Quote:
Originally Posted by revoloution
Release date has been changed to Nov 9 and Eureka have confirmed a newly colour-graded restoration approved by Director Ronny Yu.
They've also added a bucket load of new and fantastic extras!
Limited Edition O-Card slipcase featuring new artwork by Darren Wheeling [2000 copies]
1080p presentation on Blu-ray from a stunning new 4K restoration (this restoration has been newly colour graded exclusively by Eureka Entertainment and officially approved by director Ronny Yu)
Cantonese audio, available in original stereo and restored 5.1 presentations
Optional English and Mandarin audio tracks
Newly translated English subtitles
Brand new feature length audio commentary by Asian film expert Frank Djeng (NY Asian Film Festival)
Audio commentary with director Ronny Yu
Brand new interview with director Ronny Yu [41 mins]
Brande new interview with actor Joe Tay [21 mins]
Brand new interview with screenwriter Jason Lam Kee To [56 mins]
Brand new interview with editor David Wu [24 mins]
Brand new interview with composer Richard Yuen [81 mins]
Archival “making of” featurette
Limited Edition collector’s booklet featuring new writing by James Oliver [2000 copies]
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Quote:
Originally Posted by Parsifal
I am friend with Frank Djeng who produced the Eureka Blu Ray (He also produced the Tai Seng DVD 20 years ago and knows Ronny personally) and asked him about this. His response:
1. According to Ronny, France/Spectrum presented him with the master but by then it's already at the release stage and also there was no visual reference to show Ronny how different the color scheme was from the HK theatrical print.
2. Eureka got a copy of the Tai Seng DVD, and the TS DVD master was taken directly off the HK theatrical print which of course preserved Peter Pau's color scheme. Eureka became concerned with how different the colors were between the TS DVD and the 4K master that they got from the distributor and checked with Frank who saw the film theatrically back in 1993. Frank confirmed that Ronny approved the TS DVD master when he recorded the audio commentary and presented Ronny with side-by-side comparisons and Ronny immediately noticed the difference. He gave the OK for Eureka to do the new color grading to match the colors on the TS DVD and gave his seal of approval upon seeing the final product.
It's not revisionist at all--it's preserving Ronny's and Peter Pau's original vision and color palette for the film so that what you see on the Eureka Blu-ray will be identical to how you would've seen the film theatrically almost 30 years ago.
Frank also said that if there are enough "votes" from folks then Eureka will consider releasing BRIDE 2 (which needs more extensive restoration than Part 1) and Ronny's THE PHANTOM LOVER, also with Leslie Cheung.
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Quote:
Originally Posted by Parsifal
Funny you mentioned this because I asked Frank about it too! He said the Facebook announcement was correct but the one on the Eureka website had a mistake--the Richard Yuen interview and the David Wu interview's duration were reversed. The David Wu interview was the 81 minutes one. Frank said he interviewed David but Richard shot his talk by himself.
Frank said David (who spoke English for the interview) was funny and very talkative and the interview covered tons of stuff--not just about BRIDE 1 but also BRIDE 2, David's editing work on other films like John Woo's THE KILLER, and his views on other films/editors (He's not a fan of the Michael Bay-style of rapid editing). In fact, Frank got concerned since he only blocked a 90 minute ZOOM session for David. Luckily the interview got done 4 minutes before the session ended!
Frank said his goal was to make Eureka's Blu Ray the best of all the releases, which is why he tried to include as many interviews as he could. He's sad that he couldn't get Peter Pau as he's busy shooting Wong Ka Wai's TV series in China and ZOOM is no longer directly available there but he was overcome with joy with the new color grading. He's seen the new master and he said it's gorgeous.
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Quote:
Originally Posted by Irongod2112
Eureka delivered the new scan to me and I immediately knew something was wrong and I pushed them hard to do the color regrade.
At first they must have thought I was crazy
for they thought Ronny Yu had approved the
scan on the Spectrum French bluray.
He obviously didn't.
I sent Eureka a comparison video using the
Tai Seng DVD and thankfully they contacted Ronny Yu and we were given the green light
to bring back the original colors!
Also special thanks to member Revoloution
for helping me out on this.
My PMs are cleared out now so please
feel free to contact me.
Guys please show this release some love and get your preorders in so we can get the second film restored. 
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Quote:
Originally Posted by Markgway
Directors and DPs change their minds all the time. How many different gradings of HALLOWEEN has Dean Cundey approved?! They can't all be correct. Sometimes the filmmakers forget how they wanted the film to look in the first place (probably what happened here with Yu), and sometimes they purposely want a different look than before (see Michael Mann).
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Quote:
Originally Posted by Parsifal
Yes, according to Frank that's exactly what happened. When Ronny reviewed the Spectrum master he didn't have the Tai Seng DVD as reference and so he most likely saw the improvement in resolution, detail, etc. from the 4K scan and was impressed enough to sign off on it, not realizing that the colors had been tweaked so much-remember, this film was made 27 years ago!
It was only after Frank/Eureka showed Ronny a side-by-side comparison of the Tai Seng DVD vs the 4K scan that he realized how different the color scheme were between the two of them. The Tai Seng DVD master was identical to the theatrical print and both have the darker, richer color palette that Peter and Ronny envisioned. Frank said he also mentioned about the new color grading and how that came about in his new audio commentary for the Eureka Blu-Ray.
Eureka's Facebook announcement has a trailer that's edited from the color corrected master.
https://www.facebook.com/EurekaEnter...8316807670084/
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This is what I have argued previously about having the correct color scheme. Just basing it on the old Tai Seng dvd and commentary with Ronny. Those were his words recorded back in the 90`s for the TS dvd regarding the effort and care that him and Peter Pau went to to get a very specific look as to how he wanted the movie to be seen. I always though the TS release might have been just a bit too dark but, wow, a direct master. So, yeah, that kind of settles it then as to how it should look and how it did look. Sucks that I wasted like $80 or so on that atrocious HK blu-ray from a couple of years ago. It was way too bright and wasn't correct on color timing, missing some filters and it's re-edited end credits sequence. Horrible! I'm very thankful, grateful for everyone of you that spoke up and made this release what it should be. The movie should look the way it was meant to be seen. Thank goodness things have come into alignment here and we shall be getting the definitive blu-ray. My pre-order has been in since the day it was announced. These are important films and certainly deserve the respect that they have been getting from Eureka and 88. But, yeah, thank all of you that have worked on this release.