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#322 |
Banned
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#326 |
Blu-ray Samurai
Jul 2008
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#327 | |
Blu-ray Prince
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![]() Time will tell, how good these releases will be. Caps-a-holic- will do the job. ![]() ........ if there are UHD Blu-ray players for PC's by then. ![]() |
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#328 | |
Blu-ray Emperor
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BUT...for Alexa in general it's still very much worth their time going back to the 2.8K (or 3.4K Open Gate) Alexa capture and upscaling from there, as a 16:9 ARRIRAW frame is 2880 x 1620 which is more than double the pixels of the eventual 2K finish (2880x1620 = 4,665,600, 1998x1080 (1.85 DCP) = 2,157,840) When Sony uprezzed Skyfall to 4K from Alexa you can bet they didn't just upscale the 2K end product and it looked stonkingly gorgeous (even when blown up to IMAX by all accounts) so there's still value in going back to the ARRIRAW stuff too. |
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#334 |
Blu-ray Samurai
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Well todays 4K streaming movies are also very big so more discspace = better for everyone.
Keep the bonuses on a separate disc and max out bitrates for video och audio I say ![]() |
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#335 |
Blu-ray Knight
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yeah, stuff the extras on the BD, I doubt any of them will be in 4K anyways.
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#336 |
Blu-ray Emperor
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These will be just like 3D IMO: virtually bare bones with a 2D BD pack-in that has the extras. Most of the available disc space will be given over to the main movie anyway (especially if TL discs are going to be hard to come by), with perhaps a brief occasional 'exclusive' feature in 4K.
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#338 |
Blu-ray Knight
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Frame by frame "adjustments" by a colorist? Is this after-the-fact for a home video release, or was the movie already graded that way for the theater? I certainly wouldn't want to see some colorist come in and tinker with movies shown years ago in a different grade (or even one shown yesterday for that matter).
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#339 | |
Active Member
Feb 2009
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![]() Quote:
https://www.arri.com/news/news/new-a...2k-for-uhd-tv/ |
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#340 |
Blu-ray Emperor
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Yeah, the dynamic range of the Alexa ensures that an HDR grade ain't no thang, and ARRI also came up with an in-camera 4K upscaling solution a while ago. IIRC it was intended more for ease of use on TV/indie workflows than for movie use (the former often being very squeezed for time while the latter takes things a bit slower and often needs untouched source capture for VFX plates etc) but still, they're fully aware of all this stuff and how their equipment jives with it.
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Tags |
the martian, uhd |
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