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#2682 | |
Special Member
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I was planning on building my collection around this list as well. A movie I shyed away from was Dracula Untold which was a 2K upscale but now I have to re-evaluate that. |
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#2683 |
Blu-ray Prince
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Thanks given by: | birdztudio (01-08-2021), Zoland2020 (12-21-2020) |
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#2685 |
Blu-ray Prince
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Thanks given by: | FilmFreakosaurus (12-22-2020) |
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#2687 | |
Blu-ray Guru
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I was doing some reading on Pixar's Soul and came across this paper from 6 months ago: Deep Learned Super Resolution for Feature Film Production
TL;DR: They've been testing new methods of upscaling because rendering at 4k is still too expensive. One parenthetical stood out to me: Quote:
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#2688 |
Banned
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Funny how there's very much a chicken/egg issue with 4K rendering costs since the more 4K pipelines are available the cheaper it will get - except nobody wants to make the initial investments.
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#2691 | |
Blu-ray Emperor
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The problem is that the VFX industry is caught up in a perpetual race to the bottom, needing to pump out thousands of shots for any given big-bastard blockbuster in an ever-decreasing amount of time, so even when pipeline improvements are made does that mean the studios would want 1000 4K shots or 4000 2K shots for the same amount of time and money spent on them? People keep citing examples of them personally being able to crank out 4K VFX in an afternoon on a toaster or the simple numbers of how computing power is advancing, but it just doesn't scale up to the reality of the breadth and complexity of creating feature film 4K VFX. If every VFX house could quadruple their processing power and storage capacity overnight then sure, 4K would work, but again: would the studios use it to create better VFX or just crank out more VFX? The outlier is streaming though, e.g. Netflix have been demanding 4K VFX for their in-house productions for years. But they throw a lot of money at their native productions and it helps that most of their projects aren't wall to wall VFX anyway, nor do said projects have 101 deliverables which have to be completed by X date (3D, IMAX etc) which shrinks your turnaround time. With Netflix you just deliver one 4K Dolby Vision mezzanine file and that's it. |
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Thanks given by: | Clark Kent (12-28-2020), Gacivory (12-28-2020) |
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#2692 | |
Blu-ray Emperor
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Also interesting was the comment about not being able to use a shot that'd been finalled because it'd still been changed after the fact, highlighting the issues that face VFX houses when things can be altered right up until the last minute. Plus the fact that the final render doesn't actually contain everything, they still need to composite in various separate elements. I see some people talk in threads about how studios use AI upscaling blah blah to make their UHD upscales but that's bollox, most such things are still done using the nodes in Nuke or whatever as the paper says. |
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Thanks given by: | puddy77 (12-28-2020) |
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#2693 |
Blu-ray Prince
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Thanks given by: | AdmiralNoodles (01-28-2021), gkolb (01-19-2021) |
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#2697 |
Blu-ray Prince
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#2699 |
Blu-ray Prince
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![]() Last edited by Pieter V; 01-26-2021 at 09:18 AM. |
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Thanks given by: | gkolb (01-27-2021), Zoland2020 (01-26-2021) |
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