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#28 | |||
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Making sure I can feel a clean 12Hz is important to me and if you do use a test tone disc you'll find at that level every Hz shows a big difference.
The PB-13 Ultra has good output at the lower Hz, but lots of distortion. I sacrificed straight dB output for low distortion going with the Paradigm Servo 15v2. At 95dB output the Servo will hit 15Hz at -10dB with 3% distortion. At 95dB output the PB-13 Ultra will hit 15Hz at -12dB with 16% distortion. Those measurements are taken in 20Hz tuning mode for the SVS, because in any other mode distortion goes through the roof in those lower frequencies. Quote:
The higher end does, but even into your 30's and 40's plenty of people can still hear 18kHz and beyond. I just listened to an 18kHz test tone and it's VERY loud. The 20kHz is noticeable, but nowhere near as much. You can google test tones to get some free ones. Quote:
![]() The first octave runs through 16Hz to 30Hz. Because lossy encoding doesn't remove much in the low end, some DVD's do hit extreme frequencies. There are passages on The Incredibles that hit 5Hz. I was listening to a 10Hz test tone on my Paradigm, it makes it move with some serious force, but there isn't much output. Paradigm claims 12Hz and there is definitely much more movement throughout the room when it hits 12Hz. As it passes through 16-21Hz you're definitely feeling it in your chest and in your breathing. It's a pretty awesome experience. Here's a pretty cool review of the Servo 15v2 - I link to this because it lists some of the time codes on the passages of The Incredibles. http://www.hometheaterhifi.com/volum...05-part-2.html Quote:
![]() When I get a bigger HT room, I'll add another Servo15v2. ![]() This is a pretty cool depiction of the orchestra and what frequencies are re-produced. Of course, with synthesized music all bets are off, but for most known instruments this is the approximate frequency response. ![]() |
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