no monopoly to that. And besides, anyone being a bastard towards Waters has my sympathy and support, the man is an utter prick. Waters blocked those surround mixes on the basis that they were done by Andy Jackson instead of Guthrie. Well, neither engineer was involved wth Animals. I don't see why Guthrie should have exclusivity (The Wall is a different story, as Guthrie was the album's original engineer). Besides, Guthrie lives in the US now and is incredibly slow, which makes him undependable. He never completed the surround mix for Wish in time for the 30th anniversary. It ended up being released on the immersion set 6 years later! I wouldn't be ecstatic about the guy's performance either! |
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#117 |
Banned
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More recent research shows that this is an ownership dispute. The elements survive in full: neg, IP, other intermediate elements, full soundtrack tapes and stems, and complete copies of every soundtrack ever assembled for this movie. RW owns the content that’s on these elements, and WB owns the elements that house the content. Neither one can make a move without the other one’s permission. RW said he’d only okay this movie if they let him recut it his way. Not even multiple cuts in the same set, his cut only. WB won’t agree to that because they know it won’t sell. They’d like to do either just the OG cut or a two-cut package, but Waters won’t agree to that. So basically the two parties are in a standoff with each other regarding this movie, and we’re the ones who are losing.
Someone should try sending something to GF at The Extras to see if he’ll go on the record about The Wall. He addressed Gone With The Wind, so he’ll probably have something to say about The Wall. (Also, contrary to rumors circulating online, the picture and sound elements for the movie are in good condition. They can be restored. They don’t need a Star Wars special edition style overhaul like the rumors claim. Considering the substance of the rumors, I believe they came from RW or his people.) |
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Thanks given by: | Aunt Peg (09-26-2023), jedidarrick (09-24-2023) |
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#118 | ||
Special Member
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