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#1881 | |
Blu-ray Ninja
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One of my top favorite films (rotating in my top 3 over the various years), since I was 15 years old, has been Amadeus - a film from the '80s. Other films that I've loved since I was a teen, that have been in my top ten, range from The Bridge on the River Kwai and Lawrence of Arabia to The Godfather to 2001: A Space Odyssey. I'm only just recently out of the "twentysomethings" (31), and I can fully say that I have loved all manner of films throughout my youth. And, yes, I happen to love Fury Road, while I merely admire The Road Warrior. Deal. Last edited by Aragorn the Elfstone; 09-04-2015 at 03:07 AM. |
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#1882 | |
Blu-ray Duke
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We can all watch the same movie and have different reactions to it. ...no harm, no foul. |
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Thanks given by: | Aragorn the Elfstone (09-04-2015), WhySoBlu? (09-04-2015) |
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#1883 | |
Blu-ray Samurai
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#1884 | |
Blu-ray Ninja
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Besides, should I wait to proclaim my love for any movie that isn't at least two decades old? Not a chance. Edit: Also, "new car smell" hasn't done it for me in years. Fury Road has a fascinating world, great acting and utilizes a unique way of telling its story. There are plenty of films that "look amazing", are bright & shiny, etc. And barely any of them do a thing for me. Last edited by Aragorn the Elfstone; 09-04-2015 at 03:41 AM. |
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Thanks given by: | captainjoe (09-04-2015), Yojimbo68 (09-04-2015) |
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#1885 |
Blu-ray Samurai
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#1886 |
Blu-ray Guru
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I don't see how the type of editing found in the opening of fury road could be outdated in a few years. Fast, quick cuts have been around for decades. It flowed, I was never lost and it established a style that worked for the story it was telling; Max waking up and needing to escape as quick as possible without knowing the landscape and also dealing with his own inner madness.
The film held on shots longer when it was necessary for the story. This is far from crap mtv fast cuts for the sake of fast cuts like what you see in Taken 2. The movie is operatic and some of the tightest action directing I've seen in a long time. It was refreshing to care about characters in this type of movie again too |
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Thanks given by: | LegacyCosts (09-04-2015) |
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#1887 | |
Power Member
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#1888 |
Expert Member
Mar 2010
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Just because this doesn't Suffer from "Christopher Nolan exposition vomit" syndrome, doesn't mean it is a mindless action film. Miller reveals all the necessary information without stopping the film to spell out things for the audience, and often through visuals. And they do spell out the message of the film clearly: 'We are not things,' 'our babies will not be warlords.' Furiosa is taking the women to a place where she knows they will be safe from a life like hers, to keep their children safe, particularly if they are girls, who for all we know would be killed the moment they are born. It's not the most groundbreaking message, but it's an important one, even today. And even Max gets some character development as at first we see he has become a damaged lone haunted by events that we have never seen, and he is given a reason to keep going.
And to be honest, this one is deeper than the other films in the series. In the first one we see that the world is falling apart and that the gangs rule which results in Max seeming revenge for something I won't spoil. The second one, which is one of the all time great movies, has even less to say. They do develop Max's character more with his relationship with the feral kid, and they touch on how humans are better off sticking together through rough times. As for Thunderdome, you could say it's about a political coup, and they give some hints about why the world is a wasteland, but it really is the true mindless entry in the series. |
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#1889 | |
Blu-ray Duke
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As for Thunderdome, you could say it's about a political coup, and they give some hints about why the world is a wasteland, but it really is the true mindless entry in the series. " I couldn't possibly disagree with you more...especially with the line highlighted in bold. But it's late and I'm on my way to film geek dreamland. ...perhaps tomorrow I'll take some time to explain my reasons. |
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#1892 | |
Blu-ray Ninja
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![]() I've heard it applied to the editing in Moulin Rouge!, though after 14 years I still find the film as visually and editorially stunning as ever and not dated in the least. |
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#1893 |
Blu-ray Prince
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#1894 | |
Blu-ray Guru
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#1895 |
Special Member
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I'm guessing part of that is due to most modern action films being incredibly dumb mindless crap like the Transformer sequels. So when we actually get a GOOD action movie like Fury Road or John Wick, people tend to be overly enthusiastic.
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#1898 |
Blu-ray Count
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With all this talk about the black & white version of Fury Road, I decided to watch Road Warrior in black & white. Amazing experience.
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Last edited by BladeRunner2007; 09-04-2015 at 04:25 PM. |
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Thanks given by: | evilive (09-05-2015), Mandalorian (09-04-2015) |
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#1899 |
Blu-ray Archduke
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Last night, I watched my 2D Blu-ray of Mad Max: Fury Road as an official "christening" of my new LG 49" 4K UHD television (I sit six feet away from the screen).
Mind = blown. I loved this movie in the theater, but the visuals really jumped out at me all the more this time, mainly because I was concentrating on the cinematographic techniques and how the film changes frame rates from time to time. I cannot add anything that others have not said dozens of times about this film. I'm not a fan of the computer-generated ghost scenes with Max's loved ones, but the film is pretty much flawless otherwise. There's one pivotal scene that I thought was too overtly gimmicky in terms of 3D effects, but it looked quite good on my television setup with the Blu-ray. (All of you who have seen the movie know exactly which scene I'm talking about.) |
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#1900 |
Senior Member
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I rewatched John Ford's Stagecoach recently and its influence on Miller is obvious... it's no surprise he'd want to do Mad Max in black and white. Thanks for the pics!
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